I started out as an economics major in college but soon realized that the discipline was based on totally unrealistic assumptions, so I switched to philosophy and literature. I started reading Marx, Freud, and Nietzsche with some of my roommates and then chose UC San Diego for graduate work because of its focus on what became known as “theory”—which was taught there by luminaries including Jameson, Lyotard, and Marin.
I have been researching the psycho-dynamics of markets and capitalism ever since, and have become convinced that rescuing markets from capital is the only way to save the planet from environmental catastrophe.
Lasch’s critique of widespread culture-induced narcissism was recommended to me when it first came out by my mother, of all people. It hasn't held up well, but despite its one-sidedness, it still helped me understand the impact of capitalism on the Western psyche.
Although it covers some of the same ground as Richard Sennett’s earlier Fall of Public Man, I really benefited from the way it couched its critique in psychoanalytic terms, drawing on the work of respected analysts Heinz Kohut and Otto Kernberg.
When The Culture of Narcissism was first published in 1979, Christopher Lasch was hailed as a "biblical prophet" (Time). Lasch's identification of narcissism as not only an individual ailment but also a burgeoning social epidemic was ground-breaking. His diagnosis of American culture is even more relevant today, predicting the limitless expansion of the anxious and grasping narcissistic self into every part of American life.
I've always had a creative curiosity that involves making, designing, and finding creative solutions to problems, this led me to using digital tools and lecturing in interactive media. As technology, society, and design have developed so to has my knowledge and experience in these fields enabling me to understand and develop the unique skills that are required to create successful solutions in the digital design process. I do this through creating and designing interventions in the physical space to ask questions and raise awareness of our use of technology and the impact on our awareness of time and space and the world around us.
Marshall McLuhan, in his book The Medium Is the Massage, introduces the idea that "all media are extensions of some human faculty... The wheel is an extension of the foot. The book is an extension of the eye... clothing an extension of the skin, electric circuitry, an extension of the central nervous system." All of this, McLuhan says, alters the way that we see the world around us and how we interact with it.
This is a must-read for all who work with or study media as it makes the reader question the very medium that we use to interact with each other and see how this impacts how we interpret and experience the world around us. This is vital to beginning to understand how to utilise the medium that you are working with.
In a dazzling fusion of Quentin Fiore's bold and inventive graphic design and Marshall McLuhan's unique insight into technology, advertising and mass-media, The Medium is the Massage is a unique study of human communication in the twentieth century, published in Penguin Modern Classics
Marshall McLuhan is the man who predicted the all-pervasive rise of modern mass media. Blending text, image and photography, his 1960 classic The Medium is the Massage illustrates how the growth of technology utterly reshapes society, personal lives and sensory perceptions, so that we are effectively transformed by the means we use to communicate. His theories, many…
Known more for his books on Mayas, Aztecs, and Spanish conquistadors, historian Matthew Restall's latest book takes his deepest dive yet into the history of pop music.
In the late-1970s, three music-obsessed, suburban London teenagers set out to make their own kind of pop music: after years of struggle, success…
I don't ordinarily read non-fiction. I picked this one because I was interested in the history of comic books in America. I was instantly hooked by the depth of research, which features interviews with many of the writers and artists who experienced the events personally.
I was amazed to learn how extensive the comic publishing industry was prior to the 1960s, and how quickly the political groups opposed to the industry decimated it. More than that, it was eye-opening to realize that this was a story that I had never suspected existed.
I read this during Banned Books Week and I found it ironic that the literal book burnings that occurred during the comic book hysteria are forgotten today.
In the years between the end of World War II and the mid-1950s, American popular culture was first created in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics, in this engrossing history.
I have been privileged to cover sports for the Boston Globe for the last 40-plus years. It is the best place in the country to do what I do. New England has tradition, smart readers, historic teams, and a great deal of success, especially in this century. As an author of 14 books, it's nice to bring some sports to the conversation on this site.
A political writer, Leibovich brings tremendous levity to the ever-serious NFL. The author had good access to Tom Brady and outs Jerry Jones and Bob Kraft for the needy buffoons they are. You will learn and laugh. Jones and Kraft, two of the most powerful owners in the might National Football League, engage in wild and hilarious competition for a spot in the Pro Football Hall of Fame.
"A raucous, smash-mouth, first-person takedown of the National Football League." -Wall Street Journal
The New York Times bestseller
From the #1 New York Times bestselling author of This Town, an equally merciless probing of America's biggest cultural force, pro football, at a moment of peak success and high anxiety
Like millions of Americans, Mark Leibovich has spent more of his life tuned into pro football than he'd care to admit. Being a lifelong New England Patriots fan meant growing up on a steady diet of lovable loserdom. That is, until the Tom Brady/Bill Belichick era made the Pats the most…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Like the Greenberger book, this official history of Batman from DC Comics is essential for any fan. Unlike Kane’s book, this account gives much more credit to Bill Finger as Batman’s creator and highlights many of the writers and illustrators who followed, shaping the Caped Crusader's image over the years. The color reproductions and photos—including ones of collectibles and movie stills—alone are worth the price of this great book.
The Comprehensive overview of the Dark Kights dark past - now in pb. Now in paperback, Batman: The Complete History offers a comprehensive overview of the Dark Knight's dark past. Best-selling author Les Daniels covers the gamut - from Batman's creation and runaway success, to the 1954 accusations of Batman and Robin's homosexuality, to the campy antics of the Adam West TV show, and the emergence of Frank Miller's very disturbed and very dark Knight. Illustrated with archival comic book art and rare Batman paraphernalia and designed by Batman's biggest fan, Chip Kidd, this history aims to please the core…
Most of the one billion people with disabilities in the world are chronically unemployed. Years ago, I set out on a mission to research why that is, and to then attempt to prove that people with disabilities and others are not unemployed for lack of ability. I discovered that we all lack understanding regarding what they need in order to bring their considerable abilities to bare. Fifteen years ago, I founded CY, a for-profit company as a proving ground and showcase for the solutions I found. Over 1,500 employees, 5 weddings, and two court cases later – I have quite a story to tell.
Accountableis a highly researched book filled with case studies and interesting stats to help make the author's case – that Capitalism needs some adjustments. It's especially important for people who don't fully buy into the modern rhetoric and abundant lip service of large companies regarding their "good doing" and self-stated "care" for communities, employees, and stakeholders. It grants an eye-opening perspective regarding the real motivations of business leaders and the incredible power their corporations wield. The many case studies of large and global companies convincingly demonstrate the danger we all face if that power is left unchecked and its wielders are left unaccountable to the globe we live in and the people that inhabit it.
"Uses a combination of great stories and thoughtful analysis to suggest that we must find a way to change the purpose of our corporations if we are to build a society that works for all of us. Rebecca M. Henderson, John & Natty McArthur University Professor at Harvard University
"Fresh, balanced, highly readable and deeply informed" John Pepper, former Chairman and CEO of P&G
"Thought-provoking and insightful, Accountable offers a pragmatic and original roadmap to transform capitalism into a system that's more inclusive, sustainable, and just." Dr. Rajiv J. Shah, President of The Rockefeller Foundation
Known more for his books on Mayas, Aztecs, and Spanish conquistadors, historian Matthew Restall's latest book takes his deepest dive yet into the history of pop music.
In the late-1970s, three music-obsessed, suburban London teenagers set out to make their own kind of pop music: after years of struggle, success…
I’ve spent the past thirty years leading the movement to integrate the humanities, and especially literary study, with evolutionary psychology and cognitive neuroscience. I got my PhD in comparative literature right about the time the academic literary world was being convulsed by the poststructuralist revolution (Derrida, Foucault, et co). I felt a profound antipathy to the sterile paradoxes and attenuated abstractions of that theory. I wanted a theory that could get close to the power literature had over my own imagination. The evolutionary human sciences have provided me with a basis for building a theory that answers my own need to make sense of literature.
This is the first book I always recommend to people wanting to see what literary Darwinism is about. Gottschall has a gift for charming readers, reaching out and speaking to them personally. The book is loaded with condensed research, but all that information is presented in a readily accessible, conversational style. The book is also loaded with fascinating anecdotes—stories. Gottschall makes a compelling case that the human mind naturally craves stories.
Humans live in landscapes of make-believe. We spin fantasies. We devour novels, films, and plays. Even sporting events and criminal trials unfold as narratives. Yet the world of story has long remained an undiscovered and unmapped country. It’s easy to say that humans are “wired” for story, but why?
In this delightful and original book, Jonathan Gottschall offers the first unified theory of storytelling. He argues that stories help us navigate life’s complex social problems—just as flight simulators prepare pilots for difficult situations. Storytelling has evolved, like other behaviors, to ensure our survival.
My husband, Robert McLaughlin, and I taught at Illinois State University for over thirty years. Our fathers both served in World War II (one in the Army Air Forces and one in the Navy) but would never talk about it. That spurred our interest in the war and what it was like. One way to know about it was through the popular culture of the time, such as movies, plays, radio, and books. As we watched more and more movies and gave presentations on them (we’re English professors by trade), we realized how these movies still affect how we think about the war.
Hollywood has always loved the way that British actors spoke, as well as the history, culture, and literature of Great Britain.
Since Britain became involved in the war years earlier than the Americans, the studios could celebrate British heroism and in so doing, point towards a time when the U.S. might be involved.
Many of the best-loved films of the time, such as Mrs. Miniver, The White Cliffs of Dover, and some of the Sherlock Holmes movies show the British collapsing class lines, which appealed to American sensibilities, and provided clues to how the Allies should behave in the midst of crisis.
This work examines the Hollywood "British" film - ie American features that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of most popular and memorable films of the 1930s and 1940s, yet they have received very little individual attention from film historians and even less attention as a body of films. This work seeks to redress this by considering "British" films made during World War II, when Hollywood's interest in Britain was at a peak and "British" films were more numerous than every…
Hi, my name is Nick, and I’m a recovering rockist. I’ve collected records and vintage gear; I’ve owned Ray Coleman biographies. I’ve played in garage bands that did terrible punk-rock covers of songs like Cream’s “Sunshine of Your Love.” I even used to subscribe to Rolling Stone magazine. And most embarrassingly, I believed in the power of rock – to effect political change, to free people’s bodies and minds. But if once I was a true believer, today I’ve become a rock ’n’ roll skeptic. And I hope that this list might help you rethink everything you thought you knew about rock, too.
Some time in the 1960s, rock ’n’ roll became rock, and rock became white. That moment forms the core of Jack Hamilton’s exploration of the fraught racial politics of this music in the United States.
Putting different artists into dialogue – such as Dylan and Cooke, or Janis and Aretha – allows Hamilton to excavate the original complexity of genre labels that, over the fifty years since, have too often effaced the original, more complicated story about race, music, and American society.
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become "white"? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans.
Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the…
At just fifty-four, my husband Steve was diagnosed with early-onset Alzheimer’s disease in 2004. After practicing as a physician specializing in newborn intensive care for thirty years, I found myself at the opposite end of the spectrum, learning everything I could about Alzheimer’s. In 2008, Steve had a dramatic improvement in his symptoms lasting nearly four years from consuming ketogenic coconut oil and MCT oil, a low-carb whole food diet, and later a ketone ester developed at the NIH. I knew that if Steve improved many others would as well, and have been compelled to share this information by speaking and writing about ketones as an alternative fuel for the brain.
We have been told for decades to eat a low-fat diet and to limit saturated fat, especially animal fat and tropical oils, to try to prevent coronary artery disease. We now have epidemics of obesity, diabetes, and dementia, and I personally struggled for years with constant carb craving and yo-yo dieting.
The author of The Big Fat Surprise, Nina Teicholz, is an investigative journalist who spent ten years trying to understand how the low-fat guidelines came about and discovered that the evidence just doesn’t support this advice. Teicholz discusses which fats are healthy and which are not.
A New York Times bestseller Named one of The Economist’s Books of the Year 2014 Named one of The Wall Street Journal’s Top Ten Best Nonfiction Books of 2014 Kirkus Reviews Best Nonfiction Books of 2014 Forbes’s Most Memorable Healthcare Book of 2014
In The Big Fat Surprise, investigative journalist Nina Teicholz reveals the unthinkable: that everything we thought we knew about dietary fat is wrong. She documents how the low-fat nutrition advice of the past sixty years has amounted to a vast uncontrolled experiment on the entire population, with disastrous consequences for our health.
