There are books and series I’ve loved that I’ve only read once, with no need to re-open those particular pages. There are other books that I can re-read every year or so without exactly remembering the details of the plot and enjoy them just as much the second (sometimes tenth) time around. They all inspired me to write, plus they all provided me with awesome entertainment. So, in no particular order…. Five books/series that I’ve re-read at least a half dozen times!
They’re the fictionalized account of the author’s childhood growing up in Deep Valley, Minnesota, and my mom introduced me to these books when I was about nine or so. She’d read them growing up and I reread them constantly into my teens and then every few years as an adult whenever I needed the literary equivalent of hot chocolate and fresh-baked chocolate chip cookies. I realize these books are not in the genres I write, but inspiration doesn’t always come from obvious places.
There are lots of children on Hill Street, but no little girls Betsy's age. So when a new family moves into the house across the street, Betsy hopes they will have a little girl she can play with. Sure enough, they do—a little girl named Tacy. And from the moment they meet at Betsy's fifth birthday party, Betsy and Tacy becoms such good friends that everyone starts to think of them as one person—Betsy-Tacy.
Betsy and Tacy have lots of fun together. They make a playhouse from a piano box, have a sand store, and dress up…
I’ve been intrigued by drums, drummers, and drumming since the age of 12 when my sister gave me some brushes and told me to swish them around on a vinyl album sleeve. I was fortunate to begin my drumming career at the top, which gave me options as to how I could manage whatever came next. I spent 41 years playing the music I wanted with whom I wanted and where and when I wanted, in an endless search for the unusual and the unlikely. This brought me into contact with the great, the good, and the downright hopeless, from all of whom I learned that life isn’t about ‘finding’ things or ‘finding yourself,’ it’s about creating things and thus creating yourself.
This biography of a person that many consider to be the greatest drummer that we’ve had so far, is excellent on several fronts. First, it is written by a long-standing friend and roommate Mel Tormé. Tormé was there when it happened, and as a highly rated jazz singer experienced in Rich’s world, he is able to help us understand why it happened. Second, it speaks volumes about American music and entertainment in the context of the Swing era. Rich could be mean, prickly, and arrogant, and then turn on a dime into a sweetheart. It says much for their friendship that, despite periods of estrangement, it was able to withstand such vacillations. I interviewed the drummer in his Dorchester hotel suite in London in 1968 and I got the sweetheart. Finally, as Jerry Lewis says on the back cover, the book is “written by a champ about a champ”.
Mel Tormé is world renowned as a leading jazz vocalist. He has performed in MGM musicals, co-wrote one of the enduring Christmas classics, "The Christmas Song (Chestnuts Roasting on an Open Fire)," and was recently profiled in Life magazine as one of the greatest living jazz singers. But Tormé has also written five books, including The Other Side of the Rainbow, Tormé's account of his year working on the Judy Garland television show--considered the best portrait of Garland ever written. In this book, Tormé writes a brilliant biography of his friend of forty years--the drummer Buddy Rich. Buddy Rich was…
It's 1943, and World War II has gripped the nation, including the Stilwell family in Jacksonville, Alabama. Rationing, bomb drills, patriotism, and a changing South barrage their way of life. Neighboring Fort McClellan has brought the world to their doorstep in the form of young soldiers from all over the…
I’ve been an artist all my life. In childhood, I was always drawing and after graduating from university I became an illustrator doing hundreds of drawings for major newspapers and publishers in the United States for over 25 years. It was my mission, no matter what was going on in the world, to find some humor and lightness to share through my drawings. About 15 years ago, I also began to teach drawing to adults and was amazed to discover that everyone can draw. When I saw how people seemed to become happier and bolder making art I became passionate about sharing how we can grow our creativity by developing an art practice. It makes for a beautiful life and quite possibly a more beautiful world.
While Nick Cave is primarily a musician/songwriter, this book is a visual record of Cave’s creative journey filled with his early sketchbooks, photos, drawings, and typewritten song lyrics annotated by hand. Many of us artists work in sketchbooks where we can feel free to be messy and exploratory and pour our hearts onto the page. Some of us need words as well as images to explore the world around us, decipher our feelings and uncover our work. I love musing over Nick’s here—so messy and wild to begin and a little more ordered as he ages as one might expect. The book is filled with photos of different parts of his life, drawings and doodles, tight handwritten scripts and taped over typewritten lyrics gone yellow with age. It’s a compendium of a wonderful artist’s creative process. A real joy to sit down with and muse over.
Stranger Than Kindness is a journey in images and words into the creative world of musician, storyteller and cultural icon Nick Cave.
This highly collectable book invites the reader into the innermost core of the creative process and paves the way for an entirely new and intimate meeting with the artist, presenting Cave's life, work and inspiration and exploring his many real and imagined universes. It features full colour reproductions of original artwork, handwritten lyrics, photographs and collected personal artefacts along with commentary and meditations from Nick Cave, Janine Barrand and Darcey Steinke.
I have been building guitars and related instruments since 1994. My enthusiasm for guitar construction led me to deeply explore all aspects of the art and to share as much information as I can with others via my lutherie information website, writing for American Lutherie, published books, and my research publications. I am fortunate to count myself among those that consider building stringed musical instruments to be one of the best things one can do.
Electric guitars and basses are the most popular stringed musical instruments.
Many players dream of building their own instrument. This book provides step-by-step instructions for doing just that. The author is an enthusiastic builder himself, and is also a teacher of instrument construction.
The book is written in a direct and personal style, and anticipates all of the questions a novice builder will ask. This is amazingly confidence-building. For first-time builders of electric guitars, there is no better place to start than this book.
This book tells you everything about making electric guitars following professional standards, phase-by-phase, step-by-step.
It's all about leaving your dent in the universe in the shape of the most beautiful, incredibly sounding guitar you can make—that's clear. But building guitars professionally starts before you even cut the wood: You need to setup your workplace, you have to define your identity as guitar maker, and decide the guiding principles of your endeavor as luthier. What kind of guitars will you build? For whom? What is going to be the winning characteristic of your instruments?
I am an award-winning composer, author, and educator. Since 1990 I have had the privilege of teaching others about music through my concerts, children’s books, academic books, lessons, and online courses.
In the Once Upon a Masterpiece series, author Anna Harwell Celenza tells the stories behind various classical music masterpieces. She does so in an engaging way for children ages 6-9. I love how she is a musicologist and uses documented evidence to tell the story behind the piece. The illustrations incorporate folk art and symbols from the composer’s country. The author includes multiple links so that readers can listen to each masterpiece.
When his friend Victor suddenly dies, composer Mussorgsky is deeply saddened. But, with the help of his friends, and through his own music, Modest finds a way to keep Victor's spirit alive.
Readers of all ages will enjoy the inspirational story behind the composition of Pictures at an Exhibition. Bright, colorful illustrations incorporate elements of Russian folk art and traditional symbols. View pages from artist JoAnn Kitchel's notebook for explanations of the symbols and see her pencil-sketch research of the Russian culture.
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
As I was writing my book, I delved more into the professional singing career of Harry Belafonte. I knew him as the singer of familiar, toe-tapping, globally-inspired hits (i.e. “The Banana Boat Song,” “Jump In the Line,” “Matilda”). I didn’t know about the depth and breadth of his commitment to racial justice. Nor did I realize, more importantly, how his Civil Rights activism informed and shaped his artistic career as an actor and a musician. An eye-opening read about a cultural icon.
A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II-from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael-Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.
In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study…
An album you’ve never heard. A story you’ll never forget...
Benji Hughes is a musician with a bad case of writer’s block, an estranged girlfriend and a secret past he’s not allowed to discuss—but does anyways. Recounting the unbelievable (but true!) story of his fairytale romance catches the attention of…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
I enjoy books where relationships go beyond romance and delve into themes of friendship and family. I also love a story that takes historical figures and plays with reality, blending fantasy and historical fiction. This book covers both.
What I adored most about this book was the portrayal of Nannerl’s (Wolfgang Amadeus Mozart’s sister) struggle for recognition against the patriarchal constraints of her time. This story beautifully blends themes of familial love, gendered expectations, and the power of imagination.
From #1 New York Times bestselling author Marie Lu comes a historical YA fantasy about a musical prodigy and the dangerous lengths she'll go to make history remember her. Now in paperback.
Two siblings. Two brilliant talents. But only one Mozart.
Born with a gift for music, Nannerl Mozart has just one wish--to be remembered forever. But even as she delights audiences with her masterful playing, she has little hope she'll ever become the acclaimed composer she longs to be. She is a young woman in 18th century Europe, and that means composing is forbidden to her. She will perform…
I started singing and playing guitar in garage bands in high school, about the same time that I began thinking of myself as a serious writer, so for me the two endeavors have always gone hand in hand. Over the decades, I’ve continued to write creatively—while teaching thousands of students along the way—and also to play in a number of bands that have specialized in everything from country-folk to raucous punk. Like many writer-musicians, I love reading good stories about the challenges and joys of people joining together, and falling apart, as they attempt to transcend ordinary life through the power of music.
The book begins with short chapters on a couple of blues players—Harmonica Frank and the mysterious Robert Johnson, who allegedly sold his soul to the devil so he could play guitar—before moving to extended chapters on Elvis, and others.
Marcus’s project is to cross-reference American history with American music and to try and make sense of them both. It sounds like something an academic would get up to, and plenty of research went into the making of Mystery Train (at 224 pages, the Notes and Discographies section of the 2015 edition is considerably longer than the original book).
However, Marcus is one of the great rock writers, and he’s as keen on crafting unforgettable sentences as he is in explaining the meaning of rock and roll.
The perfect gift for music fans and anyone who loves artists like Elvis Presley, Randy Newman, Sly Stone, Robert Johnson, and Harmonica Frank.
In 1975, Greil Marcus’s Mystery Train changed the way readers thought about rock ’n’ roll and continues to be sought out today by music fans and anyone interested in pop culture. Looking at recordings by six key artists—Robert Johnson, Harmonica Frank, Randy Newman, the Band, Sly Stone, and Elvis Presley—Marcus offers a complex and unprecedented analysis of the relationship between rock ‘n’ roll and American culture. In this latest edition, Marcus provides an extensively updated and rewritten…
I am a musician and an author. Many of my mentors and collaborators are members of the Association for the Advancement of Creative Musicians (AACM), a collective organization of African American composers and performers founded on the South Side of Chicago in 1965. Their farthest-reaching innovation, a form known as “creative music,” transformed the fields of jazz and experimental music by breaking down the barriers that—prior to the advent of the AACM—had separated the disciplines of composition and improvisation. My book Sound Experimentsand the other books on the list give readers new insights into the members of the AACM and their groundbreaking music.
In The Freedom Principle, Chicago music critic John Litweiler examines the AACM’s connections to the experimental styles of jazz that emerged in the late 1950s and early 1960s. Figures such as Ornette Coleman and John Coltrane were important early influences on the AACM, and Litweiler shows how their work became the foundation for the even more radical advances of AACM composers and improvisers. The Freedom Principle is also replete with wonderful stories from the AACM’s first two decades, including Henry Threadgill’s account of how he created the hubkaphone, a percussion instrument made from salvaged hubcaps.
}Ornette Coleman's discovery some thirty years ago that his band's music was indeed a "free thing" marked the beginning of a revolution in jazz. From the early free-form experiments, Coleman's dancing blues, and John Coltrane's saxophone cries and sheets of sound, to the brittle, melancholy modes of Miles Davis, vibrant, sophisticated new jazz idioms proliferated. In this critical and historical survey of today's jazz, noted critic John Litweiler traces the evolution of the new music through such artists as Coleman, Coltrane, Davis, Cecil Taylor, Eric Dolphy, Sun Ra, Albert Ayler, Anthony Braxton, and others. He also addresses questions such as:…
Hayley and the Hot Flashes
by
Jayne Jaudon Ferrer,
Country music diva Hayley Swift has fallen off the charts and into a funk. Desperate to regain her place in the limelight, she agrees to a low-budget tour of Southern venues, starting with her 35th high school reunion.
There, in an unexpected but fortuitous reconnection, The Girls Next Door —who…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Whilst not strictly a book about popular music, but rather two separate but related essays on the modern composers Igor Stravinsky and Arnold Schoenberg, Adorno’s study has been utterly formative for how I understand music and its relationship to its social conditions.
I can’t even fathom how I could think about music without Adorno, and this book is by far his most concerted and concise statement on the subject.
An indispensable key to Adorno's influential oeuvre-now in paperback
In 1949, Theodor W. Adorno's Philosophy of New Music was published, coinciding with the prominent philosopher's return to a devastated Europe after his exile in the United States. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Arnold Schoenberg reviled it.
Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal…
