I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
This is probably the most comprehensive biography of Steven Spielberg ever written.
It is detailed, in-depth, and readable, based on a variety of sources. I found it very useful for our biography of Kubrick not only as a model but also as a source of information, given that the two directors were friends.
It is so good that it is rumored that it influenced the director to make his semi-autobiographical film The Fabelmans in 2022.
Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. But in this first full-scale, in-depth biography of Spielberg, Joseph McBride reveals hidden dimensions of the filmmaker's personality and shows how deeply personal even his most commercial work has been.This new edition adds four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to the present, a period in which he has balanced his executive…
When I learned that a friend, at forty, discovered the father he thought was his dad wasn’t, I was both fascinated and devastated for him. It made me wonder why families kept secrets and believed it was the best choice. I became curious about how such news affected those lied to. Over time, I found others with similar revelations, sparking personal journeys of self-discovery. These stories, shared without me asking, led to my debut novel and shaped my writing. While my own family seems secret-free, I’m drawn to writing about characters burdened with hidden truths, exploring how these secrets affect identity, trust, and relationships.
I love historical fiction with mystery and long-held secrets centered around a piece of art, and where the story teaches me something I never learned in school. Harmel does it beautifully in this evocative novel with the POW internment camps in Florida during WWII.
Hooked on page one, I was captured by the protagonist’s hunger for roots and family, and kept turning pages to uncover the mystery of Emily’s family along with her. This page-turner is heartbreaking as well as heartwarming, and it set me off to reading all of Harmel’s novels.
From New York Times bestselling author Kristin Harmel, a beautifully repackaged and updated edition of “one of her best” (RT Book Reviews) historical novels.
Emily Emerson is used to being alone; her dad walked out on the family when she was a just a kid, her mom died when she was eighteen, and her beloved grandmother has just passed away as well. But when she's laid off from her reporting job, she finds herself completely adrift...until the day she receives a beautiful painting of a young woman standing at the edge of a sugarcane field under a violet sky. She…
While growing up in a Vermont town in the lower Champlain Valley, I became fascinated with the wealth of nearby historic sites dating from the French and Indian War and the American Revolution. Within easy reach of our family station wagon were Fort Ticonderoga and more. I became especially intrigued by German mercenaries hired by the British to fight the American colonists. My interest led me to become a history major at the University of Vermont, and eventually to Germany as a correspondent for The Associated Press. I worked and lived in Germany from 1987-1997, covering the toppling of Communism, the birth of a new Germany, the rise of neo-Nazi violence, and other themes.
For an understanding of how Munich became the birthplace of the Nazi movement, I highly recommend David Clay Large’s narrative nonfiction work Where Ghosts Walked: Munich’s Road To The Third Reich. At center stage in Large’s book is Munich itself, a beautiful city that before World War I was known as “Athens On The Isar” because of all of the writers, musicians, and artists it attracted. Large tells of the 1918 revolution that toppled Bavaria’s monarchy, of the Munich Soviet Republic that briefly took its place, of Bavarians’ embrace of right-wing extremism that followed the communists’ bloody ouster, and the giddy enthusiasm showered upon a mustered-out World War I corporal named Adolf Hitler as he spewed anti-Semitic and anti-democratic venom at rallies.
Munich was the birthplace of Nazism and became the chief cultural shrine of the Third Reich. In exploring the question of why Nazism flourished in the 'Athens of the Isar', David Clay Large has written a compelling account of the cultural roots of the Nazi movement, allowing us to see that the conventional explanations for the movement's rise are not enough. Large's account begins in Munich's 'golden age', four decades before World War I, when the city's artists and writers produced some of the outstanding work of the modernist spirit. He sees a dark side to the city, a protofascist…
I am Professor of Modern European History at the University of Southampton, UK, and publish widely on diverse aspects of Nazi Germany. The first history book that I ever read was Alan Bullock’s Hitler. A Study in Tyranny - the first scholarly biography of Hitler to appear. I still recall the fascination of reading this as a teenager: it sparked a curiosity that formed the basis of a scholarly career that has spanned nearly three decades. The desire to make sense of the phenomenon of Nazism was never purely academic, however – my own family origins in Germany, and the stories elderly relatives told of their wartime experiences, gave the history texture, immediacy, and urgency.
This fascinating book takes the seemingly banal topic of Hitler’s domestic interiors as a way into exploring both how Hitler chose to project himself and how others – from foreign diplomats to ordinary Germans – learned to see him. From his initial humble quarters in Munich to his conservatively furnished apartments in Berlin and his mountain retreat in the Alps, the evolution of Hitler’s interior design ethos reflected his move from ordinary front soldier to European statesman. The reproduction of his furnishing choices in glossy consumer magazines, meanwhile, offered aspirational Germans a chance to remake their own homes in emulation of their idol. If this sounds familiar, well, that may be the point.
A revelatory look at the residences of Adolf Hitler, illuminating their powerful role in constructing and promoting the dictator's private persona both within Germany and abroad
Adolf Hitler's makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator's preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler's bachelor life stirred rumors, and the Nazi regime relied on the dictator's three dwellings-the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on…
While I was child growing up in London, the war was a powerful presence in my life. It was there in the films we watched, in the comics my brothers read, and in my vague understanding of what it meant to be British. It was not a subject we ever studied at school and as an adult I’ve always felt frustrated by my inadequate knowledge of this world-changing conflict. When I first had the idea of writing about the six remarkable women who pioneered the way for female war journalists, it wasn’t just their personal stories that drew me in but the chance to learn more about WW2 itself.
Lee Miller was the most unlikely of war correspondents. As a fashion model for Condé Nast, a surrealist collaborator of Man Ray, and a celebrity New York photographer, world events never impacted much on her work. But when she moved to London to become a photojournalist for Vogue, she found her own special subject in the war. Among the highlights of this handsome collection is Miller’s vivid report of the battle for St Malo where, as the darling of the US 83rd Division, she and her camera were given unfettered access. No less compelling are her accounts of liberated Paris, her haunting photographs and descriptions of concentrations camps; and one of the most iconic images in this book is the photograph taken of Lee sitting naked in Hitler’s own bathtub as she scrubs off the filth and stink of Dachau.
Lee Miller's work for Vogue from 1941-1945 sets her apart as a photographer and writer of extraordinary ability. The quality of her photography from the period has long been recognized as outstanding, and its full range is shown here, accompanied by her brilliant despatches. Starting with her first report from a field hospital soon after D-Day, the despatches and nearly 160 photographs show war-ravaged cities, buildings and landscapes, but above all they portray the war-resilient people - soldiers, leaders, medics, evacuees, prisoners of war, the wounded, the villains and the heroes. There is the raw edge of combat portrayed at…
I am momto three daughters, grammyto seven grandchildren. I am a storyteller and a voracious reader. There’s nothing better than to immerse myself in books about history, espionage, and family sagas. Growing up in northeastern Pennsylvania, I never suspected that I would travel the world one day, although I always dreamed of writing novels. Living in India for a time, I developed a passion for international affairs. I try to make the settings and culture of my novels as authentic as possible. To research the background for The Expatriate, I traveled to England, Austria, Switzerland, Italy, and the Eastern Republics of the former Soviet Union.
I read this book for research for my own book. The White Rose is the tragic story of Hans and Sophie Scholl and their friends, German students who defied Hitler, forming the underground movement known as The White Rose. I was thrilled at the terror of the brother and sister taking chances, distributing anti-Nazi leaflets right under the eyes of the Gestapo. Handsome Hans, heartthrob of his female medical classmates, was the leader of the group, while serious, pious Sophie was his loyal lieutenant. Written by their sister, this account shows there were good people who opposed Hitler, risking everything. I had chills, imagining the terrible price the two siblings paid for their bravery. And my heart ached for their mother, who lost two children to Himmler’s archaic method of punishment—the guillotine.
The White Rose tells the story of Hans Scholl and Sophie Scholl, who in 1942 led a small underground organization of German students and professors to oppose the atrocities committed by Hitler and the Nazi Party. They named their group the White Rose, and they distributed leaflets denouncing the Nazi regime. Sophie, Hans, and a third student were caught and executed.
Written by Inge Scholl (Han's and Sophie's sister), The White Rose features letters, diary excerpts, photographs of Hans and Sophie, transcriptions of the leaflets, and accounts of the trial and execution. This is a gripping account of courage and…
Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
This magnificent book focuses on a single piece of music, Gustav Mahler’s titanic Eighth Symphony, and its premiere in Munich in the summer of 1910, a major musical and cultural event that attracted many eminent personalities from all over Europe. Mahler himself had no doubts about the uniqueness of this symphony which he saw as his "gift to the nation ... a great joy-bringer,” not so far away from Beethoven’s message in his Ninth. He wrote: "Try to imagine the whole universe beginning to ring and resound. There are no longer human voices, but planets and suns revolving."
Johnson offers a detailed account of the work, its premiere, and the public response to it, a description of the deep personal traumas surrounding its composition (death of beloved daughter, marital turmoil, and terminal health troubles) and offers a profound analysis of the symphony’s musical structure, content, and originality. The…
The Eighth Symphony was going to be different from anything Mahler had ever done before: it would speak in different tones, and of a different kind of experience. The world premiere in Munich in the summer of 1910 was the artistic breakthrough for which the composer had yearned all his adult life.
Stephen Johnson recounts the symphony's far-reaching effect on composers, conductors and writers of the time. Placing Mahler within his world, The Eighth reassesses Mahler's work in the context of the prevailing thought of his age, but also against the backdrop of that tumultuous summer,…
The Second World War featured prominently in comics and conversations with adults when I was a boy. Knowing about the war and its origins was a way to make sense of the world. As an undergraduate, my history professor insisted I also study economics. That has helped my study of strategy, which is also concerned with choices between alternative uses of scarce resources. However, dry analysis is not enough for a historian. It mattered that Churchill and Chamberlain had different personalities. I try to recapture the political passions of the past and the uncertainty people felt then about the future.
I attended Alistair Parker’s lectures as a postgraduate in Oxford, and I could hear his voice engaging with his audience when I read this book. Alistair rejected Churchill’s portrait of Chamberlain as narrow-minded and lacking experience in European affairs and accepted that the prime minister’s options were limited by economic and strategic circumstances. However, he argued with characteristic verve that Chamberlain’s obstinacy in pursuing appeasement, caution in rearmament, and opposition to a Soviet alliance dispelled any chance of deterring Hitler.
This book provides a fresh and original approach to a controversial episode in British history, Chamberlain's policy of 'appeasement' towards Hitler's Germany. Written directly from primary archival sources, Alastair Parker's account offers the student new perspectives on the man who dominated the making of British policy before and after his 'triumph' at Munich in September 1938 - Neville Chamberlain. This study considers his personality, his aims and his methods and the opposition to him from men both within and outside his party.
After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
Adam von Trott was a Prussian aristocrat who studied at Oxford, worked for the German resistance, and was executed by the Nazis in August 1944. I discovered Trott when I was researching wartime Berlin. Christopher Sykes’ biography gives a fascinating portrait of an intense and charming man. His deep loyalty to Germany led him to oppose its government, attempt to reach an understanding with its enemies and participate in an effort to kill its leader.
Adam and his contradictions continue to intrigue me – and I’m not the only one! He pops up regularly in other people’s novels under various aliases: as Hartmann in Robert Harris’ Munich, for instance, and as Axel von Gottberg in Justin Cartwright’s The Song Before It Is Sung.
Angela Burke Kunkel is an author, school librarian, and former English Language Arts teacher. She has experience working with all types of young readers, from the reluctant to the voracious, and has taught in both alternative and public schools, including a New Mexico middle school with a nationally-recognized dual education program. She is passionate about ensuring equitable book access for all children, and has published articles and participated as a panelist on these issues.
In the dark era of post-World War II Germany, journalist, author, and translator Jella Lepman organized a traveling exhibit of over 2,000 books from 14 countries. The Lady with the Books is a fictionalized account of Lepman’s project, told through the eyes of siblings Annelise and Peter, who enter the exhibit hoping to find food and discover something even more sustaining—books, and the hope of better days to come.
Inspired by true events, a fictionalized retelling of how one woman brought a world of books to children in Germany after World War II, and changed their lives forever. Anneliese and Peter will never be the same after the war that took their father's life. One day, while wandering the ruined streets of Munich, the children follow a line of people entering a building, thinking there may be free food inside. Instead, they are delighted to discover a great hall filled with children's books --- more books than Anneliese can count. Here, they meet the lady with the books, who…
