100 Books Like Lee Miller's War

It is a beautifully atmospheric, Blitz-era novel about passions and complex relationships in the noir blackout and who can be trusted in such times. 

Published just after the war, it captures the period in a way that those born decades later can only dream of doing. My mum was an un-evacuated child in London during the Blitz, and her school was bombed to the ground by the Luftwaffe—but luckily, on a Saturday.

England is flawed as a nation, then and now, but it’s important to remember the unique evil of the Nazis. Most individuals are flawed in much more minor ways. The novels I have chosen all contain imperfect people making mistakes. To me, that’s true life. It’s what I relate to.

I loved Virginia Cowles from the moment I read about her arrival in Madrid to cover the Spanish Civil War. In her high-heeled shoes and elegant wool dress Cowles looked as though she were dressed for a Manhattan tea party rather than the trenches of Spain. Yet she was a doggedly ambitious reporter whose glamour often bought her unique access to her subjects, not least the besotted Soviet General who kept her captive for three days, feeding her champagne while trying to convert her to Marxism. From Spain, Cowles went on to cover much of WW2, including the fall of Paris where she arrived just two days before the Nazis. Looking for Trouble is a rollicking thriller of a memoir, packed with political gossip and wildly entertaining anecdotes.

I chose photo books for my list because I often use photos to help me as I write—either to construct a scene or to provide detail. Because my books are set against the backdrop of the Monuments Men’s work, this book was really the starting point for my writing the trilogy.  

Edsel presents a methodical overview of the vast scope of Nazi art theft in Europe, the destruction wrought on its monuments, and the enormous task of restitution and rebuilding. Seeing the sheer quantity of looted art stacked ceiling-high in endless rows and the faces of the men and women charged with making it right helped me put their work into my fictional work.

Colorized images are often controversial, and I never much liked them, but Marina Amaral’s amazing work changed my mind.  She is a master at thoughtful and surprisingly natural-looking colorizing and it’s amazing to me how our brains are so used to processing historical photos in black and white, as if the world really was colorless. The photos in this book, accompanied by the text by Dan Jones allow you to pick it up open to a random page, look and read and put it back down having learned something and viewed a scene you thought you know in a new light. Amaral is also one of my favorite follows on Twitter (@marinamaral2). That’s how I discovered her work.

This book is the catalog of a 2019 exhibition of the same name. It’s a collection of 440 images that cover all facets of Jewish life in the Netherlands during the German occupation. What’s most interesting and compelling are the rare, so-called bystander photos that show what life under Nazi rule looked like for ordinary people going about their lives, both those who were persecuted and those who committed genocide, as well as those who witnessed it. While we can look into the faces of people knowing the horrors that were to come, seeing these images—weddings, dinners, strolls in the park—as a preface to the more familiar images of round-ups, transports, and concentration camps provides deeper insight into history. I revisit the photos in this book often.

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

Some readers may know about the late great Martha Gellhorn through her dramatically volatile relationship with the novelist Ernest Hemingway. But she was a fierce and passionate writer of fiction herself, and when I discovered her collection of war journalism I realised that she ranked and still ranks amongst the finest of war correspondents. Even decades after the event, Gellhorn still has the power to shock and move us. By choosing to put the suffering of individuals at the heart of her writing, by the unflinching detail of her descriptions, evoking the sights, smells, and sensations of war she drives home her own profound conviction that while the fight against fascism had been necessary in her time, war itself is nearly always an evil, driven by the cynicism and greed of powerful old men.

When Iris Carpenter was reporting on the war she, like all journalists, was subject to the rules of the military censors. But once the conflict was over she was free to publish the truth of all that she’d seen, and her 1946 memoir is an extraordinarily candid, occasionally harrowing read. As her title suggests, Carpenter’s principal objective was to expose the prejudice and stupidity against which she and her female colleagues had to battle, simply to get to the front—her account was one of the primary sources for my book. But she was also a fearless eyewitness and her memoir provides rare insights into the conditions of war, both its camaraderie and its horror.

Although it has no illustrations (and seeing the face of the soldier writing the letters is very important to feel connected), reading these archives from the Imperial War Museum, focusing on British Forces’ Personal Letters and Diaries during the Second World War, was a fantastic read. The soldiers’ names and personal stories are disclosed and there’s a historical context for the neophytes. It also deals with battles that we seldom hear about (looking at you, books about D-Day on Omaha Beach!!).

This is the third and final of Rick Atkinson’s three-volume Liberation Trilogy, and if you loved the first two, as I did, you’ll love this one. A meticulous researcher and masterful storyteller, Atkinson devotes this volume to the final year of World War II in Western Europe (D-Day to V-E Day).

Along with mining diaries and letters of soldiers, civilians, journalists, and world leaders for fresh details, Atkinson balances the human drama with crisp military analysis and engrossing background information.

I was indebted to this two-time Pulitzer Prize-winning journalist and author for helping me better grasp what Ellen England’s father experienced while he labored, in concert with thousands of Allied troops, to cripple and ultimately defeat Hitler’s vaunted Wehrmacht.