I love this one because it’s a fitting tribute to Christopher Tolkien’s monumental work of literary archeology. The essays in this collection feel as fresh today as they did 24 years ago. It’s hard to pick favorites from such a strong and wide-ranging collection, but I often return to the essays by the late scholars Charles E. Noad and Richard C. West on the making of the Silmarillion and on the concept of ofermod, respectively. 

If you are anything like me, one of the reasons you keep coming back to Middle-earth is the landscape. This is the field guide I want to take on my next trip!

This is a very thoroughly researched compendium of information and folklore about real-world plants in Tolkien’s world—and about his invented plants as well. It's nicely illustrated, too!

I love this book for its gloriously unfinished glimpses into three Ages of Tolkien’s sub-creation. It taught me just how important Túrin Turambar was to his author, took me to parts of Númenor I’d not dreamt of, and showed me Gandalf blowing smoke rings in Saruman’s face.

It also showed me Christopher Tolkien’s care as an editor and served as a first step towards the rich and unabashedly scholarly studies of The History of Middle-earth. 

This is an opportunity to revisit Middle-Earth. Like many science fiction and fantasy fans, I grew up on Tolkien and devoured everything I could of his writing. The later collections of notes and fragments compiled by Christopher Tolkien have always been somewhat impenetrable for me, teasing a recapture of the magic from those early days. However, not until these new compiled works have been released have they spoken to me in the same way.

Reading the book as an audio work also helped. This makes the notes and commentary palatable without dragging you away from the narration of events.

While yes, this is another work of Tolkien and this story is covered in the already mentioned The Silmarillion, this book expands in greater detail in the much closer look from the eyes of one Turin, son of Hurin.

I love how this book took an already tragic yet beloved story and fed my appetite with all of the particulars involved therein. The Children of Hurin is such a tragic story of poetic justice, curse, and irony. The main character is as equally frustrating as he is pitiable, and I see him as being quite relatable as any common, fallible human being.

And therein, its work of poetry is rich with matters that can be very relatable to the reader. These matters include lessons to learn, lessons of virtue and anti-virtue, lessons of vice, lessons of pride and its fall, what happens when we approach evil directly without having… show more.

Verlyn Flieger is the doyenne of Tolkien criticism, and this collection sees her at her best.

I’ve often found that her brilliance lies in pointing out what’s been hiding in plain sight–and once you have seen it, your view is forever changed. “But What Did He Really Mean?” and “Politically Incorrect Tolkien” are my favorites, but there are many gems here worth excavating.

I am fascinated by the contradictions of Tolkien’s women and by the tension between Christian and pagan in his writing.

This book is particularly valuable for its explication of Tolkien’s integration of Marian and Valkyrie imagery, resulting in female characters of transcendental beauty and heroism. And the writing is absorbing and informative.

This is an odd book in some ways. It’s half narrative, half editorial commentary. But I absolutely loved it as a look at the creative process and writing for the sheer joy of writing.

What we have here is a few early stories by Tolkien which show the genesis of his Middle-earth setting along with commentary by his son Christopher. You see Tolkien’s ideas evolve, which was a great reminder that writing is often about polishing, editing, and distilling concepts.

But it was also fun to read, knowing it was just stuff Tolkien was playing with. At the time of writing, he had no thoughts of publishing it. Indeed, it was never published until a few years after his death. He was just writing and creating for his own enjoyment.

Though Tolkien’s Middle-earth was a centerpiece of fantasy for me, Lewis’ Narnia offset and balanced the more serious grave nature of Middle-earth with its more light-hearted adventures told through the eyes of children, where it feels like a fairy tale as everything in its world is simply extraordinary. 

The Chronicles of Narnia’s symbolism strikes me as being straightforward in its Christian allegory, which I find quite relatable. The aspect of being as children following the will of “our Heavenly Father” (in their case, walking in Aslan’s guidance) in what is truly a beautiful and imperfect world resonates so well with me, as it is a beautiful picture.

Its fairy tale style fantasy as a magical world just brings out the beauty of fantasy when its storytelling is kept simple. A simple beauty from levity, I love in contrast to the sorrowful beauty of Middle-earth that affects me on a… show more.

I love it for taking me on a wild ride through Frodo’s dreams and along the lost road back to Númenor. Flieger’s study of Tolkien’s abandoned time travel stories is particularly effective; it made me want to explore every nook and cranny of The History of Middle-earth.

Much of her work on Tolkien is justly famous, but this one in particular showed me that Tolkien criticism could be a work of art in its own right.