Here are 36 books that The Children of Húrin fans have personally recommended if you like
The Children of Húrin.
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Like many people of my generation, I first discovered fantasy worlds through morning cartoons. Then came comics, but The Lord of the Rings changed everything for me, followed by Dragonlance, Forgotten Realms, and many more. I was an introverted child, often bored with ordinary life, and these worlds gave me somewhere to escape. Most importantly, I loved journeys that transformed characters, because they gave me hope that people could change too. I created fantasy realms in my head for years, but it took reaching my 40s to finally start putting them on paper. Today, I write and publish my own stories, including Chronicles of Ankhara, through AltWorld Comics.
I read this trilogy in 1998 when I had just finished high school.
Even then, I understood the book presented Frodo as the main hero, but I was always aware that without Sam, Frodo couldn't go far. He was just a gardener in the beginning, but when the books were over, he proved himself and even became the mayor of the Shire.
Seeing a regular guy carrying the main hero on his shoulders is something else. The decisions he made and his forcing himself to do more transformed him into a natural hero and a leader.
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I have a passion for reading and telling tales. But I am a Christian first and foremost, and when I am not studying the Bible, I love to write when my mind is at rest and not too busy with life’s responsibilities. I love fantasy as it has a rich capacity for symbolism, and Jesus taught with parables. Symbolism in storytelling is such a potent way to convey truths and stimulate thought as thoughts work like seeds. It only takes one seed to germinate and sprout. It takes a humble heart to listen and consider something new we haven’t thought of before. And epic tales have a strong impact for touching hearts, for it had truly reached mine.
From childhood, hearing and reading stories and folk stories with my parents and grandfather to reading Tolkien’s The Hobbit and The Lord of the Rings, I have always had a passion for the hearing, reading, and telling of tales, which strongly stimulates my love for fantasy as it is rich with symbolism.
Tolkien’s The Silmarillion took that love to new levels as it is the book I find myself always returning to, almost as though in its study. While it is commonly a difficult read for many due to its slow build for establishing its own context, I love how this book is a rich library of stories bespeaking themes of tragedy, despair, courage, hope, and nobility, where we get to see their fruits in the story’s conclusion.
Despite Tolkien’s decision to refrain from allegory as he kept the story purely ambiguous in nature as the fictional world feels both…
The forerunner to The Lord of the Rings, The Silmarillion fills in the background which lies behind the more popular work, and gives the earlier history of Middle-earth, introducing some of the key characters.
The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor.
Included on the recording are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and…
Ever since childhood, I have been enthralled by dragons. The stories of these mythical creatures can be told in so many ways, from dragons as pets to bonding with them or even shapeshifting into them. I chose these books because they are memorable, they have stuck with me, and they have fascinated and inspired me for years. All of these writers have influenced my own work, and they are sure to resonate with you, too.
This is a four-book series, and once I read the first one, I had to read the rest! Robin Hobb’s version of dragons is unique and imaginative, unlike the dragons in any other book I’ve read.
I immersed myself in her detailed, creative world. This series offered me an escape unlike any other.
Return to the world of the Liveships Traders and journey along the Rain Wild River in this standalone adventure from the author of the internationally acclaimed Farseer trilogy.
Guided by the great blue dragon Tintaglia, they came from the sea: a tangle of serpents fighting their way up the Rain Wilds River, the first to make the perilous journey to the cocooning grounds in generations. Many have died along the way. With its acid waters and impenetrable forest, it is a hard place for any to survive.
People are changed by the Rain Wilds, subtly or otherwise. One…
The epic saga continues. Jarnland is in a frenzy of excitement. After the eccentric demise of Old King Wyllard, his co-Majesty, young Queen Esmeralda, announces a Royal Tournament to celebrate the return of our heroes from their perilous quest. The Main Event will be a duel between the legendary warrior…
I have a passion for reading and telling tales. But I am a Christian first and foremost, and when I am not studying the Bible, I love to write when my mind is at rest and not too busy with life’s responsibilities. I love fantasy as it has a rich capacity for symbolism, and Jesus taught with parables. Symbolism in storytelling is such a potent way to convey truths and stimulate thought as thoughts work like seeds. It only takes one seed to germinate and sprout. It takes a humble heart to listen and consider something new we haven’t thought of before. And epic tales have a strong impact for touching hearts, for it had truly reached mine.
Though Tolkien’s Middle-earth was a centerpiece of fantasy for me, Lewis’ Narnia offset and balanced the more serious grave nature of Middle-earth with its more light-hearted adventures told through the eyes of children, where it feels like a fairy tale as everything in its world is simply extraordinary.
The Chronicles of Narnia’s symbolism strikes me as being straightforward in its Christian allegory, which I find quite relatable. The aspect of being as children following the will of “our Heavenly Father” (in their case, walking in Aslan’s guidance) in what is truly a beautiful and imperfect world resonates so well with me, as it is a beautiful picture.
Its fairy tale style fantasy as a magical world just brings out the beauty of fantasy when its storytelling is kept simple. A simple beauty from levity, I love in contrast to the sorrowful beauty of Middle-earth that affects me on a…
A beautiful paperback edition of The Magician's Nephew, book one in the classic fantasy series, The Chronicles of Narnia. This edition is complete with cover and interior art by the original illustrator, Pauline Baynes.
On a daring quest to save a life, two friends are hurled into another world, where an evil sorceress seeks to enslave them. But then the lion Aslan's song weaves itself into the fabric of a new land, a land that will be known as Narnia. And in Narnia, all things are possible.
The Magician's Nephew is the first book in C. S. Lewis's…
Being of Eastern European origins, and also a child of the 80s, definitely had a say in what my likings and my character would become growing up. From the cold long winters and the white landscapes, Fantasy genre, and everything Might and Magic have shaped my childhood, my studies, my art (traditional oil painting and clay sculpting) and lingered until now (and definitely beyond).
The Dwarves series (especially the first two books) bring the readers back in time and sets them up, straight from the beginning, on a simpler way of seeing things and also a simpler way of writing, while also being able to convey the true values of the fantasy genre with class.
For countless millennia, no man or beast has ever succeeded in breaching the stone gateway into Girdlegard. Until now . . .
Abandoned as a child, Tungdil the blacksmith is the only dwarf in a kingdom of men. But when he is sent out into the world to deliver a message and reacquaint himself with his people, the young foundling finds himself thrust into a battle for which he has not been trained. Not only his own safety, but the life of every man, woman and child in Girdlegard depends upon his ability to embrace his heritage.
Being of Eastern European origins, and also a child of the 80s, definitely had a say in what my likings and my character would become growing up. From the cold long winters and the white landscapes, Fantasy genre, and everything Might and Magic have shaped my childhood, my studies, my art (traditional oil painting and clay sculpting) and lingered until now (and definitely beyond).
Besides the intriguing adventure and plot, this series is the masterpiece of Sarah Ash (the first books especially – and the last chapter is still being written). You’d soon fall in love with her and her exquisite and rich way of describing her magical worlds.
Three kingdoms. One man. A destiny written in blood. An epic new fantasy series begins . . .
Seemingly always the outsider, Gavril Andar - an impoverished young painter - yearns to join the privileged circles of Muscobar polite society. However, unbeknownst to him, he does have royal blood in his veins: the dark and powerful blood of a father he never knew - the Drakhaon, ruler of the isolated northern kingdom of Azhkendir. And when the Drakhaon is brutally murdered, an unwilling Gavril is forced to take up the mantle of both his father's rule - and his power.…
Why: Earth 2278 is a passionate book about enduring human emotional limits. A futuristic thriller with compassion, gallows humor, a love story, high-stakes battles, and a tight bond of camaraderie. In this futuristic adventure, it blends a creative science of a new world-building, set upon a tyrannical leader who runs…
I’ve been an avid fantasy reader since childhood, and have been writing fantasy since a teen. I fenced at the collegiate level, have a background in martial arts, and have had a mild obsession with ancient weapons and warfare since I was a child. I used to specifically go back and reread the fight scenes of my favorite books. Writing an edge-of-your-seat fight scene is one of my favorite things in writing.
What I loved about the battles and fight scenes in this series was seeing how magic, ordinary weapons, and dragons combined together on the battlefield and created really interesting dynamics and strategy.
Think about what it would be like to face soldiers who’ve been enchanted to feel no pain or to move superhumanly fast. Or think about having to fight armored soldiers while magicians are trying to break into your mind with mental magic. Imagine two dragons dueling in the skies, while their riders fight each other with magic and swords.
That’s the feel of this series, and it’s awesome. I also loved that Paolini dives into the tactical details of a swordfight or skirmish, making it feel visceral, real, and like you’re right there with the characters.
When poor farm boy Eragon finds a polished stone in the forest, he thinks it's a lucky discovery. Perhaps, he will be able to buy his family food for the winter.
But, when a baby dragon hatches out of the stone, Eragon realises he's stumbled upon a legacy nearly as old as the Empire itself.
His simple life is shattered, and he's thrust into a perilous new world of destiny, magic and power. To navigate this dark terrain, and survive his cruel king's evil ways, he must take up the mantle of the…
I have a passion for reading and telling tales. But I am a Christian first and foremost, and when I am not studying the Bible, I love to write when my mind is at rest and not too busy with life’s responsibilities. I love fantasy as it has a rich capacity for symbolism, and Jesus taught with parables. Symbolism in storytelling is such a potent way to convey truths and stimulate thought as thoughts work like seeds. It only takes one seed to germinate and sprout. It takes a humble heart to listen and consider something new we haven’t thought of before. And epic tales have a strong impact for touching hearts, for it had truly reached mine.
This book in collection of fairy tale stories is filled as a treasure trove with lessons, rhymes, and songs to dance about my heart, whether in a light-hearted fantasy fair beat or in a requiem drama of heart strings pulled where my very tears seem to harmonize the general melody in tone the book sings to in its many narratives.
However, there are a few pieces much too dark for my taste, such as “The Juniper Tree” and “The Fitcher’s Bird,” and though those are dead to me, the others that speak their many themes of joy and sorrow more than make up for it.
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'The wolf thought to himself, "What a tender young creature! what a nice plump mouthful - she will be better to eat than the old woman. I must act craftily, so as to catch both."'
This collection of much-loved folk tales features such familiar characters as daring Little Red Riding Hood, crafty Rumpelstiltskin and the ill-fated infants Hansel and Gretel. They are as magical and fascinating today as when they were first told, despite - or because of - the underlying darkness at their heart.
Today, I teach fantasy at the University of Maryland, but I’ve been hooked on Tolkien from a young age. As a kid, I was wary that serious study of Tolkien might “destroy the magic,” but decades spent in strange corners of Tolkien’s invented universe have only deepened my appreciation for the inexhaustible depth of his sub-creation—it’s simply steeped in a profound sense of untold stories. I hope you enjoy digging in as much as I have.
I love this book for its gloriously unfinished glimpses into three Ages of Tolkien’s sub-creation. It taught me just how important Túrin Turambar was to his author, took me to parts of Númenor I’d not dreamt of, and showed me Gandalf blowing smoke rings in Saruman’s face.
It also showed me Christopher Tolkien’s care as an editor and served as a first step towards the rich and unabashedly scholarly studies of The History of Middle-earth.
A New York Times bestseller for twenty-one weeks upon publication, J.R.R. Tolkien's Unfinished Tales is a collection of short stories ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and further relates events as told in The Silmarillion and The Lord of the Rings.
The book concentrates on the lands of Middle-earth and comprises Gandalf's lively account of how he came to send the Dwarves to the celebrated party at Bag-End, the story of the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and…
These anonymous tales, composed over a thousand years ago in Ireland’s monasteries, tell us what happens when human and supernatural lovers cross the boundaries between our world and the Otherworld (síd). Set in a lost time of heroes, demi-gods, warrior queens, and druids of the Irish Otherworld (…
Today, I teach fantasy at the University of Maryland, but I’ve been hooked on Tolkien from a young age. As a kid, I was wary that serious study of Tolkien might “destroy the magic,” but decades spent in strange corners of Tolkien’s invented universe have only deepened my appreciation for the inexhaustible depth of his sub-creation—it’s simply steeped in a profound sense of untold stories. I hope you enjoy digging in as much as I have.
I love it for taking me on a wild ride through Frodo’s dreams and along the lost road back to Númenor. Flieger’s study of Tolkien’s abandoned time travel stories is particularly effective; it made me want to explore every nook and cranny of The History of Middle-earth.
Much of her work on Tolkien is justly famous, but this one in particular showed me that Tolkien criticism could be a work of art in its own right.
J.R.R. Tolkien's The Hobbit, The Lord of the Rings, and Silmarillion have long been recognized as among the most popular fiction of the twentieth century, and most critical analysis of Tolkien has centered on these novels. Granted access by the Tolkien estate and the Bodleian Library in Oxford to Tolkien's unpublished writings, Verlyn Flieger uses them here to shed new light on his better known works, revealing a new dimension of his fictive vision and giving added depth of meaning to his writing.
Tolkien's concern with time-past and present, real and "faerie"-captures the wonder and peril of travel into other…
