I thoroughly enjoyed this biography, written by Joanna Moorhead, who is actually Carrington's cousin, and thus she brings such warmth and intimacy to this portrait of the rebellious British artist who fled her wealthy family to join the Surrealists in Paris, then later made Mexico her home. What I loved most was how Moorhead doesn't just focus on Carrington's famous relationship with Max Ernst, but gives us the full sweep of her remarkable life - her art, her writing, her fierce independence, and her refusal to be defined by anyone else's expectations. Carrington comes across as brilliant, difficult, magical, and very much herself. The book captures the wildness of her imagination and her determination to live life on her own terms, right up until her death at 94. I love to read about creative women forging their own path and during a time when such behavior was considered almost brazen…
In 2006 journalist Joanna Moorhead discovered that her father's cousin, Prim, who had disappeared many decades earlier, was now a famous artist in Mexico. Although rarely spoken of in her own family (regarded as a black sheep, a wild child; someone they were better off without) in the meantime Leonora Carrington had become a national treasure in Mexico, where she now lived, while her paintings are fetching ever-higher prices at auction today.
Intrigued by her story, Joanna set off to Mexico City to find her lost relation. Later she was to return to Mexico ten times more between then and…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Douglas Cope’s book is a wonderful work of social history that explores how issues of race and class impacted the lives of working people in colonial Mexico City. Cope shows that Spain’s so-called “caste system” was more ideal than reality. A person’s physical appearance, occupation, and social milieu shaped perceptions of their race and ethnicity far more than their lineage, which was not something most people documented in this era. The book combines quantitative and qualitative analysis to provide a rich description of everyday life, bringing readers into artisans’ workshops, market vendors’ stalls, and other spaces where people lived and worked in the seventeenth and eighteenth centuries.
In this distinguished contribution to Latin American colonial history, Douglas Cope draws upon a wide variety of sources—including Inquisition and court cases, notarial records and parish registers—to challenge the traditional view of castas (members of the caste system created by Spanish overlords) as rootless, alienated, and dominated by a desire to improve their racial status. On the contrary, the castas, Cope shows, were neither passive nor ruled by feelings of racial inferiority; indeed, they often modified or even rejected elite racial ideology. Castas also sought ways to manipulate their social "superiors" through astute use of the legal system. Cope shows…
For many years, I’ve been creating visual nonfiction books for adults. These books are about climate change, indigenous sovereignty, and nuclear physics—not typical kids’ book fare. But because my books include artwork, everyone always asked me when I would write and illustrate a book for children. Once I had my own children, I was suddenly full of ideas. Children’s books are often underestimated. The best books of the genre are accessible enough to interest a young person, sophisticated enough to engage the adults reading them aloud, and multidimensional enough to reward countless re-readings. I believe books that meet this standard fit alongside civilization’s great works of literature.
I never tire of reading this brilliant book to my son. His imagination (and mine) goes to new places with each rereading. Each spread relocates the reader to another corner of the world, where we glimpse a snapshot of action: someone honks their car horn in a traffic jam in Mexico City, a volcano erupts in Papua-New Guinea, a woman drops a mysterious envelope on the sidewalk in Budapest.
For my son and I, the book has been as interactive as any game, offering endless possibilities for discussion and debate. Because each spread is a single moment, we can dream up our own interpretation of what might have led to this scene and what will unfold afterward. It’s wonderful to see wildly varied landscapes as we travel the planet.
Inspired by the question, "What are they doing right at this moment on the other side of the world?" this book focuses on natural and human events happening all over the world in the same second. Talking about the world and how it's so different in places but also so similar and shared, so incredible and surprising, the books takes us to New York, Chicago, Mexico, Portugal, Angola, Turkey, Greece, Italy, Hungry, Brazil, and South Africa, among others.
So, while you sit turning the pages of this book, things are happening everywhere. Somewhere, a wave is reaching the shore. Elsewhere,…
Growing up Jewish, third-generation in Latin America has given me a strong identity and a unique lens living as a double-minority. My entire life, I’ve been fascinated by life’s deep questions, the arts, and metaphysics. When no college major was clicking, I decided to pursue a B.A. in philosophy and comparative religion to better get to know my own faith and search for a universal truth across all world religions and cultures. It was in my college poetry class, where I first started writing as an outlet for my thoughts and many of the poems in my book were written then and reworked over the next two decades.
The first science fiction book I ever read was A Wrinkle in Time by Madeleine L’Engle. This book began my lifelong passion for watching sci-fi movies and reading books. It wasn’t until the end of high school that I would discover The Law of Love by Laura Esquivel, an epic novel that combines romance, spirituality, and science fiction.
The story weaves eternal themes of love, destiny, reincarnation, and human interconnectedness juxtaposed against a futuristic society where time and space travel, telepathy, and access to the mystical Akashic records (every person’s thoughts, emotions, experiences, and actions) are accessible to all.
While the author’s book Like Water for Chocolate received widespread attention and a Hollywood movie adaptation, it was The Law of Love that to this day shapes my romantic ideals and titillates my sci-fi and philosophical curiosities.
The greatly anticipated new work from the author of the international bestseller Like Water for Chocolate tells a cosmic love story, a Mexican Midsummer Night's Dream that stretches from the fall of Montezuma's Mexico to the 23rd century. By including the music that so perfectly accompanies the story, this audio weaves and enchanting and enveloping spell that will absorb listeners in ways no novel ever has before. Simultaneous hardcover release from Crown. 4 cassettes.
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Juan Villoro’s memoir takes readers on a tour of contemporary Mexico City that is also a meditation on chilangos’ (Mexico City residents) relationship with the past. The book bounces between the author’s childhood in the neighborhoods of Mixcoac and Del Valle and the present day, traversing the sprawling metropolis and giving readers a sense of its scale and complexity. Through Villoro, we meet the sewer cleaners and tire repairmen who keep the city humming. We visit monuments like the Angel of Independence and Chapultepec Castle and the bustling spaces of Santo Domingo Plaza and Tepito—places that seem to hover between past and present and myth and reality. At once spry and erudite, the book is an immensely satisfying rumination on the city and its people.
At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city.
Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and…
A dozen years ago or so, I started teaching climate change instead of consumer culture. That’s because the very same Marxist critique of capitalism helped explain both the problems of unsustainable consumption and climate catastrophe. I did this work for my students, and I did it for me – and it "woke me from my dogmatic slumber," a term Kant used when he was shocked out of complacency by Hume. Because once I really understood the seriousness of climate change, I realized that nothing about the way we live – and think – will remain the same as before. So I addressed it in a 2019 book and in the new one.
"The freshest, deepest, most optimistic account of human nature I've come across in years." -Bill McKibben
The most startling thing about disasters, according to award-winning author Rebecca Solnit, is not merely that so many people rise to the occasion, but that they do so with joy. That joy reveals an ordinarily unmet yearning for community, purposefulness, and meaningful work that disaster often provides. A Paradise Built in Hell is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster's grief and disruption and considers their implications for everyday life. It points to a new vision of…
I have always been intrigued by the Roaring 20s, and specifically in how the lives of women truly began to change during this time. My grandmother loved to boast about how she had been a flapper as a young woman. Her sister-in-law was one of the first female attorneys in Detroit in the mid-20s. The era brought about opportunities and freedoms previously unknown to women. Many women suddenly had options, both in terms of careers and lifestyles. Goals of first wave feminists were beginning to be reached. The research I did for my book furthered my understanding of society at the time, particularly in America.
Read this fascinating historical fiction novel to find out how it was possible for Lindbergh’s wife to wind up intact and capable of love, despite the tragedies that beset her.
Few people realize that she was the first female glider pilot! She became not only his co-pilot, but the pilot of her own life as she got older and pursued her own interests. Anne Morrow proved herself to be—in many ways—more heroic than her husband.
In the spirit of Loving Frank and The Paris Wife, acclaimed novelist Melanie Benjamin pulls back the curtain on the marriage of one of America’s most extraordinary couples: Charles Lindbergh and Anne Morrow Lindbergh.
“The history [is] exhilarating. . . . The Aviator’s Wife soars.”—USA Today
NEW YORK TIMES BESTSELLER
For much of her life, Anne Morrow, the shy daughter of the U.S. ambassador to Mexico, has stood in the shadows of those around her, including her millionaire father and vibrant older sister, who often steals the spotlight. Then Anne, a college senior with hidden literary aspirations, travels to Mexico…
In City of Suspects Pablo Piccato explores the multiple dimensions of crime in early-twentieth-century Mexico City. Basing his research on previously untapped judicial sources, prisoners' letters, criminological studies, quantitative data, newspapers, and political archives, Piccato examines the paradoxes of repressive policies toward crime, the impact of social rebellion on patterns of common crime, and the role of urban communities in dealing with transgression on the margins of the judical system. By investigating postrevolutionary examples of corruption and organized crime, Piccato shines light on the historical foundations of a social problem that remains the main concern of Mexico City today. Emphasizing…
Climate Studies is a massive, cross-disciplinary field that exceeds the grasp of everyone involved, myself included. I start from my home discipline, philosophy, and follow the leads wherever they take me—a practice I learned from decades as a Freud scholar. The climate books I admire most are those that take this vast literature and synthesize the issues. This means I admire and respect the work being done by smart journalists like McKibben, Klein, and Wallace-Wells, who are perfect jumping-off points to thinking carefully about the future of life today. They are the ‘journalist-philosophers’ who are attempting these essential first drafts of history. Start with them and see where it all leads.
McSweeney’s is a singular publisher of beautifully designed, smart, and unusual books. This one is a collection of writers devoted to imagining the effects of climate change in the near future. Sad, wistful, compelling stories, written from myriad global perspectives and based on climate science. One that has stuck with me is a story called “1740” by Asja Bakic, a Croatian writer. But if you prefer a big, classic novel in the “cli fi” literature, look to the works of Kim Stanley Robinson.
Spanning six continents and nine countries―from metropolitan Mexico City to the crumbling ancient aqueducts of Turkey, the receding coastline of Singapore to the coral shores of northern Australia―McSweeney’s 58 is wholly focused on climate change, with speculative fiction from ten contributors, made in collaboration with the Natural Resources Defense Council (NRDC). Global in scope, each story is set in the year 2040 and imagines what the world might look like if the dire warnings issued by the Special Report on Global Warming of 1.5 °C were to come true. Using fiction―informed here and there by realism and climate science―this issue…
I’ve loved words ever since I discovered at age five that the word “pup” was a palindrome. My first published poem, “Kitten,” was written in third grade and was included in Valley View Elementary School’s annual creative writing booklet.
Since then, I’ve written loads of limericks, a heap of haiku, quarts of quatrains, two octos, and enough rhyming couplets to make Shakespeare plead “forsooth, enough already”. To the relief of the general public, I’ve only published one book of poetry. For now.
I’m a completionist. I take pleasure in completing a game or task involving many steps that I can tick off as I go.
A to Z lists thrill me like nothing else can! Seeing different minds tackle the same 26 letters each in their own way, never gets old. I was a grown-up when I first discovered Edward Gorey and found him amusing.
But when I discovered this book, the hairs on the back of my neck tingled. He was taking on the A to Z challenge! And he nailed it. Each line is concise and yet tells me everything I need to know.
It’s a short book, but since each line comes with an illustration showing that letter’s victim’s last moments, it’s worth pausing to savor each page.
A new, small-format edition of one of Edward Gorey’s “dark masterpieces of surreal morality” (Vanity Fair): a witty, disquieting journey through the alphabet.
