When I was a child, my mother and I shared and discussed Zane Grey books. I loved his portrayal of the past and read every one. My obsession with historical fiction grew, and I wrote my first draft of Elephant in the Room at age sixteen. I’m stuck in the period between 1875 and 1940 because of the simplicity driving life as well as the complexity of larger events changing the world. Wilder, Steinbeck, Twain, all picked me off my feet and set me down in their shoes. I’m not able to remove them. I write about courageous women because we are, whether it’s expressed or is in waiting.
McKinley, the tiny monkey, helps Piper sell peanuts at Coney Island and is the only constant in her young life. Her mother rides bareback for the circus and takes in beastly men. Her father, a determined bachelor, refuses to give her a stable home but eventually saves her from reform school, a probability due to her penchant for fighting and shooting guns.
The tale takes her from Coney to Manhattan to live with her wealthy aunt, on to college, and then to war-torn Belgium. Treachery and brutality follow Piper’s footsteps, and she faces obstacles with the same kind of headlong determination she used as a child; her fists and pluck.
I loved the fast pace and detailed descriptions, expressive language, and surprising but believable events.
The dawning of the Twentieth Century, and it is a world in chaos. Raised on Coney Island among scoundrels, cheats, and dreamers, Piper Albrecht is apprenticed to violence at an early age. Not until she is rescued by her aunt and moves to the elegant Upper East Side of Manhattan does she experience a different life, the life of a well-educated, forward-thinking young woman. But the roller coaster ride is far from over. After building the most fashionable millinery house in America, Piper spearheads relief efforts in Belgium during The Great War, bringing food to civilians trapped behind enemy lines.…
Cozy mysteries tend to exist in a simpler world, one without extreme violence and heavy swearing. They are often set in bucolic settings, but they deal with murder! I love many of the cozy tropes—tea, cats, dogs or other pets, family shenanigans, food. I think it’s family nuances that draw me the most to cozies. Whether it’s a romantic comedy or just one full of capers and laughter, cozies are my favorite genre.
This is an old-fashioned comedy read. Working for politicians who give you a get-out-of-jail-free card is stupidly dangerous. For two-bit thief Meehan, it’s his only chance to get out of jail and remain free. Maybe not alive, but free. It has a romantic side, small town tropes and a lot of bad luck for Meehan.
This is my very favorite Donald Westlake novel. A well-plotted caper from the thief point of view. This book should be made into a movie. It’s that good.
In this uproariously funny novel from "a national literary treasure," a career criminal is offered a new life outside of prison -- if he can steal a compromising video of the president (Booklist). Meehan, a career thief staring at life without parole, is awaiting sentencing at the Manhattan Correctional Center when he is called to a meeting by someone masquerading as his lawyer. The man, it turns out, represents the presidential re-election campaign committee -- now finding itself in need of a little professional help. So they "outsource" Meehan in return for a walk from all pending criminal charges. All…
Unsheltered Love is a Wall Street Journal, USA Today, Amazon Charts, #1 Barnes & Noble bestseller, and the 2023 Eric Hoffer Grand Prize Winner.
Set against the extraordinary backdrop of early March 2020, as COVID-19 began upending life in New York City, the usually busy streets of Midtown Manhattan turned…
I grew up a Yankee fan during the Mickey Mantle era, traveling to the Bronx in my uncle’s canary-yellow Chrysler Imperial. Those early experiences set me on a trajectory to want to play baseball every chance I got, starting with Little League and ending up on my high school’s varsity squad. Fortunately, my high school was in Ft. Lauderdale, Florida, where my family had moved in 1962, the same year that the Yankees began playing their pre-season games in the city, which meant when I wasn’t playing baseball at school, I was hanging around Ft. Lauderdale Stadium watching the Yankees. Yes, the Pinstripe Nation was in my blood.
Bancroft “Ban” Johnson, the founder and first president of the American League, set his sights early on challenging the domination of the National Leauge, which came to power in the 1870s. Wilbert’s book adequately depicts Johnson’s rise to power and his subsequent challenge to National League teams, culminating in the AL’s first official season as a major league in 1901, two years before the strong-willed Johnson was able to muscle a team into Manhattan to challenge the NL’s dominant franchise, the New York Giants.
In 1901, Charles Comiskey and Ban Johnson launched a brazen challenge to the National League's supremacy. This book covers the American League's origins in the Western League, the decisions and planning that laid the groundwork for the American League (AL), and the 1901 season that established the AL as a new major league.
Like most, I grew up reading the classic literature assigned to me at school. But what I always found lacking were characters and themes that related to me—a queer, poor, half-Mexican in 80’s rural Texas. I wanted to be a writer at an early age, but took a 15-year detour as an editor at DC Comics, Scholastic, and other big publishing houses. While there, I was proud to find new diverse talent with new perspectives and voices. Stories are magical when they act as windows through which we learn about others, but they can be even more powerful when they act as mirrors in which we can see ourselves.
A close friend knew I was both a comic book nerd and a fan of Charlotte Brontë. So when my birthday came around, she gifted this book to me about a young woman who flees her broken home in a small fishing town to pursue art school in New York City.
It immediately resonated with me and my story, ditching a small town in Texas to pursue my dreams of writing by moving to Manhattan. But in this reinvention of the classic of Jane Eyre, the award-winning screenwriter of The Devil Wears Prada offers a new kind of dark romance that I finished in a single sitting—and then immediately reread.
A reimagining of Charlotte Bronte's classic novel Jane Eyre set in present day, written by acclaimed screenwriter Aline Brosh McKenna and Eisner Award-winning illustrator Ramon K. Perez.
Growing up in a broken home in a small fishing town, Jane dreamed of escaping to art school and following the allure of New York City. When that dream becomes a reality however, it's not long before she feels out of place by the size of the city and the talent of her peers. She soon discovers her place as she begins to nanny a young girl named Adele, but that is upended…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Here’s a story focused on a gender-atypical main character where the book isn’t about being genderqueer or being nonbinary or whatever.
Birdie’s gender characteristics are just there, the same way that a book set in Manhattan can have Manhattan in the foreground without being a book about Manhattan. I like the way that being gay and being trans are discarded as not really applicable to Birdie without some other replacement identity being pushed forward instead.
An emotional and uplifting debut about a girl named Jack and her gender creative little brother, Birdie, searching for the place where they can be their true and best selves.
After their mama dies, Jack and Birdie find themselves without a place to call home. And when Mama's two brothers each try to provide one--first sweet Uncle Carl, then gruff Uncle Patrick--the results are funny, tender, and tragic.
They're also somehow . . . spectacular.
With voices and characters that soar off the page, J. M. M. Nuanez's debut novel depicts an unlikely family caught in a situation none of…
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
Time and time again, I refer to this book because it is chock full of fascinating history about New York told in an unusual way.
Packed with beautifully reproduced photos on every page, it takes as its subject the seemingly dull characteristic of urban experience—the street grid—and fashions over 200 short succinct stories of people, politics, and real estate development. It’s a bravo book.
Laying out Manhattan's street grid and providing a rationale for the growth of New York was the city's first great civic enterprise, not to mention a brazenly ambitious project and major milestone in the history of city planning. The grid created the physical conditions for business and society to flourish and embodied the drive and discipline for which the city would come to be known. Published to coincide with an exhibition at the Museum of the City of New York celebrating the bicentennial of the Commissioners' 1811 Plan of Manhattan, this volume does more than memorialize such a visionary effort,…
This is the story of New York City, told through the prism of one block. It’s a story of forest and cement, bird cries and taxi horns, theaters and brothels, hotels and factories, gambling dens and gourmet foods.
It’s also the story of high life and low life, immigrants and…
I have a PhD in history and used to be a college professor. I decided to write historical fiction novels so that I could reach a larger audience than college students and share incredible stories from history with more people. The reason I created this list of books about women is because the farther back in history we look, the more invisible women seem to become. That’s why I wanted to tell Theodora’s story—it’s an amazing tale, first, but it also allowed me to share how different conditions were for women in the past. The other books I’ve recommended do the same.
I loved the originality of The Impossible Girl. Cora Lee is a resurrectionist—she steals bodies from cemeteries for medical dissection in 1850s New York City. This isn’t really a sympathetic activity, however. Would you love a grave robber? So, to add flavor, bodies with unusual physical traits bring in extra money, and Cora specializes in stealing these.
But she’s got a unique malady of her own—she has two hearts. And people want to kill her to cash in on herbody. Nowwe have a reason to cheer for her.
The story has many twists as Cora learns who she can (and can’t) trust. Add to that some romance, the vibrant setting of 1850s New York City, and some twisted characters, and this is a fun book.
Manhattan, 1850. Born out of wedlock to a wealthy socialite and a nameless immigrant, Cora Lee can mingle with the rich just as easily as she can slip unnoticed into the slums and graveyards of the city. As the only female resurrectionist in New York, she's carved out a niche procuring bodies afflicted with the strangest of anomalies. Anatomists will pay exorbitant sums for such specimens-dissecting and displaying them for the eager public.
Cora's specialty is not only profitable, it's a means to keep a finger on the pulse of those searching for her. She's…
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
Bruiser is only nine years old, younger than most “coming of age” protagonists, but his anxiety-ridden family life in a Manhattan apartment has aged him. His father is a philanderer who rarely is home and often physically abusive when he is; his mother is a deeply depressed poet. Bruiser spends most of his time running around his Upper West Side neighborhood with a make-shift gang of older boys—and has the bruises to show for it, hence his nickname—or hiding at the bottom of the clothes hamper when his parents are going at it. He befriends a 10-year-old girl, Darla, who lives across the courtyard with her drug-addled mother and who convinces him to run away with her. Their journey, which takes them first to West Virginia in search of Darla’s father and eventually to North Carolina, is the book’s magic. Both kids are pre-puberty, so it’s…
After spending another morning hiding in the clothes hamper eavesdropping on his miserable parents, Bruiser realizes it's time to change his life. It's New York City during the late 1970s, and in the middle of a chilly autumn night he takes to the open road with Darla, a kindred spirit who lives across the alleyway. Their flight from the mounting tensions of home -- an adventure dotted with frightening episodes and surprising revelations -- is a journey in search of liberation and emotional truth.
This is Bruiser's tale in his own words, captured by first-time novelist Ian Chorao with uncanny…
I’ve been a published romance author since 2010, but even before I published my first romance novel, I was an avid reader of the genre. In fact, I started at the very young age of eleven, checking out romance novels from my local public library. Over the years, I’ve read hundreds of books and found the ones that I enjoy the most have the most intriguing heroes who fall hard for the heroine.
This was the first novel I read by Maureen Smith, and it sent me down a path to reading all the Wolf books. Not only that, I had to read her other books, too.
The way she writes her heroes, you can’t help but fall in love with them, and that was the case with Marcus Wolf. I simply fell in love with him. He’s a successful attorney who falls head over heels for Samara, a woman he initially meets at a fashion show.
These two had great chemistry. Their relationship was hot and heavy right from the beginning, but what made Marcus swoon-worthy was how smitten he was with Samara, which resulted in a full-court press to make her his for all time.
With Samara Layton’s community outreach organization facing bankruptcy, she turns to wealthy attorney Marcus Wolf for a bailout. The only problem is that Marcus is the same sexy, gorgeous man she turned down at a fashion show in New York. Little did she know that she would soon need his help to rescue her business. As she sets out to seduce him, she quickly discovers just how pleasurable it can be to tame a wolf…. From the moment Samara steps onto the runway in a breathtakingly sheer gown, Marcus is captivated. When their eyes meet, the electricity between them is…
Hi! I’m M. Malone, a NYT, USA Today Bestseller, and RITA award winner. My ultimate goal in life is to make readers laugh in the most inappropriate places possible. When I moved away from home after college, it was difficult to make friends in a brand new city. Romantic comedies provided the joy I needed to go out into the real world and thrive. Now I get to make up stories that make other people laugh and in some cases pee their pants just a little (hey, I’m not judging).
I love dogs, of course (what am I, a monster?) but I especially love naughty dogs who cause trouble in books. Our heroine, who somehow fell into being a pet psychic medium (don’t ask) has now been named caretaker to the richest Maltese in New York. She is trying to keep Smuckers in fancy dog biscuits while dealing with a very unhappy CEO who makes it his mission to discredit her and take back control of his mother’s estate from the dog. The ultimate opposites attract romance.
He’s a powerful billionaire CEO who built the family business into an empire. The money doesn’t matter to him, but the company is his life. And then his eccentric mother wills it all to her tiny dog.**I’m Vicky, the dog whisperer. (Not really, but that’s what my elderly neighbor always says.) When she dies, she surprises everybody by leaving a corporation worth billions to her dog, Smuckers. With me as his spokesperson. Suddenly I go from running my Etsy store to sitting in an elegant Wall Street boardroom with Smuckers in my lap. And my neighbor’s son, Henry Locke, aka…
