Author Greil Marcus’ phrase “the old, weird America” gave me exactly the right words for something I’ve always felt: that there is a specific weirdness to the American landscape, an uncontrollable current of strange that runs beneath the carefully cultivated surface of heroes and neighbors and shared, stable dreams. Of course, as William Faulkner observed, the past isn’t past, and America is as weird as it’s ever been. Maybe weirder. Look at the news. Look out your window. No surprise, then, that I’m drawn to such a perspective when I read other people’s stories, and seldom get completely away from it when I write my own.
When talking with younger writers, sooner or later I ask them to name a writer or a book they can point to and say, “That’s the goal. That’s what I care about. That’s what I want to do.” If I asked myself this question, one of my answers would be Karen Joy Fowler’s first novel, a pitch-perfect account of 19th-century America and the mysterious title character, a weird woman whose weirdness confirms how weird everything else already is.
In the Old West in 1873, a woman of indeterminate age and great ugliness appears without warning in the camp of Chinese railway workers, babbling incomprehensibly. Chin Ah Kin thinks she may be an immortal sent to enchant him - his more practical uncle sees trouble.
The tone was both trancelike and otherworldly, almost like being in a dream. It drew me in immediately. The weirdness of the plot added to the surreality of the story, and like a dream, the inevitability of the characters' fates prolonged the impression of being in a dream--or a life--you can't escape from. The author's style created the impression of being in a world both outside and inside the main characters' consciousness. A challenging but beautiful book.
NATIONAL BESTSELLER • The year is 1984 and the city is Tokyo. A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her.
She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame’s and Tengo’s narratives converge over the course…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Since reading The Lion, the Witch, and Wardrobe, Dorothy and the Wizard in Oz, and The Crystal Caveas a kid and teen, I’ve been hooked on all things magical. I love the fantasy genre and characters who are driven to use their powers to protect their tribes. I am constantly reading books about witches, vampires, the fae, sirens, shifters, and any other supernatural character with a good storyline surrounding them. L.J. Smith, Cassandra Clare, P.C. and Kristin Cast, Stephenie Meyer, and so many other YA fantasy writers are absolutely my heroes. Fantasy books not only entertain but have helped me process life and our world in a safe environment.
The main character in House of Eclipses is the third daughter of the “king," appointed by their God, Sol. Her father abuses her but when he sees a way to increase his power, sends her to enemy lands to secure that power for him. She looks at this task as an opportunity to get the upper hand on her father, but things quickly get out of hand. She discovers she may not be able to follow her father’s orders. Does she follow her heart or do her father’s bidding and potentially escape his wrath? I love that this book has the element of a character choosing her own path in life. The second book in this series takes a while to dig into but House of Eclipses will not disappoint.
Capture his heart. Steal his crown. Free my kingdom.
Noor is the unwanted, unloved third born of the Aten, chosen vessel of the sun goddess, Sol. While she has no chance at inheriting her father’s title, what she truly longs for is peace from his unrelenting hatred. Hope builds that she may finally be able to claim that reprieve when a missive arrives from the House of the Moon.
The new Lumin, chosen of the moon god, Lumos, seeks to broker peace with the Kingdom of Helios for the first time in ages. He envisions open trade routes and an…
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
Okay, I’m a big fan of Lovecraftian lore, but who needs me to recommend Lovecraft? I might as well recommend White Castle to stoners.
While this book (which was also an HBO series) isn’t as funny as Ruff’s Sewer, Gas, and Electric (a wonderful spoof of Atlas Shrugged), I reread it after watching the series and found it as thrilling and exciting as the first read. It plays on science fiction as well as horror, and the chapter depicting Hypolita Freeman’s discovery of a portal to other universes in an observatory has haunted me since I first read it.
I’ve never read a book that weaves horror and science fiction so seamlessly. (Note: I love the irony of writing a book about a closely-knit black family tackling the horrors inspired by the openly racist Lovecraft.)
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George - publisher of The Safe Negro Travel Guide - and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite - heir to the estate that owned one of Atticus's ancestors - they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal…
'A glorious fantasy, set in that most imaginary of cities, New York' Neil Gaiman on THE CITY WE BECAME
'The most celebrated science fiction and fantasy writer of her generation. . .Jemisin seems able to do just about everything' NEW YORK TIMES
'Jemisin is now a pillar of speculative fiction, breathtakingly imaginative and narratively bold' ENTERTAINMENT WEEKLY
Five New Yorkers must band together to defend their city in the first book of a stunning new series by Hugo award-winning and New York Times bestselling author N. K. Jemisin.
Every city has a soul. Some are as ancient as myths, and…
A book that features Aleister Crowley, Dion Fortune, Kenneth and Steffi Grant, with Austin Osman Spare as a major character, is bound to be interesting. But it is Moore's language that makes it sublime. Fascinating!
A propulsive tour through a fantastical London, where history and myth collide, murder stalks the streets and the mundane becomes very magical indeed...
The year is 1949, the city London. Amidst the smog of the capital is Dennis Knuckleyard, a hapless eighteen-year-old employed by a second-hand bookshop. One day, on an errand to acquire books for sale, Dennis discovers a novel that simply does not exist. It is a fictitious book, a figment from another novel. Yet it is physically there in his hands. How?
Dennis has stumbled on a book from the Great When, a magical version of London…
Set in my home town, this book is both magical and serious, tackling the issue of the changing climate with magic realism within a deepening drama. If you haven't read a book by a New Zealander before, try this one!
'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'
Three women give birth in different countries and different decades. In the…
A lifelong horror fan, I have always been fascinated by haunted landscapes and creepy buildings. My childhood in the Midlands of England prepared me for my career as a horror writer and filmmaker with its abundance of spooky ruins and foggy canal paths. I have since explored ancient sites all across the U.K. and Europe and my novels are inspired by these field trips into the uncanny, where the contemporary every day rubs shoulders with the ancient and occult. Places become characters in their own right in my work and I think this list of books celebrates that. I hope you find them as disturbing and thought-provoking as I have.
A deeply unsettling book, The Hospital occupies those liminal spaces that lie somewhere between illness and health, memory and madness. The narrator is admitted to the hospital to receive treatment for an unspecified disease and finds that the labyrinthine corridors and wards match those of his mind. Casablanca-born author Ahmed Bouanani was confined to a hospital bed for six months after contracting tuberculosis. Part hallucinatory fever dream and part half-remembered memoir, the book is a unique blend of Moroccan history and surrealist horror.
"When I walked through the large iron gate of the hospital, I must have still been alive..." So begins Ahmed Bouanani's arresting, hallucinatory 1989 novel The Hospital, appearing for the first time in English translation. Based on Bouanani's own experiences as a tuberculosis patient, the hospital begins to feel increasingly like a prison or a strange nightmare: the living resemble the dead; bureaucratic angels of death descend to direct traffic, claiming the lives of a motley cast of inmates one by one; childhood memories and fantasies of resurrection flash in and out of the narrator's consciousness as the hospital transforms…
I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care.
As someone who considers her brother her creative muse, I would describe this novel as one interested in siblings.
Between Leonie and Given, and Jojo and Kayla is an indescribable, utterly unique bond, held within and beyond both family and friendship.
I was utterly consumed by this heartbreaking novel. From the opening scene where Pop and Jojo kill and skin a goat, to the heat in Leonie’s car and the scene of Jojo’s police cuffing, Ward delivers a pace, language, and viscerality that means you can’t look away.
Somewhat surprisingly, I was even compelled by the book’s ghostly elements. I found they enhanced the magnitude of the characters’ burdens, especially for thirteen-year-old Jojo, who already shoulders so much.
I highly recommend this book, as a pleasure and as a duty to your fellow human beings.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018
WINNER OF THE NATIONAL BOOK AWARD 2017
ONE OF BARACK OBAMA'S BEST BOOKS OF 2017
SELECTED AS A BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW STATESMAN, THE FINANCIAL TIMES, THE NEW YORK TIMES BOOK REVIEW, TIME AND THE BBC
Finalist for the PEN/Faulkner Award for Fiction
Finalist for the Kirkus Prize
Finalist for the Andrew Carnegie Medal
Finalist for the National Book Critics Circle Award
'This wrenching new novel by Jesmyn Ward digs deep into the not-buried heart of the American nightmare. A must' Margaret Atwood
'A powerfully…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I’m an award-winning and USA Today Best-Selling author whose work includes everything from short stories in school journals to horror and epic fantasy. But I’ve long been obsessed with books that work as well for adults as they do for children. The prose must be beautiful and designed to read aloud; the plot must be on point, and the characters must be compelling. And all of this with a PG rating. A tricky ask, even when the authors haven’t added Easter egg extras for adults. It’s because of this that I believe these are some of the best fantasy books ever written. So, enjoy!
Garth Nix is an amazing author, and this is his most memorable book, as far as I’m concerned. While it’s sold as an adult book, the sharp-eyed reader will note the ties to Susan Cooper's famous The Dark is Rising. I remember it as a fantastic story, but returning to it was like returning to The Greatest American Hero.
So that’s where this book comes in handy. It’s modern, it’s fresh, and it has tight ties to mythology—not unlike Ben Aaronovitch’s Rivers of London. I also greatly respected that Garth Nix acknowledged his muse openly and with little Easter eggs. He even called the main character Susan! I adored this fast-paced, updated adventure of page-turning fun.
A girl's quest to find her father leads her to an extended family of magical fighting booksellers who police the mythical Old World of England when it intrudes on the modern world. From the bestselling master of fantasy, Garth Nix.
In a slightly alternate London in 1983, Susan Arkshaw is looking for her father, a man she has never met. Crime boss Frank Thringley might be able to help her, but Susan doesn't get time to ask Frank any questions before he is turned to dust by the prick of a silver hatpin in the hands of the outrageously attractive…
