Scholars Lewis and Ardizzone write a deeply researched but popularly written non-fiction account of a major 1924 scandal: the marriage of a wealthy white scion of a prominent New York Family to a “colored” woman, who works as a servant.

The trial of the title is one in which the new husband, prodded by his father, sues his wife for annulment, charging that she deceived him about her racial identity.

It is clear she didn’t, but will his money and position dictate the trial’s results? The book probes deeply into racial identity, how it’s defined, and what it means to be Black, white—or ambiguously both.

A page-turner I read in a day and a half.

We love this memoir that reads like a mystery story.

E. Dolores Johnson is the daughter of a Black father and white mother who fell in love in Indianapolis in the 1940s, when Indiana still enforced anti-miscegenation laws. Her mother “disappeared” so that she could flee to NY with the African American man she loved and marry there. Dolores’s birth certificate listed her as Black (the “one drop” of Black blood rule); she grew up in a Black family and lived in a Black neighborhood. Her mother never spoke of her white family.

The book resonated with us for both its graphic details about the racism Dolores and her African husband endured as highly educated corporate executives, including a cross-burning on their front lawn, and poignant description of her journey to find her white family and understand her biracial identity. Her mother’s response when Dolores says she is going to… show more.

Come On Shore and We Will Kill and Eat You All portrays the contact between seeming opposites: the author who grew up in Boston and traveled to New Zealand when she was a graduate student in Australia and the Maori man she met there and married; the “colonizers” who were her direct ancestors and the “natives” her husband descended from; the history of the encounters between the two groups (including the story of Captain Cook).  At the heart of this complex, mesmerizing, and unflinching story is the couple’s devotion to their three sons—boys growing up in a Boston suburb and navigating their identities as “a little bit of the conqueror and the conquered, the colonizer and the colonized” as Ms. Thompson explains to them in a letter she tucks into the folder containing her life insurance policy.

As a woman, I have experienced my share of sexism but it dims in comparison to what Lester faced in the 1950s and 1960s. When applying for a job at a bookstore, a young Lester is told the store can’t hire girls because they only have one toilet. Her plucky response—she could use the same toilet as the men—is one reason I enjoyed this book so much. 

Lester is repeatedly pushed to the sidelines even as she takes up the fight for civil rights, devoting herself to bettering the lives of others while setting aside her own dreams—for a time. Luckily Lester never completely loses her nerve. Her second act is a fun adventure to follow for those who have faced their own setbacks, no matter their gender.

I contributed an essay to this collection and there’s quite a few writers I admire in this book, as well.

It’s refreshing to see other people’s perspective on what can feel like an albatross around your neck. Some of the essays are humorous, others are more poignant, but they all work together to show that a single life can look and feel a bazillion different ways—yours will be what you make it.

Highly-acclaimed and inspirational, Elaine tells her personal story and her personal struggles and self-reflection as a Black woman.

She goes into great detail about what she could have done differently – and she’s only in her 30s. She is the first Black person to be named Editor-in-Chief at Teen Vogue at the tender age of 29.

This one will make you think, better understand the Black point of view and lift you up.

Taking a transnational frame and drawing on English- and Chinese-language sources by and about Eurasians, this book uses juxtaposition to bring different perspectives to bear on each other. People’s lives, the choices they make amid various external limitations, are at the heart. The book takes a unique structural approach, with a prologue before each main chapter that describes a central story and helps ground and guide the larger narrative. In exploring interracial marriages and the lives of couples and children, the work shows how Eurasians have been producers of knowledge. Through highly diverse sources from the era, the author demonstrates that Eurasians have engaged in self-representation in complex ways and a broad range of voices and experiences comprise the category “Eurasian.”

First of all, isn't that an awesome title? This narrative is a child-appropriate and compelling description of Mildred and Richard Loving and their path to the Supreme Court. The two got married in D.C. in 1958, when interracial marriage was illegal in their home state of Virginia. Returning home after the wedding, they were arrested, jailed, and told to leave the state. They took their case to court arguing that Virginia's ban on interracial marriage violated the Constitution, and the U.S. Supreme Court agreed. As described in the back matter, the creators of this book themselves have an interracial marriage. An author's note reflects on their lives and their perspective on the Lovings' story. 

London 1945: the heir to the largest tribe of Bechuanaland (Botswana) arrives in Britain. Seretse Khama, an urbane 24-year-old was welcomed into the elite world of Oxford. But when he fell in love with Englishwoman Ruth Williams, the full force of colonial power was brought to bear to prevent their marriage. 

It has personal resonance for me because when I met Atam, in 1964, Smethwick was in the grip of a racist campaign. Atam and I volunteered to help the sitting Labour MP, Patrick Gordon Walker combat the Conservative Peter Griffiths’ campaign. The slogan was, ‘If you want a nigger for a neighbour vote Labour’. Atam was welcomed because he spoke Punjabi, Hindi, and Urdu and we accompanied Patrick Gordon Walker canvassing. When I watched A United Kingdom, the film about Seretse Khama and Ruth Williams, I knew that they had portrayed it well when the government representatives treat… show more.

This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.

Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.

Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then… show more.