100 Books Like Colour Bar

This gorgeous book was one of the first mainstream stories I had seen that addressed the Black presence during World War 2.

Although it was released a good few years before my first historical fiction novel was published, reading it surely planted those early seeds for my later books. Of bringing untold Black British stories to light. To remind us all that history has been whitewashed and so many untold stories exist.

Identity isn’t personal, it is shaped by all sorts of influences, some of them we are very aware of and some of them we have never thought about. To be free means to be aware of all of them.

Appiah shows that while you cannot escape identity, you can pick and choose much more than most people make us believe. There is no inevitability and that is extremely liberating.

As a white woman, it made me see much better how not to equate privilege with guilt only, but responsibility and agency. 

Mixed relationships are not new: think Antony and Cleopatra. The most famous and possibly the earliest in US history are of Pocahontas and John Smith. If you want a romantic Disney-type version of the story, this book is not for you.

Where I live you will find the world’s first public museum, the Ashmolean. Most of the original collection was assembled during the 17th century by the John Tradescants, father and son. They collected objects from Asia, Africa, and the Americas. The most significant American object is Powhatan’s Mantle. Powhatan was Pocahontas’s father. It is a reminder of how much the white settlers owed their survival to the local people.

Dr. Linwood "Little Bear" Custalow and Angela L. Daniel "Silver Star" claim that they are revealing for the first time the oral history of the Mattaponi tribe regarding the story of Pocahontas and John Smith. This probably is the most… show more.

Shakespeare’s tragedies resonate in most cultures because they address the human condition. That is why Romeo and Juliet have spawned West Side Story, many films, and Russian ballets. I personally organised the Joe and Zara workshop with a mixed group of teenagers working on a modern take on the story. The young people in this ten-minute video from the workshop are impressive. 

Othello too is tragic. Othello describes how Desdemona would come again ‘greedy –to hear tales of adventure sorrow and suffering. ‘She loved me for the dangers I had passed and I loved her that she did pity them.’ I relate to that.

While published as an Image comic series, Saga is best approached in its collected graphic novels. I particularly love taking in the ebook version’s artwork on my iPad. This space opera vs. fantasy epic is beautifully scaled down by both its illustrated panels and its close focus on a family of characters through which we encounter a surreal and hostile universe. Hazel, the unlikely daughter of the series’ leading couple, steps in to provide memoir-esque insights from time to time and serves as something of an (adorable) cipher for her parents’ cross-genre Romeo and Juliet arc. Conceived “to do absolutely everything [the author] couldn't do in a movie or a TV show,” Saga pushes both genre envelopes.

I’ve always been fascinated by American Indian culture. Girls wore intricately beaded dresses and headbands with feathers. Moms carried elaborately decorated baby backpacks. Also, I didn’t understand why the cowboys couldn’t get along with the Indians. In this novel, based on a historical event, the government strikes a deal with the Cheyenne, trading 1000 white women for 1000 horses. 

The women are culled from poorhouses, prisons, and asylums, like May whose father committed her for living in sin. May jumps at the opportunity to escape the asylum. Once on the reservation, the newcomers bond and slowly adapt to their new lives and families. Readers too get an intimate portrait of Indian life, and compared to actions of the US Army, it begs the question, who should be labeled savages?

As a woman, I have experienced my share of sexism but it dims in comparison to what Lester faced in the 1950s and 1960s. When applying for a job at a bookstore, a young Lester is told the store can’t hire girls because they only have one toilet. Her plucky response—she could use the same toilet as the men—is one reason I enjoyed this book so much. 

Lester is repeatedly pushed to the sidelines even as she takes up the fight for civil rights, devoting herself to bettering the lives of others while setting aside her own dreams—for a time. Luckily Lester never completely loses her nerve. Her second act is a fun adventure to follow for those who have faced their own setbacks, no matter their gender.

We love this memoir that reads like a mystery story.

E. Dolores Johnson is the daughter of a Black father and white mother who fell in love in Indianapolis in the 1940s, when Indiana still enforced anti-miscegenation laws. Her mother “disappeared” so that she could flee to NY with the African American man she loved and marry there. Dolores’s birth certificate listed her as Black (the “one drop” of Black blood rule); she grew up in a Black family and lived in a Black neighborhood. Her mother never spoke of her white family.

The book resonated with us for both its graphic details about the racism Dolores and her African husband endured as highly educated corporate executives, including a cross-burning on their front lawn, and poignant description of her journey to find her white family and understand her biracial identity. Her mother’s response when Dolores says she is going to… show more.

Come On Shore and We Will Kill and Eat You All portrays the contact between seeming opposites: the author who grew up in Boston and traveled to New Zealand when she was a graduate student in Australia and the Maori man she met there and married; the “colonizers” who were her direct ancestors and the “natives” her husband descended from; the history of the encounters between the two groups (including the story of Captain Cook).  At the heart of this complex, mesmerizing, and unflinching story is the couple’s devotion to their three sons—boys growing up in a Boston suburb and navigating their identities as “a little bit of the conqueror and the conquered, the colonizer and the colonized” as Ms. Thompson explains to them in a letter she tucks into the folder containing her life insurance policy.

First of all, isn't that an awesome title? This narrative is a child-appropriate and compelling description of Mildred and Richard Loving and their path to the Supreme Court. The two got married in D.C. in 1958, when interracial marriage was illegal in their home state of Virginia. Returning home after the wedding, they were arrested, jailed, and told to leave the state. They took their case to court arguing that Virginia's ban on interracial marriage violated the Constitution, and the U.S. Supreme Court agreed. As described in the back matter, the creators of this book themselves have an interracial marriage. An author's note reflects on their lives and their perspective on the Lovings' story.