I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
I love this book because the characters Eli and Nector seem so familiar to me. The plot is full of tension, but the characters are genuinely humorous and affable, much like the elders I know across Ojibwe country.
This book also gives a window into Ojibwe culture. Louise Erdrich is a Pulitzer-prize-winning author, and this isn't even her biggest seller, but it's definitely my personal favorite.
“[Erdrich] captures the passions, fears, myths, and doom of a living people, and she does so with an ease that leaves the reader breathless.”—The New Yorker
From award-winning, New York Times bestselling author Louise Erdrich comes an arresting, lyrical novel set in North Dakota at a time when Indian tribes were struggling to keep what little remained of their lands.
Tracks is a tale of passion and deep unrest. Over the course of ten crucial years, as tribal land and trust between people erode ceaselessly, men and women are pushed to the brink of their endurance—yet their pride and humor…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
If you are like me, you enjoy stories about grandparents. This book is about a granddaughter's relationship with her grandmother, and the embarrassment she feels about the yellow handkerchief her grandmother uses.
I love everything Cynthia Alonso illustrates, and this book is no exception. The illustrations are playful and colorful, depicting the bond between these two characters in a beautiful way. I also like that the text includes some Spanish words.
In the end, the character realizes that her grandmother's yellow handkerchief makes her unique, and the legacy is passed on, a beautiful takeaway.
A child confronts conflicting feelings of embarrassment and love for her Mexican abuela in this moving, personal story from Newbery- and Pura Belpre Award-winning author Donna Barba HigueraMy abuela wears an old yellow handkerchief that her grandmother gave to her.I don't like the yellow handkerchief.When a young girl feels ashamed of her family for being "different" and subconsciously blames her abuela, she gradually grows to not only accept but also love the yellow handkerchief that represents a language and culture that once brought embarrassment.Inspired by the personal experiences of award-winning author Donna Barba Higuera and expressively illustrated by Cynthia Alonso,…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
Little House on the Prairie, Roots, the Bicentennial, family vacations, and an early childhood in New Orleans all shaped my perception of the world as a place overlaying history. Although I could not have completely articulated this then, I specifically wanted to know what women before me had done, I wanted to know about parts of the story that seemed to be in the shadows of the places where I consumed history, and I wanted to know “the real story.” The intensity of recreating a person’s world and their experience in it made me question how historians know what we know, and how deeply myth, nostalgia, or even preconceptions guide readings of the evidence. The authors here all show an awareness that re-telling a person’s life can move it away from the evidence and they try to return to that evidence and find the “real story,” or as near to it as possible.
Disney, folklore, images of “noble” or “good” Native Americans (but with derogatory terms used), and modern-day understandings or misunderstandings of Stockholm Syndrome and brainwashing have influenced interpretations of Pocahontas. Camilla Townshend instead turns to other studies of Native American women contemporary to Pocahontas, using them to analyze the sources that document her life. Pocahontas, called that only as a little girl, emerges as a woman named Matoaka, who may have seen herself as an important mediator between cultures and nations at a tenuous moment in the history of her people.
Camilla Townsend's stunning new book, Pocahontas and the Powhatan Dilemma, differs from all previous biographies of Pocahontas in capturing how similar seventeenth century Native Americans were--in the way they saw, understood, and struggled to control their world---not only to the invading British but to ourselves.
Neither naïve nor innocent, Indians like Pocahontas and her father, the powerful king Powhatan, confronted the vast might of the English with sophistication, diplomacy, and violence. Indeed, Pocahontas's life is a testament to the subtle intelligence that Native Americans, always aware of their material disadvantages, brought against the military power of the colonizing English. Resistance,…
I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
Each book listed – including mine – was a top-three finalist for the Burt Award for teen/young adult Caribbean fiction. Children of the Spider stands apart as a blend of fantasy adventure and Caribbean folklore, its teen protagonists on their world-saving mission. It moves from the jungles of Guyana to the city, which is another kind of jungle, and has a fresh take on the legendary West African demi-god Anansi. These kids (a girl who makes a desperate leap between worlds, a boy not slowed by his handicap, and a boy from the streets) have nothing but each other and a trickster spider, maybe, as they face down monsters which seem to be everywhere. It’s an adrenaline rush across a magical landscape. It’s the Anansi reboot for me!
Children of the Spider is a fast-paced adventure, that brings an interesting blend of Afro-Caribbean and greek myth in a riveting contemporary novel. The story follows two Amerindian children, Mayali who is actually a girl from another world and the tech-savvy deaf-mute Joseph as they are being chased by the power-hungry Spider gods from the land of Zolpash. The story moves from the lush hinterlands of Guyana through to the bustling, city of Georgetown where the colonial past continues to rub shoulders with the gritty, contemporary world. It is a refreshing take on Caribbean myth and mythology from an interesting…
As a child and then as a secondary school history teacher, I wanted to help people understand each other. I always told my students that it was less important to memorize dates and facts than it was to explore history to help them understand what it is to be a human being. They should know that humans have always faced challenges and found good or bad ways of dealing with them–it is not just in their time. The books I have listed here on the Revolutionary history of the New York area created an even greater passion for understanding the human condition.
This is a highly readable story of the frequently tense and tragic interactions between indigenous people and those of European descent who settled on their land. It gets down to a personal level, focusing on the intertwined lives of white missionary Samuel Kirkland and strong, complex, and important Mohawk leader Joseph Brant.
It is as much about changes in people over time as about economic, political, cultural, and other evolving elements in colonial New York.
In 1761, at a boarding school in New England, a young Mohawk Indian named Joseph Brant first met Samuel Kirkland, the son of a colonial clergyman. They began a long and intense relationship that would redefine North America. For nearly fifty years, their lives intertwined, at first as close friends but later as bitter foes. Kirkland served American expansion as a missionary and agent, promoting Indian conversion and dispossession. Brant pursued an alternative future for the continent by defending an Indian borderland nestled between the British in Canada and the Americans, rather than divided by them.
Monica Wellington was born in London and lived in Switzerland and Germany as a child. She has written and illustrated many books for young children, including Apple Farmer Annie, Zinnia’s Flower Garden, My Leaf Book, and Mr. Cookie Baker. She now lives in New York City. Some of her favorites things are: baking desserts, eating chocolate, traveling to France, going to the ballet, and reading at home with her cat on her lap. She teaches at the School of Visual Arts.
Martha Stewart's recipes always work. I always have success with them! I recommend getting your kitchen decorated as you try recipes from each of these chapters: All Dressed Up, Classics with a Twist, Some Assembly Required, Giant Cookies, Tools of the Trade, Cookies by Any Other Name, Celebration Cookies.
Showstopper cookies for a new generation: from Martha Stewart, an authoritative and creative collection to take your cookies to the next level in flavor, technique, and decorative appeal
NAMED ONE OF THE BEST COOKBOOKS OF THE YEAR BY FOOD NETWORK
The editors of Martha Stewart Living present a new, fun source for anyone looking to make their go-to cookies even better and bolder. These recipes make ordinary cookies absolutely extraordinary—all the familiar favorites you love, but taken up a notch in variety, flavor, and creativity. Classic recipes discover new life with unexpected twists such as Brown-Butter Crinkle Cookies and Carrot…
"Is this supposed to help? Christ, you've heard it a hundred times. You know the story as well as I do, and it's my story!" "Yeah, but right now it only has a middle. You can't remember how it begins, and no-one knows how it ends."
Why I chose to write about cold climates: I spent nearly seven years living in the North of Norway in the Sámi reindeer herding village called Guovdageaidnu, or Kautokeino in Norwegian. I cherish my time in that part of the world.
This is a little off-piste in that this isn’t exactly about cold climates; the main topic of Dodds Pennock’s book is about how Indigenous Americans discovered Europe. I first heard Dodds Pennock talk about her book at a lecture in London just a few months back and had to buy the book, which is a riveting account of the reverse migration of Indigenous Americans to Europe.
Why include this book on the Arctic, you ask? Dodds Pennock also writes about a few Indigenous Inuit that make it to England, and I haven’t stopped thinking about the story she tells about their fraught lives in the UK and (until now) unknown or forgotten history in England. For example, she tells a gripping story of two Inuits who were abducted and brought to London in the 1570s and are buried in the city in unmarked graves at St. Olave’s Church.
We have long been taught to presume that modern global history began when the 'Old World' encountered the 'New', when Christopher Columbus 'discovered' America in 1492. But, as Caroline Dodds Pennock conclusively shows in this groundbreaking book, for tens of thousands of Aztecs, Maya, Totonacs, Inuit and others - enslaved people, diplomats, explorers, servants, traders - the reverse was true: they discovered Europe. For them, Europe comprised savage shores, a land of riches and marvels, yet perplexing for its brutal disparities of wealth and quality of life, and its baffling beliefs. The story of these Indigenous Americans abroad is a…
I
read this novel for an English University course and really enjoyed it.
This
book outlines the difficulties of Jordan Abel, an Indigenous Nisga’a man, as he
navigates through learning about his culture and past. I found his story
heartbreaking as I learned more about the effects of intergenerational trauma on
Indigenous people.
I related to his internal struggles of being a person of
color and dealing with preconceived assumptions. I definitely recommend reading
this book to join Abel’s search for identity.
I am a Western Canadian nerd, and when I got to university, I knew that I had “found my people,” and I spent half my adult life studying and then teaching on various campuses. Universities are often as large as small cities, and each has its own particular atmosphere. What some folks don’t realize is that campuses have such a wide variety of niches and specialties that you could write a whole series featuring new facets of post-secondary life in each book. And, of course, that is what I did with my first detective series, the Randy Craig Mysteries.
I am pretty sure every woman writer of a certain age in Canada is a writer because of this book. I know it’s what motivated me. Morag, the heroine, is so open and vulnerable and intelligent and naïve, but Laurence has her grow and become formidable in front of us.
If you want to really understand the ways in which power dynamics work in a relationship (and why professors shouldn’t date their students), you read it here first. In my mind, this is the great Canadian novel. Forever and always.
The culmination and completion of Margaret Laurence's celebrated Manawaka cycle, The Diviners is an epic novel, now available as a Penguin Modern Classic.
This is the powerful story of an independent woman who refuses to abandon her search for love. For Morag Gunn, growing up in a small Canadian prairie town is a toughening process—putting distance between herself and a world that wanted no part of her. But in time, the aloneness that had once been forced upon her becomes a precious right—relinquished only in her overwhelming need for love. Again and again, Morag is forced to test her strength…
A magisterial history of Indigenous North America that places the power of Native nations at its center, telling their story from the rise of ancient cities more than a thousand years ago to fights for sovereignty that continue today
After years of sporadic interest in the 1692 trials, Roach became obsessed with the subject after a 1975 trip to Salem itself. Her resulting history, The Salem Witch Trials: a Day-by-Day Chronicle of a Community Under Siege, called “a virtual encyclopedia of the entire affair,” and “a Bible of the witch trials,” led to her stint as a sub-editor for the Records of the Salem Witch-Hunt, and membership in the Gallows Hill Group that verified the site of the 1692 hangings, one of Archaeology magazine’s Top Ten discoveries of 2016. Her most recent book to date presents biographies of a half dozen of the major players in the tragedy, giving voices to women who, save for the tragedy, would likely have been lost to history.
This collection of contemporary 17th century works covering (mostly New England) witch-related cases before, during and after the 1692 trials was one of the earliest sources I discovered at my local public library back in the early 1960s. It provides a window into the varying reactions people had to the uncanny and what they did about it.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
