Here are 100 books that Children of the Spider fans have personally recommended if you like
Children of the Spider.
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I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
I actually have two books by this Jamaican author and environmental activist to recommend but this one feels more urgent. It is a climate change future dystopia set in the Caribbean, which in reality is among the most vulnerable to climate change notwithstanding its comparably small carbon footprint and often muted voice. In this story, youth is an asset and the sun has become deadly; it is survival of the fittest, and the fittest are whoever can survive the rough terrain, the angry packs, the totalitarian state, and the night. It is also a story built on love and alliances and adaptation; the things that could potentially save us in this reality. It’s the climate change messaging for me!
It is 2084. Climate change has made life on the Caribbean island of Bajacu a gruelling trial. The sun is so hot that people must sleep in the day and live and work at night. In a world of desperate scarcity, people who reach forty are expendable. Those who still survive in the cities and towns are ruled over by the brutal, fascistic Domins, and the order has gone out for another evacuation to less sea-threatened parts of the capital. Sorrel can take no more and she persuades her mother, Bibi, that they should flee the city and head for…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
This has often been recommended for boys (including by me) but, since there is no such thing as exclusivelyboy books and girl books, I’m calling this a good book period – with a highly entertaining and deeply endearing adolescent-ish boy, surrounded by a robust cast of supporting characters, at its center. More vignettes than plot, it is rooted in character and voice – in this case, the rare and highly effective use of the second voice. Tonally, it’s a callback to the adventures of boyhood captured in Mark Twain’s Tom Sawyer and the mostly harmless incorrigibility of the boy protagonist as he moves between home, school, and community (the community, in this case, being rural Jamaica), getting into trouble and growing up. It’s the heart and humour for me!
All Over Again is a hilarious and enchanting coming of age story as a young boy goes through the trials and joys and puberty, battles with his 6-year-old sister who is the bane of his existences, worries about disappointing his mother and understanding his father. He has to learn to get around the town's bully while moving beyond know-it-all Kenny. The story is energetically told and has an enchanting narrative style that pulls you into it immediately. Growing up is hard. You know this. And when your mother has X-ray eyes and dances like a wobbling bag of water? When…
I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
The interiority of a depressed, perpetually anxious, and possibly suicidal teen girl recently relocated from Trinidad to Canada is captured with detail and sensitivity. Her trusted circle consists of a single friend from home, her aunt and aunt’s partner with whom she lives in Edmonton, and a new boy, who stirs other complicated feelings in her. The fractures in her relationship with her mother, back home, remain unhealed. It is a deeply melancholic book but it can also potentially make any young person struggling with the same issues feel a little less alone.All of Burt's books are published by Caribbean publishers; to Home Home’s credit, it is one of a handful to have also been released with the US publisher. It’s the realness and insight for me!
Fans of Monday's Not Coming and Girl in Pieces will love this award-winning novel about a girl on the verge of losing herself and her unlikely journey to recovery after she is removed from anything and everyone she knows to be home.
Moving from Trinidad to Canada wasn't her idea. But after being hospitalized for depression, her mother sees it as the only option. Now, living with an estranged aunt she barely remembers and dealing with her "troubles" in a foreign country, she feels more lost than ever.
Everything in Canada is cold and confusing. No one says hello, no…
I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
The Puerto Rican author draws on her grandmother’s experience to tell the story of a girl in Cuba on the cusp of revolution. While the historical fiction follows the day-to-day of the girl emerging to teen-hood and her family – brother, mother, father, and abuelo – it also feels dangerous as bombs go off, people are disappeared, and shadows of a more personal kind encroach on her familial bliss. Through this prism, the reader gets a sense of the class and power dynamics at play, from school where sadistic nuns are the law to the Law which acts with cruel impunity, and the resentment, heartache, and violence simmering underneath the alluring resort island. It’s the pressure cooker on the verge of blowing its lid for me!
It is 1957 in Marianao, a suburb of Havana. Adela Santiago is 13 years old and lives in a small blue house with her mother, father, brother, and grandfather. And yet something is amiss. The students on her street are disappearing. Not only that but her parents' marriage seems to be disintegrating and her cousin is caught up in a bombing at the Hotel Nacional. Welcome to a world where a revolution is brewing. Welcome to Cuba.
I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres.
This book is also a fascinating and completely new way of telling history, merging travel writing with personal family history. The author in this remarkable book travels through her own body to talk about the history of her family, and her own story – a story that is connected with the broader stories of colonization, post-colonialism, racism, capitalism, and many other macro, structural issues.
SHORTLISTED FOR THE 2020 OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE
'What are you?'
Tessa McWatt knows first-hand that the answer to this question, often asked of people of colour by white people, is always more complicated than it seems. Is the answer English, Scottish, British, Caribbean, Portuguese, Indian, Amerindian, French, African, Chinese, Canadian? Like most families, hers is steeped in myth and the anecdotes of grandparents and parents who view their histories through the lens of desire, aspiration, loss, and shame.
In Shame On Me she unspools all the interwoven strands of her inheritance, and knits them…
As a student, I was intrigued by Newton’s laws of motion. As I grew older, I sought to understand how these laws apply in a real-world setting of economics and politics. I spent my full professional life in this search and held several positions – Minister of Finance, Governor of the Central Bank, Minister of Foreign Affairs. I was decorated over the years with several awards. I had a good education at the London School of Economics and at Harvard University. After it all, I still did not quite comprehend how Newton’s Laws work to advance the quality of life in communities and countries. The Caribbean on The Edge is a reflection of that journey.
This book is a penetrating analysis of how economic institutions can foster a resilient economy. It is path-breaking in its search for sustainable development. I find this book to be ‘a bible’ for policy making and for students of economics, and provides a sound theoretical frame for policy initiatives. Linking the theory and practice of economics has been at the center of my main arguments.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
Raised on happy hours on Cape Cod, MA patios with my Irish-American relatives, I long have been fascinated by how alcohol can bring people together and facilitate bonds that traverse both hardship and joy. During my travels and research in Mexico, Chile, Peru, Guatemala, and Ecuador, I observed how alcohol could both render families asunder and unite communities. As addiction makes clear, alcohol could hold tremendous power over individuals. But it also marked the identities of even the most casual drinkers. Throughout my research on other topics—crime, gender, medicine—alcohol consistently emerges as a crucial avenue of inquiry. The books listed below offer innovative and insightful ways of centering alcohol in scholarly narratives.
Smith traces the historical arc of rum from local colonial consumption to becoming a major export by the nineteenth century.
I am amazed at how much history Smith captures by focusing his study on one type of alcohol. With his attention to how European and African drinking habits shaped rum consumption, he demonstrates how rum cut across gender, class, and race relations.
With their knowledge of distillation and introduction of resources new to the Americas, Europeans increased alcohol’s potency. Alcohol took on political as well as economic significance when colonial officials used alcohol revenue to govern. Without displacing fermented drinks, distilled liquor introduced new dynamics in the production and consumption of alcohol.
I love that he emphasizes how common consumption spurred taverns and other drinking establishments, which facilitated socialization that frequently contravened social norms, such as elite men who conversed with poor and working-class women and African and mulatto drinkers…
Christopher Columbus brought sugarcane to the New World on his second voyage. By 1520 commercial sugar production was underway in the Caribbean, along with the perfection of methods to ferment and distill alcohol from sugarcane to produce a new beverage that would have dramatic impact on the region. Caribbean Rum presents the fascinating cultural, economic, and ethnographic history of rum in the Caribbean from the colonial period to the present.
Drawing on data from historical archaeology and the economic history of the Caribbean, Frederick Smith explains why this industry arose in the islands, how attitudes toward alcohol consumption have impacted…
I’ve always loved fairy tales, but it was only when I got to Leeds University that I discovered you could enjoy them as an adult. I remember enthusiastically signing up for the “Romance, Ballad and Fairy Tale” module with the inimitable Professor Wawn. I’m now a keen amateur folklorist with an ever-growing collection of books. I use them A LOT in my own writing, and enjoy connecting with my fellow enthusiasts, particularly at the Todmorden Folklore Centre, Yorkshire.
I was recommended this book at a local festival of African and Caribbean culture, by a storyteller who performed two of the tales from it - with music!
I love it that the tales come from many countries in the Caribbean, and reflect the many cultures that have gone into its melting pot, including West African, Indian and Indigenous peoples.
Even better, I don’t just get the tales, I get to hear about the tellers. Between the stories are recollections of the Windrush Generation, who emigrated from the Caribbean to Britain in the 1950s and 60s. As a British reader, I really appreciate that.
Professional storyteller Wendy Shearer has gathered together stories from many Caribbean islands and countries, drawing on oral history and written texts to bring these folk tales to life. Many stories are of West African origin, kept alive through rhythm and song. These tales and their languages were blended with European and East Indian folklore, with royalty, heroes and spirits exacting revenge. Alongside the stories are newly collected reminiscences of migration to Britain from Caribbean countries during the Windrush years. These first-hand accounts mirror the themes found in the folk tales with love and loss, magic and mystery, caution and justice.
Narrative history isn’t about dates, kings, and queens. It’s about deeds, actions, experiences, decisions of people great and small. It’s about putting the reader in the middle of a drama and watching events unfold around them as if they were there so they can understand, observe, and perhaps ask: what would I have done? The best history writing shouldn’t just inform, but inspire you, make you feel: laugh, cry, feel angry, flinch at horrific sights, cheer the heroes, boo the villains, because history is made by ordinary people, good and bad, who possess many similar traits to the reader.
This is similar to my first recommendation in its theme: a tremendous natural disaster overwhelming a small community (in this case a volcano and a Caribbean island). It moves at the pace of a novel … as does the lava when it starts flowing… building up to the terrible, climactic conclusion. I’ve read it three or four times and it never loses its power. Once you start reading, you can’t put it down. Don’t watch the terrible Paul Newman film which is loosely based on the book though!
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Ever since traveling across Cuba as a teenager in 2006, I’ve been fascinated by the Caribbean and Latin America. That trip inspired me to learn Spanish, study abroad in Mexico, and write a college honors thesis at Harvard about the Batista and Trujillo regimes in Cuba and the Dominican Republic respectively. Upon graduation, I merged this interest with my desire to serve my country by joining the Coast Guard – the military branch most involved in the Western Hemisphere. This proved to be a wise decision, as the two years I spent stationed in Puerto Rico and patrolling the Caribbean were two of the most enjoyable years of my life.
Set in a fictional town on Colombia’s Caribbean coast during the 1950’s“violencia,” this novella portrays the seemingly mundane life of an anonymous retired military officer and his wife. The aging couple struggles against poverty, government corruption, and an overwhelming feeling of insignificance. As the colonel’s life loses meaning, he eventually realizes that he has nothing left but the rooster that he is readying for a cockfight. I read this novella after training with the Colombian Navy in Cartagena, and it took me only a few pages to realize that García Márquez is a genius.
Written with compassionate realism and wit, the stories in this mesmerizing collection depict the disparities of town and village life in South America, of the frightfully poor and outrageously rich, of memories and illusions, and of lost opportunities and present joys.