Basketball has always been important to me. I was never very good at playing, but watching always moved me. I grew up worshipping Michael Jordan. I still remember seeing him play at the old Chicago Stadium, a monumental moment for a kid from the South. Basketball was always something that brought my friends and family together. Later, when I grew up, the camaraderie that came with experiencing the game dissipated, but my passion for it remained. It is an urban game associated with the working class and race in a way that none of our other major sports are.
As someone who spends most of his professional life studying Black history, the story of the Negro Leagues of professional basketball has been so important to me. Unlike the Negro Leagues of professional baseball, people don’t pay as much attention to basketball teams.
I love learning more about them. They often played games in nightclubs, bringing the stories into the heart of the Harlem Renaissance and tying them to the interwar culture of jazz and prohibition.
A groundbreaking, timely history of the largely unknown early days of Black basketball, bringing to life the trailblazing players, teams, and impresarios who made the game From the introduction of the game of basketball to Black communities on a wide scale in 1904 to the racial integration of the NBA in 1950, dozens of African American teams were founded and flourished. This period, known as the Black Fives Era (teams at the time were often called "fives"), was a time of pioneering players and managers. They battled discrimination and marginalization and created culturally rich, socially meaningful events. But despite headline-making…
I am an award-winning author who grew up in a family of painters, poets, sculptors, and novelists; people who designed their lives around, and dedicated their lives to, artistic expression. I knew I wanted to be a writer at age three when I began dictating a poem every day to my mom. I first fell in love with Jane Austen as a student at Oxford, where I read my favorite of her novels, Persuasion.
This book inspired my family to start reading poetry together, to create playlists of poets of the Harlem Renaissance, and even to have a Calico Critters poetry reading with tiny dollhouse books (the elephants and hedgehogs are especially good poets).
Exquisite’s extraordinary illustrations and playful prose, which honors Gwendolyn’s rhythms, take us through the poet’s childhood love of poetry—she begins writing as early as 7. Poetry is Gwendolyn’s world. Eventually, her poems are published—first in her neighborhood, then in her city and beyond—but they don’t pay the bills. Then one day a phone call delivers the news: She is the first Black writer to win the Pulitzer Prize! I adored this book, about how art can elevate and bring joy to everyday life—with all its limitations—and gifted it to several families this year.
A picture-book biography of celebrated poet Gwendolyn Brooks, the first Black person to win the Pulitzer Prize
Gwendolyn Brooks (1917-2000) is known for her poems about "real life." She wrote about love, loneliness, family, and poverty-showing readers how just about anything could become a beautiful poem. Exquisite follows Gwendolyn from early girlhood into her adult life, showcasing her desire to write poetry from a very young age. This picture-book biography explores the intersections of race, gender, and the ubiquitous poverty of the Great Depression-all with a lyrical touch worthy of the subject. Gwendolyn Brooks was the first Black person to…
I’m a picture-book author who wrote about Mahalia Jackson so more people would feel the sense of awe about her that I do. When I first read how she was treated by our own country, I was furious. But her amazing grace allowed me to focus on the positive aspects of her life, like she did.
The life of Zora Neale Hurston, the extraordinary novelist and first female African-American anthropologist, was bigger than words. But this picture book catches the uncatchable. The words are gorgeous. And the illustrations further illuminate the portrait, including delightful hats on the endpapers (a hat-tip to Ms. Hurston’s “HATitude”).
From the Newbery Honor-winning author of Genesis Begins Again comes a shimmering picture book that shines the light on Zora Neale Hurston, the extraordinary writer and storycatcher extraordinaire who changed the face of American literature.
Zora was a girl who hankered for tales like bees for honey. Now, her mama always told her that if she wanted something, "to jump at de sun", because even though you might not land quite that high, at least you'd get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to…
I have been a teacher for over 30 years and a writer of juvenile nonfiction for 10. In my research, I immersed myself in the early decades of the 20th century, which saw the rise of spectator sports and an increasing tension between amateur and professional. Investigating the evolution of competitive running for my book whet my appetite for more. I read other writers for young people to see how they treated the subject in different sports. The best works of children’s literature are informative, well-written, and worthwhile even for adult readers. (One project had me researching the War in the Pacific, hence the apparent outlier, Unbroken.)
The New York Renaissance Big Five triumphed in the first integrated professional basketball championship of 1939. The story of how they reached the pinnacle of the sport is eye-opening. In the early days, they played on the dance floor of Harlem’s Renaissance Casino and Ballroom. The border between amateur and professional was porous, even if the line of segregation was not.
Abdul-Jabbar’s chapter on the so-called Rens is surrounded by three others on the history of Harlem, its Renaissance writers, and its jazz musicians. Each of the historical chapters is followed, call-and-response style, with Abdul-Jabbar’s personal reflections on how the historical legacy affected him. I found the historical chapters highly readable and richly detailed. The personal reflections on the history’s impact on his youth made a unique reading experience.
A revealing personal account by the legendary basketball star traces his childhood in Harlem, his professional career, and the pivotal influence of the Harlem Renaissance on black culture in the United States, in a volume that features interview excerpts from Magic Johnson, Quincy Jones, Spike Lee, Sidney Poitier, James Earl Jones, Denzel Washington, and others. 100,000 first printing.
I have been writing and teaching about African American poetry and poetics for more than two decades. My passion began when I kept discovering long-lost poems that were published once, in Black newspapers, and then forgotten. I wondered why I had never learned about Gwendolyn Brooks in school, though I’d read about e.e. cummings and Robert Frost. Once I stumbled on the fact that Claude McKay discovered cummings, I realized how much the questions of influence and power aren’t really central topics in thinking about the genealogy of Black poets and their influence on each other and on poetry in general.
Kevin Young’s anthology is the latest in a long line of Black poetry anthologies; the first was James Weldon Johnson’s Book of American Negro Poetry (1922), which Young duly acknowledges. Most of Young’s choices I agree with; some I don’t (at least one of Paul Laurence Dunbar’s great sonnets should have been included); but in the main it is a terrific anthology of poets historical up to the present day. I counted almost 40 sonnets among the poems included. Readers who are interested in the dates the poems were published can turn to an extensive set of notes in the back, which are really helpful.
A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present
Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture.
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
I did not take to this book right away. Both main characters seemed rigid and selfish in ways that put me off initially. When I came back to the novel some years (decades?) later, I could better see and appreciate the complexity of building a life in racist America of the 1920s. The rigidity that had initially put me off seemed much more understandable as a defense mechanism in a society that was largely hostile to them as women of color.
Giving the book another go, I’ve come to admire the way Larsen uses her characters’ decisions (about whether to pass as white, have children, trust the men they’ve chosen to live with, etc.) to explore complicated ideas surrounding color and race. There are also some scathing indictments of whites, particularly white men that raise some pretty big questions about how race and gender work together, even in our own…
A classic, brilliant and layered novel that has been at the heart of racial identity discourse in America for almost a century.
Clare Kendry leads a dangerous life. Fair, elegant, and ambitious, she is married to a white man unaware of her African American heritage and has severed all ties to her past. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, but refuses to acknowledge the racism that continues to constrict her family's happiness. A chance encounter forces both women to confront the lies they have told others - and the…
I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.
Kelly Starling Lyons is a brilliant author of several books for children and young adults.
A personal favorite is her book about my father, Dream Builder: The Story of Architect Philip Freelon. This tells my Dad's story, from struggling to read letters and numbers as a child, to becoming a world renowned architect of the Smithsonian National Museum of African American History and Culture in Washington DC.
You've seen the building. Now meet the man whose life went into it.
Philip Freelon's grandfather was an acclaimed painter of the Harlem Renaissance. His father was a successful businessman who attended the 1963 March on Washington. When Phil decided to attend architecture school, he created his own focus on African American and Islamic designers. He later chose not to build casinos or prisons, instead concentrating on schools, libraries, and museums--buildings that connect people with heritage and fill hearts with joy. And in 2009, Phil's team won a commission that let him use his personal history in service to the…
I’m an Afro-Caribbean-American filmmaker, photographer, author, and activist from Washington, DC. After graduating from Brown University with a Bachelor of Arts in French and Francophone Studies, I began pursuing a completely different career path: social activism through art and storytelling.
I capture personal stories and intimate moments centering on Black liberation, immigrant justice, and women’s rights. My work is grounded in radical love, joy, and the knowledge that a more just world is possible. My award-winning documentary DACAmented has been internationally recognized, and my book My Beautiful Black Hair has been featured in The Washington Post, Buzzfeed News, and NPR’s Strange Fruit, among others.
Dabiri’s use of history and personal storytelling to deconstruct and illuminate the long story of Black hair is crucial in that it allows readers to understand that our Black hair has history. The movement against natural Black hair is rooted in the Transatlantic Slave Trade, and our own structures of government have always backed the anti-blackness that criminalized, scapegoated, or invisibilized our hair; this book celebrates our natural hair but also serves as historical education, which is so important if we’re to see natural Black hair not as a stylish trend but as a necessary part of our liberation. Dabiri reminds us that, while our hair is so often used as a weapon against us, it also has the power to liberate us.
Stamped from the Beginning meets You Can't Touch My Hair in this timely and resonant essay collection from Guardian contributor and prominent BBC race correspondent Emma Dabiri, exploring the ways in which black hair has been appropriated and stigmatized throughout history, with ruminations on body politics, race, pop culture, and Dabiri’s own journey to loving her hair.
Emma Dabiri can tell you the first time she chemically straightened her hair. She can describe the smell, the atmosphere of the salon, and her mix of emotions when she saw her normally kinky tresses fall…
I first learned about Hurston in the 1990s, when I researched a 1952 murder case she covered for the Pittsburgh Courier, one of America’s leading Black newspapers in the mid-20th century. Since, I’ve read a couple of her seven books, including the poetic “Their Eyes Were Watching God,” and essays, including the thought-provoking “Court Order Can’t Make Races Mix.”
In 2024, I finally read her biography. I wished I had done it years ago. It put so much of her writings in sharp perspective. Hurston was a trailblazer whose words still resonate nearly a century later.
No wonder many of today’s authors, such as Alice Walker, hold Hurston in such high regard. Boyd brings her to life, much as Hurston brought so many compelling characters and storylines to life over her pioneering 30-year career.
From critically acclaimed journalist Valerie Boyd comes an eloquent profile of one of the most intriguing cultural figures of the twentieth century—Zora Neale Hurston.
A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon.
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Months ago, I was on Twitter, openly wishing for a Thin Man remake, with Mahershala Ali and Lupita Nyong'o as Nick and Nora. A friend immediately suggested Nekesa Afia’s Harlem Renaissance Mystery debut, Dead Dead Girls. Afia’s understanding of the tightly-knit community plays an essential role in the story, with main character Louise fighting against perceptions and a cold-blooded murderer. Couple all the expected roadblocks with glam nightlife and Prohibition antics. This entire series comes together like a perfect cocktail.
“In this terrific series opener, Afia evokes the women’s lives in all their wayward and beautiful glory, especially the abruptness with which their dreams, hopes and fears cease to exist.”--The New York Times
The start of an exciting new historical mystery series set during the Harlem Renaissance from debut author Nekesa Afia
Harlem, 1926. Young Black women like Louise Lloyd are ending up dead.
Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights…
