I was twenty-three when my beloved dad died. I didn’t know anyone else who’d lost a father. The experience was incredibly lonely. When I first tried to write about it, the story felt big and unwieldy, and I wasn’t sure I’d survive. I needed companions. I found them in beautiful memoirs that didn’t paint grief as anything other than big and unwieldy. Those writers gave me permission to tell my story and modeled the artistry of doing so. I’m drawn to authentic stories of what it’s like to lose beloved ones. Books by daughters writing about losing their fathers have particular resonance for me. These are a few of my favorites.
I was both educated and enraged by Danticat’s grief story about the extensive immigrant injustices in this country and the entrenched systemic rights abuses. But the intimate family story at its core made this memoir one of my favorites. I was profoundly moved by her exquisite portrayal of her relationships with the two cherished men at the center of this book and her life—her father, Mira, and her uncle Joseph, a second father figure.
Danticat’s dedication to unravel the tragic string of circumstances that led to her uncle’s death in detention after he immigrated from Haiti only months before her father died from Pulmonary Fibrosis left me in awe. She demonstrates how, in retracing these circumstances, her book has become another kind of grief site for her personally and for the community. One that I have been grateful to visit to find companionship in loss.
Winner of the National Book Critics Circle Award for Autobiography A National Book Award Finalist A New York Times Notable Book
From the age of four, award-winning writer Edwidge Danticat came to think of her uncle Joseph as her “second father,” when she was placed in his care after her parents left Haiti for America. And so she was both elated and saddened when, at twelve, she joined her parents and youngest brothers in New York City. As Edwidge made a life in a new country, adjusting to being far away from so many who she loved, she and her…
I love dark, creepy stories set on remote islands; I love writing them and I love reading them. There is something about an island that lends itself so well to the thriller. A closed community with its own set of rules, a far-flung location, probably at the vagaries of oceanic weather, poor communications, local people whose loyalties can’t always be trusted, few places to hide. When the sun goes down on an island there is often, quite literally, no way of escape. I’ve set some of my best books on islands (Sacrifice, Little Black Lies, The Split) and love all of the ones on this list. I hope you do too.
Pied Pier, soul stealer, serial killer. Who is Mr. Clarinet? On the island of Haiti – not yet recovered from the sickeningly corrupt rule of Papa Doc Duvalier – children are vanishing amidst rumours of black magic and voodoo. Private investigator, Max Mingus, is hired to track down the son of a wealthy islander. Nick Stone lived for many years in Haiti, and his in-depth knowledge of the place seeps through the book like the blood of its numerous victims. The Haiti of this novel is dark, lawless, dangerous, and utterly fascinating.
It was a job Miami private investigator Max Mingus found hard to refuse: $10 million to locate billionaire's son Charlie Carver - missing now for over three years.
Young Charlie disappeared on the island of Haiti, where over the decades scores of children have vanished. In a country dominated by voodoo, rumours abound of black magic and a mythical figure called 'Mr Clarinet', who for years has been tempting children away from their families.
But could the truth be even more shocking than the legend?
I’m a Professor of History at Johns Hopkins University who studies the history of France and the French empire. My research stretches from the age of Louis XIV through the French Revolution, exploring questions of political economy, capitalism, empire, the Enlightenment, and popular culture. At a moment when historical research is becoming increasingly specialized, my work builds bridges between political, economic, and cultural history.
Covo investigates long-neglected economic aspects of the Haitian Revolution. Beginning in the pre-revolutionary period, when the French called the colony of Saint-Domingue (present-day Haiti) the “Pearl of the Caribbean,” this deeply researched book spotlights the role Haiti played as a commodities hub during the American, French, and Haitian Revolutions. I find this book particularly important because it shows how imperial trade and racial capitalism defined the age of commercial republicanism.
The Age of Revolutions has been celebrated for the momentous transition from absolute monarchies to representative governments and the creation of nation-states in the Atlantic world. Much less recognized than the spread of democratic ideals was the period's growing traffic of goods, capital, and people across imperial borders and reforming states' attempts to control this mobility.
Analyzing the American, French, and Haitian revolutions in an interconnected narrative, Manuel Covo centers imperial trade as a driving force, arguing that commercial factors preceded and conditioned political change across the revolutionary Atlantic. At the heart of these transformations was the "entrepot," the island…
I’m a Professor of History at Johns Hopkins University who studies the history of France and the French empire. My research stretches from the age of Louis XIV through the French Revolution, exploring questions of political economy, capitalism, empire, the Enlightenment, and popular culture. At a moment when historical research is becoming increasingly specialized, my work builds bridges between political, economic, and cultural history.
When you think about Columbus arriving in Haiti, Casimir asks, do you imagine yourself on the boat or on the shore? With deep insight, Casimir writes from the perspective of those on the shore, producing a decolonial history that emphasizes how rural Haitians drew on African traditions to resist the brutal system of plantation slavery imposed by French colonists. Further, he shows how patterns of popular resistance persisted during and after the Haitian Revolution, when Haitian elites attempted to revive parts of the plantation system. This is one of the most insightful and compelling books I read this year.
In this sweeping history, leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915.
The Haitians also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo - the…
I've loved the past since I was a kid. I dug up ancient artifacts in Greece, followed paths to abandoned sites, and read a lot. By the time I went to university I knew I would do history. How did I know? When I wrote, the rest of the world disappeared, and so did time. At dawn, as a university student in Montreal, I would stub out my last cigarette and visit the nearby diner, where the owner gave me extra portions of Salisbury steak. And then, I just went on to three more universities on two continents and became a Russian specialist. Now I’m also a Greek specialist. It’s been hard to visit Russia and I needed a change.
I love historical fiction, and this one is just great. It brings to life a past and a place, and I was engrossed by the revolutionary personalities, shocked by the callousness of the colonial masters, and bewildered by the scale and intensity of the violence.
They were all messy, and only the largest stakes could let me make a judgment about good and evil. It was, in the end, a fight for freedom. Toussaint Louverture was always one of my heroes, and here he is humanized, with all justice done to his leadership and foresight.
"A serious historical novel that reads like a dream." --The Washington Post Book World
"One of the most spohisticated fictional treatments of the enduring themes of class, color, and freedom." --San Francisco Chronicle
NATIONAL BOOK AWARD FINALIST PEN/FAULKNER AWARD FINALIST
This first installment of the epic Haitian trilogy brings to life a decisive moment in the history of race, class, and colonialism. The slave uprising in Haiti was a momentous contribution to the tide of revolution that swept over the Western world at the end of the 1700s. A brutal rebellion that strove to overturn a vicious system of slavery,…
I am a historian of the eighteenth-century Atlantic World, specializing in the American and French Revolutions. The relationship between ideas and politics has fascinated me since I worked in media relations in Washington, DC. Because I think history can help us better understand our current political controversies and challenges, I write about the origins of representative democracy in the eighteenth century. I’m also an Assistant Professor of History at the University of Notre Dame where I teach classes on colonial and revolutionary America, the Constitution, and history of the media.
The Haitian Revolution was long left out of the history of Atlantic revolutions, dismissed as a violent uprising of enslaved people without an ideological dimension.
Dubois’s book walks readers through the twists and turns of this decade-long revolution, highlighting the intellectual agency of enslaved and freed people and the ideological consequences of this transformative event.
The Haitian Revolution is a notoriously complicated event, but I found that this book provided coherence and a compelling analysis of the effects of this crucial moment in the history of democracy and movement for human rights. And it was a gripping read at that.
The first and only successful slave revolution in the Americas began in 1791 when thousands of brutally exploited slaves rose up against their masters on Saint-Domingue, the most profitable colony in the eighteenth-century Atlantic world. Within a few years, the slave insurgents forced the French administrators of the colony to emancipate them, a decision ratified by revolutionary Paris in 1794. This victory was a stunning challenge to the order of master/slave relations throughout the Americas, including the southern United States, reinforcing the most fervent hopes of slaves and the worst fears of masters.
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
As a teenager, Sophie leaves behind all that she knows in Haiti to be reunited with her mother. In New York, she falls for a man closer in age to her mother than herself. Her mother rages against him, or any man deemed unsuitable. Desire to guard Sophie's purity drives a wedge between them. The patriarchy of Haiti has lingering effects, resulting in maternal protection that resembles cruelty. Sophie tries to make a marriage work out in different ways and for different reasons than the women (mother, aunt, grandmother) who raised her and formed her ideas of womanhood. Stories of family often center on the differing priorities and expectations of different generations. This aspect of the gracefully written Breath, Eyes, Memory is what drew me in and kept me hooked.
At the age of twelve, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti--to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence, in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.
A love of literature and a summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues. Today I write about risk, drawing on psychology, culture, policy, and economics, as in Why the Cocks Fight. My third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. The sequel, You Are What You Risk, explores risk perceptions and attitudes through a comparative, socio-cultural lens.
It’s impossible to understand contemporary Haiti without recognizing the impact of the 2010 earthquake that devastated the country, taking an estimated 300,000 lives and destroying many of the iconic historical sites in the capital city, Port-au-Prince. Chancy’s powerful novel of tragedy and resilience depicts the lead-up to and aftermath of Haiti’s 2010 earthquake via the interlinked stories of ten characters from different walks of life. These stories drive home both how different the experience of Haiti can be depending on socioeconomic class and race; yet also how connected so many Haitian stories are to each other.
A NPR, Boston Globe, New York Public Library, Chicago Public Library, and Library Journal Best Book of the Year
“Stunning.” —Margaret Atwood
At the end of a long, sweltering day, an earthquake of 7.0 magnitude shakes the capital of Haiti, Port-au-Prince. Award-winning author Myriam J. A. Chancy masterfully charts the inner lives of the characters affected by the disaster—Richard, an expat and wealthy water-bottling executive with a secret daughter; the daughter, Anne, an architect who drafts affordable housing structures for a global NGO; a small-time drug trafficker, Leopold, who pines for…
I started my career in Washington D.C., where my first job involved conducting strategy meetings with senior civilian and military policy officials regarding potential military conflicts around the world. At the time I was struck by the extent to which senior policymakers worried about whether they would be able to garner and sustain public support for U.S. overseas military operations. This concern often dominated our meetings. It ultimately set me on my course as a scholar, where much of my work has focused on trying to understand what average people think about the world, why they believe what they do, and whether and how their attitudes affect leaders’ decision-making in crisis situations.
The mass media arguably play a critical intervening role between public opinion and foreign policy. Yet I’ve found that it is muchharder to explain how the media, or public opinion, exert such influence than it is to determine what the public thinks or why. This book offers one of the most compelling explanations I’ve found for when and how the media can influence foreign policy, by serving as the intermediary between voters and their leaders. Importantly, Entman shows how media framing of events can influence public support for presidential foreign policy initiatives. It offers a comprehensive and persuasive delineation of the interplay between the media, the public, and political leaders, which I teach every year to my students.
To succeed in foreign policy, U.S. presidents have to sell their versions or framings of political events to the news media and to the public. But since the end of the Cold War, journalists have increasingly resisted presidential views, even offering their own spin on events. What, then, determines whether the media will accept or reject the White House perspective? And what consequences does this new media environment have for policymaking and public opinion?
To answer these questions, Robert M. Entman develops a powerful new model of how media framing works-a model that allows him to explain why the media…
I’m a Professor of History at Johns Hopkins University who studies the history of France and the French empire. My research stretches from the age of Louis XIV through the French Revolution, exploring questions of political economy, capitalism, empire, the Enlightenment, and popular culture. At a moment when historical research is becoming increasingly specialized, my work builds bridges between political, economic, and cultural history.
A Professor of French and Francophone studies, Stieber describes the development of Haitian literature and print culture in the immediate aftermath of that nation’s revolution, when Haiti was divided between a southern Francocenteric republic and a northern anti-colonial monarchy. I’m impressed by all the ways in which this book illuminates the literary dimension of Haiti’s civil war, underscoring how writers on different sides of the conflict offered competing visions of Haiti’s past, present, and future. The book further explores how this cultural divide played out in successive Haitian governments and even in how historians write about Haiti today.
Turns to the written record to re-examine the building blocks of a nation
Picking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti's post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals…
