The book was a captivating and one-of-a-kind experience. The portrayal of grief was beautifully handled, offering a fresh perspective. While the pacing was slower at times, I was completely engrossed. Nesbit, Dove, Drea, Bastion, and Brandy were simply unforgettable. I found myself deeply connected to them all. The ending was incredibly moving, not only because of the emotional content but also due to the bittersweet farewell to such a remarkable group of characters.
I’ve always been in love with the idea of love. I didn’t know what that feeling was like for a long time–not being in love myself–so I grew attached to fictionalised worlds that brought those ideas to life. I’ve always been the person who smiles at a meet-cute or feels that warm, fuzzy feeling inside when the couple you’ve been rooting for the last two hundred pages finally kisses. I want them to know how exciting it can be to feel loved and experience that through the creation of stories. This is why romance is, and likely always will be, a huge thematic influence on all forms of my work.
I remember how engrossed I was when I first read this story.
This is yet another inspiration for the plot of my own story. It’s another story that explores how characters faced with grief can come together, connecting through the loss in their lives.
I’ve always been fond of broken characters who help repair each other. In Letters to the Lost, the characters begin writing anonymous letters to each other about recurring issues in their lives. There is something quite heartwarming about the way others can help you heal. I think it’s a beautiful story, something I wish I could say I’d written.
In this romantic novel perfect for fans of Nicola Yoon, New York Times bestselling author Brigid Kemmerer will have you wondering . . . can you fall in love with someone you've never met?
Juliet is drowning in grief after her mother's death.
Declan is trying to escape the demons of his past.
Leaving handwritten letters on her mother's grave is the only way Juliet can process her loss. When Declan finds a letter and answers it anonymously, they continue writing back and forth, not knowing who is on the other side. Juliet is instantly intrigued by this stranger who…
I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
Flora Baker's nonfiction guide combines a heart-wrenching memoir detailing her personal experience of a form of grief rarely discussed: losing both your parents in early adulthood, with an intensely practical guide for what to do when someone you love dies or is going to die.
I met Flora when we were interviewed on BBC Women's Hour together, and I wish I'd had this exact book to help guide me after my parents died because it provides invaluable advice on how to handle the bureaucracy of death, how to plan a funeral, how to clear someone's house after they have died, and how to juggle the demands that death makes on the survivors while remaining gentle with yourself and other mourners.
A vulnerable, honest and deeply personal guide to finding your way through grief. Flora Baker was only twenty when her mum died suddenly of cancer. Her coping strategy was simple: ignore the magnitude of her loss. But when her dad became terminally ill nine years later, Flora was forced to confront the reality of grief. She had to accept that her life had changed forever. In The Adult Orphan Club, Flora draws on a decade of experience with grief and parent loss to explore all the chaotic ways that grief affects us, and how we can learn to navigate it.…
Who can really claim that they know everything about the human heart, the mind, the soul? The infinite mysteries and complexities of what makes someone who we can call “human.” I'm betting no one. Certainly not me. But what's important is the passion to keep exploring, to keep digging through the mind in an effort to understand myself. That effort, along with what I discover, is one of the most tangible things that not only enriches my living life, but also gives me comfort facing the inevitable end. These books were passionate companions, inspiring me, for however long, to further my efforts in self-discovery.
I love this book because it helped put my best friend’s suicide in perspective—provided some tools to understand his mind and motivations.
It allowed me to not feel so alone in dealing with his loss, giving me comfort and insight from someone who had already done a lot of processing around her own father’s suicide.
I couldn’t help but feel a certain kinship, which of course didn’t fill the hole in my heart, but did allow for a certain sense of peace and resolution.
Sixteen years ago, Joan Wickersham's father shot himself in the head. The father she loved would never have killed himself, and yet he had. His death made a mystery of his entire life. Using an index - that most formal and orderly of structures - Wickersham explores this chaotic and incomprehensible reality. Every bit of family history - marriage, parents, business failures - and every encounter with friends, doctors, and other survivors exposes another facet of elusive truth. Dark, funny, sad, and gripping, at once a philosophical and deeply personal exploration, "The Suicide Index" is, finally, a daughter's anguished, loving…
When I think of what it means to come of age, I think of the sacrifices one makes to be the best at what he/she enjoys doing against the challenges of life to experience the joy of living. When I failed not being successful as an actor after studying it for ten years in New York City, I came back home and finished college to become a writer. Now, I write the thrill of young characters with a talent to confront society to fulfill a dream, and if they fail, how to overcome it with the help of others, prayer, and hard work.
One book that I really recommend reading is the novel The Midnights by Sarah Nicole Smetana. The main character, Susannah, is a seventeen-year-old girl who plays a mean guitar like her former rock star father whose attention she craves very much. She is driven with passion to pursue her dream even after her father suddenly dies unexpectedly, and must uproot to a new city where she eagerly takes on the challenge. The story is an emotionally charged coming-of-age novel involving loss, creativity, and feeling confident in your voice, while feeling confident in your choices to define who you are.
This voice-driven coming-of-age YA novel is perfect for fans of Katie Cotugno and Playlist for the Dead.
Susannah Hayes has never been in the spotlight, but she dreams of following her father, a former rock star, onto the stage. As senior year begins, she's more interested in composing impressive chord progressions than college essays, certain that if she writes the perfect song, her father might finally look up from the past long enough to see her. But when he dies unexpectedly, her dreams--and her reality--shatter.
While Susannah struggles with grief, her mother uproots them to a new city. There, Susannah…
I’ve illustrated and written over 50 children’s picture books and now teach the subject of writing and illustration for all stages up to University level. I’m particularly interested when a student presents a challenging theme a publisher might balk at on commercial grounds: we have plenty of books about pirates, fairies, dinosaurs, and monsters under the bed, but relatively few on the important lessons that life can throw at a child. Race, abuse, depression, or disability (with which I have personal experience) are subjects rarely seen in book stores and can be difficult starting points for a successful children’s book. But the restrictions themselves can often be the source of great creativity.
This is a book by one of my students, and it’s the reason I first began to notice that bereavement was an important subject for children – who might experience the death of pets, grandparents, parents, or even siblings – but one in which publishers see little commercial potential. Obviously, publishers are reluctant to print a bedtime story that ends on a downbeat note, but a children’s book can often be the best way to introduce a difficult subject or concept that starts a conversation.
"Where are you Lydie?" is a special picture book centred around the subject of sibling loss, sensitively written and illustrated for children between 3 and 7 years old. It is a facilitative story and guide for young children and their parents to explore death and bereavement together and to start those difficult conversations or explore the questions that may come up after the death of a baby in a safe and inspiring space. Grandparents, Teachers, Caring Support Professionals and friends can also share the story as a platform for exploration too.
"It's Lydie's birthday today but she's not here. In…
I was not intentionally set out to write books for children, but I was inspired to do so after struggling to face the challenges brought on by my illness—multiple brain tumors and surgeries. Creating messages through stories for children facing such hardship as a life-threatening illness, at times even brought me the reason I needed to keep fighting for my health and for my life.
It is a beautiful book that explains that when loved ones cannot be with us physically, they are still present in our lives in many different ways. The story is written in a tender and heartfelt way that made me feel emotion with each turn of the page. I had to cry as I read the story, but they were not tears of sorrow, they were tears of joy and comfort knowing that death is nothing but an illusion.
Loss becomes remembrance in this book that offers tender ways to pay tribute to, and meaningfully incorporate, a loved one's lost presence into present and future life experiences. Be it departed friends, family, pets, and more, memories can carry us beyond the precious moments we have together to keep the ones we loved before in mind forever.
Throughout the book the omnipresent narrator encourages thoughtful reflection on the empty spaces left by the loss. The gentle scenes portrayed inspire recovery from sadness and honor those who are absent. This lyrical heartful story provides consent and gently encourage readers to move…
Allen Klein is a former hospice volunteer and the former director of The Life-Death Transitions Institute in San Francisco. He has also spoken at over 100 hospice events around the world. In addition, several of his books have dealt with death, dying, and grief. Among them are, The Healing Power of Humor, The Courage to Laugh, and Embracing Life after Loss. Klein’s interest in the connection between humor and death and dying came out of the death of his wife, who had a wonderful sense of humor. He saw how humor helped her, and those around her, cope with this challenging circumstance.
Experiencing a loss may feel overwhelming. That is why you need to read this comforting book; it can ease that feeling. Written by a Gestalt therapist, this book feels like the author is in the room with you helping you deal with your sorrow, guilt, loneliness, resentment, confusion, and encouraging you to take part in life again after your loss.
Profound loss and disappointment are emotions that each of us will experience at some point in our lives. Loss is one of the most difficult experiences to come to terms with. The Courage to Grieve explores how we can deal with every kind of grief, revealing:
- How grief manifests itself in many ways, ranging from anguish, exhaustion, emptiness, resentment, longing, tension, confusion, sleeplessness and sometimes the temporary loss of the will to live. - How we can help ourselves and others to cope with the immediate experience of death and the grief and mourning period that follows. - How…
Born to a Tibetan mother and an American father, I was raised in the U.S. As a girl, I wondered why things were always changing: the seasons, people, and places I loved. Growing older, I became fascinated with how to find happiness in a world where nothing lasts forever. After college, I lived in India with my Tibetan grandmother, learning about Buddhist “bardo” perspectives on life’s ephemerality. I realized that though we resist change, accepting impermanence allows us to live happier lives. I publish widely on impermanence and host a Tricycle interview series about bardo, with guests including David Sedaris, Elizabeth Gilbert, Malcolm Gladwell, Ann Patchett, and Dani Shapiro.
Some years ago, my father fell ill and I barely made it to his bedside in time to say goodbye.
Written after her husband’s sudden death, Didion’s book has not only helped me come to terms with losing my father, but has also shed light on our all-too-human response to endings. Didion is committed to analysis yet acknowledges our irrationality in the face of loss—like when she keeps her husband’s shoes, believing he’ll need them if he returns.
I can relate to this: when my father died, I kept one of his favorite shirts and his birding binoculars, thinking he might want them later. Didion doesn’t offer closure, just a portrait of the grieving mind and heart that I find consoling and, in the end, life-affirming.
From one of America's iconic writers, a portrait of a marriage and a life - in good times and bad - that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion.
Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later - the night before New Year's Eve -the Dunnes were just…
I went through major surgery when I was in eighth grade. The physical pain was bad, but what hurt more was the emotional side. When I returned to school, the friend groups had shifted, shutting me out because of my extended absence. I had to face that time in life alone. Perhaps that’s why I’m drawn to works about kids who have to face challenges on their own. When we go through hard times, our true selves come out. They have to; we have no one else. We can’t pretend. We can only try to make it. The books I like show characters that shine through their hardships.
This book features a girl named Suzi, who is convinced her friend drowned because of a jellyfish sting. She’s so affected by her friend’s death that she stops talking. I loved seeing Suzi research jellyfish through this book.
I love learning and studying and how she went about it was cool. She was determined and strong. I also appreciated how the plot moves from the present to the past and showed the truth about Suzi’s friendship in the end.
It's peculiar how no-words can be better than words. How silence can say more than noise, or a person's absence can occupy even more space than their presence did.
Suzy is twelve when her best friend, Franny, drowns one summer at the beach. It takes two days for the news to reach Suzy, and it's not something that she can accept: Franny has always been a strong swimmer, from the day they met in swim class when they were just five. How can someone all of a sudden, just no longer be there?
