I’m a German History professor who focuses on the Holocaust, but I’ve been educating myself on the topic since 5th grade, when a friend suggested some children’s literature on the Holocaust. So, I guess this is a topic that has interested me for some thirty years now. I can’t stop asking why, I can’t stop reading, and I can’t stop educating, especially as Holocaust denial and antisemitism are on the rise. History, in general, can teach us so much about who we are and who we have the potential to become. The Holocaust is a prime example of what happens when humanity fails to achieve its potential.  

When I learned that a friend, at forty, discovered the father he thought was his dad wasn’t, I was both fascinated and devastated for him. It made me wonder why families kept secrets and believed it was the best choice. I became curious about how such news affected those lied to. Over time, I found others with similar revelations, sparking personal journeys of self-discovery. These stories, shared without me asking, led to my debut novel and shaped my writing. While my own family seems secret-free, I’m drawn to writing about characters burdened with hidden truths, exploring how these secrets affect identity, trust, and relationships.

Maybe I have a passion for this era because I live outside of Philadelphia, or maybe because so many of my ancestors served in Washington’s militia while others refused to serve. Either way, the connection to the times are personal. Having researched the tensions of my Mennonite past during the Revolution, I found myself intrigued by broader challenges of conscience for the Pennsylvania colonists more generally. Discovering the role it played in British occupied Philadelphia was particularly fascinating. My interest is in the untold story, and what I stumbled upon for this book was downright exciting!

I don’t especially like Nietzsche, and rarely agree with him. As a professor of philosophy, I find that he is less original than is popularly assumed and less clear than he should be—not out of some mysterious profundity—so much as a recalcitrance or maybe inability to make plain what he thinks. Even so, I find it quite impossible to break away from Nietzsche. For my part, and I suspect for many readers who came upon him during their formative years, Nietzsche’s thought is so close to me that I’m always wrestling with it. Maybe that’s not a ‘result of’ but a ‘condition for’ reading it?

I am a historian of early modern Europe, with a research focus on Spain and Italy. I first encountered archival documents from the Spanish Inquisition during research for my first book: I was already a fan of religious history but quickly became a fan of studying the law. I am fascinated by the ways in which people between the 1500s and 1700s used the legal systems at their disposal to recapture honor and pursue enemies. I am always on the lookout for ways in which religious prescriptions from centralized authorities did not match what was happening on the ground with ordinary, usually illiterate people.

My father was a pilot in WW2 and I learned to fly in Africa when I was 17. Subsequently I flew biplanes, some of them like the ones in these books, made of wood, glue, and fabric. Since childhood, I've been fascinated by flying in WW1. It was a time of incredible change. The dawn of aviation, when designers and pilots barely understood what they were doing. Biographies written at the time are typically laconic, “emotionally repressed” might be modern. So these novels help us understand today some of those stresses and joys of these remarkable adventurers who dared to undertake what mankind had never done before; fight in the heavens.

As the fourth “oldest daughter” in my motherline, and my interest in genealogy and family history, my trajectory was set decades ago to become the keeper of the family letters, telegrams, photos, pilot logbooks, and stories. After researching what happened to the three brothers lost during WWII, I also have casualty, missions reports, and more. Before publishing the first book, I had bylines in newspapers and magazines, and I’ve blogged regularly for several years. Because of the wealth of historic photos and stories, I began history Facebook pages for three Iowa counties, as well as one for cousins to share memories and photos. If you enjoy family stories, you’ll enjoy the books on this list.

I'm an award-winning journalist, a frequent New York Times contributor (and former business columnist for The Times), and the author of, most recently, Duped: Double Lives, False Identities and the Con Man I Almost Married. Duped was turned into the #1 Spotify-original podcast, Impostors: The Commander, which I hosted and executive produced. I was also a producer/reporter on The NY Times Presents documentary film To Live and Die in Alabama, about the execution of Nathaniel Woods. As of press time, my greatest accomplishments have been summiting Mt. Kilimanjaro (with a broken wrist!), learning to play the cello at 35, and naming Karamel Sutra for Ben and Jerry’s.

I am a historian of medieval women, especially women in the Iberian peninsula, and royal women. I became interested in Berenguela of Castile through studying her sister, Blanche, who was queen and regent of France. I learned about Blanche through studying Cistercian architecture – I remain really interested in material culture, memorialization, interpersonal relationships (like motherhood!), and political life in the medieval world, all of which I study primarily through the lens of gender. I still turn to these classic, foundational works on medieval women when I want to teach students how the field developed, and when I want to understand essential premises about Iberia, motherhood, religion, queenship, and historiography. 

I'm a writer and journalist. I grew up in London’s Jewish community, and lived in Israel and Jerusalem for most of my life. I'm fascinated by the Mid-East region, its history, religions, music, cultures, and colors, and by Jewish history. As a result of my experiences as a soldier in the Second Lebanon War of 2006, and the Second Intifada of 2000-4, my focus on conflict became central to my work. After the 2006 war, I became a conflict reporter, and I've covered war and insurgency in Syria, Turkey, Iraq, Ukraine, Lebanon, and Israel/West Bank/Gaza for a variety of publications. I also like to focus on the ways war and conflict impact human lives.