I found this to be an interesting read about how people are drawn to each other regardless of gender. It also discusses the special attractions between women who have been attracted to other women from an early age and those who once considered themselves heterosexual as I did.

The concept for this book had me intrigued from the moment I saw the front cover. James Chiltern sends a message to all 158 contacts on his phone, telling them he plans to end his life in the morning. Then he switches his phone to flight mode and sets off on an overnight train journey. While I have had dark times and moments where I was close to the edge throughout my life, I’ve never reached the point where I had actually made a plan to end things. So to read a story where the main character has made that heart-wrenching decision and to see the differing perspectives of all the people in his life waking up to that message was both heart-breaking and riveting.

This book about the ultimate rebel woman Patricia Highsmith explores in depth the many ways Highsmith rejected social expectations of her time in terms of her gender, sexuality, and writing material. The biography does not shy away from presenting Highsmith in all her glorious complexity – equal parts humorous, wry, loathsome, disturbing. This was one of the first biographies that I read where I realized the power of archives, what they can reveal, and how enlightening they can be when used so brilliantly, as Andrew Wilson does here. 

Another classic, written in 1984 by the author of Against Our Will: Men, Women, and Rape, Brownmiller covers a lot: body, hair, clothes, voice, skin, movement, emotion, ambition. She says in her prologue, "I offer this book ... in the hope that the feminine ideal will no longer be used to perpetuate inequality between the sexes, and that exaggeration will not be required to rest secure in biological gender." 

I enjoyed this book because Golden is a Black woman, and rarely do Black women admit to being sex and porn addicts, much less write about their experiences. I also like that Golden is from the South; her book destroys the “prim and proper” American Southern trope with which I’ve been familiar due to living in the South for over two decades.

Also, although I am a recovering female sex addict, I’ve never been to therapy. Golden’s book showed me what that would have been like. Overall, her memoir helped me to know my life was not an anomaly.

Here we are taken into the world of Dorothy Wordsworth, considered to be the creative collaborator of her brother William Wordsworth, in this highly original re-imagining of her life. Although as an adult she lived with her brother, she remained in the shadows while he mined her writing for phrases he might use in his own poetry. Her unconventional life is portrayed here through the eyes of others, including a hired hand, James Dixon, whose reverence for her helps shape the story, and the curious but effective use of an old tree, named Sycamore, who provides insightful meditations on her character. I was taken with how intimately we entered Dorothy’s world who, though frail in body, was strong in mind. The internal workings and close observations are what make the novel fascinating, a historical portrait of both woman and artist. An original and thought-provoking work.

This book is a milestone in transgender literature for kids. Published in 2015, it follows a fourth-grader’s attempts to get classmates, teachers, parents, etc. to see past the surface: she’s a girl named Melissa, not a boy named George as everyone perceives. An argument often leveled against transgender kids is that they can’t know they’re transgender because they’re too young. This novel counters that by compassionately and realistically portraying a child who knows her identity from an early age, and it shows how devastating it is when the people who should love and support Melissa instead reject her assertion of her identity. It has a happy ending, but it leaves the reader thinking about how many transgender kids don’t get that—thereby inspiring advocacy. 

This amazing Australian YA weaves such a delicate web. A quiet, introverted dystopia, and at its heart is the wonderful Hayley. Hayley is such an interesting female protagonist here not because she is deadly or combative, but because of her incredible perseverance and curiosity. Hive is the first in a truly compelling duology. 

It begins with Vern, a Black, Albino teen escaping from Cainland, the cult compound she’s raised in, and giving birth (to twins!) alone in the woods. A refuge for Black American activists in the 1950s, Cainland became a religious stronghold controlled by Reverend Sherman, Vern’s much older husband.

Vern begins to question the anti-queer propaganda, the oppression of girls and women and unearths treachery beneath the compound’s revolutionary surface. Plus her body is changing, growing stronger, monstrous, becoming something altogether new. Hauntings—full-scale hallucinations, or so she thinks—chip away at her sanity and sense of self. Vern is all fight, but must learn to trust, connect, possibly even love or depend on others in order to survive unimaginable hardships, while raising her infants on the land.

A fever dream of alien transformation, as anti-authoritarian as can be imagined, and a truly original queer BIPOC love song, Solomon has written a trippy,… show more.

If your favorite song is “You Belong With Me” try I Hate You, Fuller James, by Kelley Anne Blount.

It’s very much the story of a nerdy awkward girl pining after the handsome jock, and is full of sweet moments. I love the similarities between it and 10 Things I Hate About You and the nods to other 90’s rom coms.

I’m a sucker for the enemies-to-lovers trope, and it was fun to watch a young female character fall in love but also learn to stand up for herself.