Here are 100 books that Femininity fans have personally recommended if you like
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I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).I was a columnist for The Philosopher Magazine for eight years, PhilosophyNow for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off.
Although I endorse Rothblatt's ideal of a sex-irrelevant society, I think he fails to fully comprehend the subordination by sex that females currently experience. And if he hadn't been so rich (like Jenner), he might not have voluntarily become a member of that sexed underclass. (I suspect his money has largely insulated him from the negative effects of being perceived as a woman.) That said, this 1995 book is a pioneering classic. (Though I think the subtitle should have been "A Manifesto on the Freedom from Gender" — not " A Manifesto on the Freedom of Gender".)
Rothblatt makes a case for the adoption of a new sexual model that accommodates every shade of gender identity. She reveals that traditional male and female roles are dictated neither by genetics, genitals, nor reproductive biology, but rather by social attitudes that originated in early patriarchal cultures and that have been institutionalized in modern law, and she calls a new acceptance of human sexuality in all its prismatic variety. 10 charts.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).I was a columnist for The Philosopher Magazine for eight years, PhilosophyNow for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off.
For those of us who grew up thinking we were the weaker sex/gender, this is a must-read book. When the deck is not stacked in favour of upper-body strength and short bursts of speed, and when factors such as height and weight are controlled (as the latter is, for example, in wrestling competition), women may actually be the stronger sex. I was particularly intrigued—no, annoyed—to read about sports that became segregated by sex only after women proved their superiority (for example, skeet shooting and rifle shooting).
Can women be equal to men as long as men are physically stronger? And are men, in fact, stronger? These are key questions that Colette Dowling, author of the bestselling The Cinderella Complex, raises in her provocative new book. The myth of female frailty, with its roots in nineteenth-century medicine and misogyny, has had a damaging effect on women's health, social status, and physical safety. It is Dowling's controversial thesis that women succumb to societal pressures to appear weak in order to seem more "feminine." The Frailty Myth presents new evidence that girls are weaned from the use of their…
I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).I was a columnist for The Philosopher Magazine for eight years, PhilosophyNow for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off.
I have always thought that we desperately need to hear from transmen and transwomen to help distinguish the effects of biological sex from those of cultural gender conditioning—more specifically, to illuminate both the influence of our respective high levels of estrogen or testosterone) and, in a word, sexism. Using interviews with transmen, Schilt very much does the latter. Consider this book a thorough precursor (2010) to the much-publicized experiences of Martin and Nicole (Google it); Martin concludes, about his experience being treated as Nicole, "It sucked." Indeed. (And the surprise experienced by so many transmen at their post-trans experiences supports the view that most women have no idea how easy men have it.)
The fact that men and women continue to receive unequal treatment at work is a point of contention among politicians, the media, and scholars. Common explanations for this disparity range from biological differences between the sexes to the conscious and unconscious biases that guide hiring and promotion decisions. "Just One of the Guys?" sheds new light on this phenomenon by analyzing the unique experiences of transgender men - people designated female at birth whose gender identity is male - on the job. Kristen Schilt draws on in-depth interviews and observational data to show that while individual transmen have varied experiences,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).I was a columnist for The Philosopher Magazine for eight years, PhilosophyNow for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off.
Reading much like a novel, Vincent's book is a first-person account of a woman going undercover as a man (cross-dressing drag rather than trans, per se) to discover what men are like: "I found masculinity distilled, unmitigated by feminine influences, and therefore observable in a concentrated state" (p181). An intriguing contrast to Schilt's book, Vincent says "It was hard being a guy" (p275); "Someone is always evaluating your manhood" (p276); "I saw how degraded and awful a relentless, humiliating sex drive could make you" (p277).
Following in the tradition of John Howard Griffin (Black Like Me) and Barbara Ehrenreich (Nickel and Dimed), Norah Vincent absorbed a cultural experience and reported back on what she observed incognito. For more than a year and a half she ventured into the world as Ned, with an ever-present five o'clock shadow, a crew cut, wire-rim glasses, and her own size 11 1/2 shoes-a perfect disguise that enabled her to observe the world of men as an insider. The result is a sympathetic, shrewd, and thrilling tour de force of immersion journalism that's destined to challenge preconceptions and attract enormous…
I have sewn since I was a child, taught by my mother to keep me out of mischief. From having the best-dressed dolls in the neighbourhood I graduated to making my own, sometimes outlandish, forms of fashion and then became a banner maker and community textile artist. Sewing is in my DNA and I love the tactile, rhythmic soothe of it. But I have long been curious about how, in the many books are published about needlework, very few ever mention why people sew. This is what fascinates me, the stories of sewing, because it is through its purpose that we discover the spirit that lies within it.
I read this book in the early 1980s when it was first published and it changed my view of sewing and made me understand its cultural importance and how its value has been diminished over the centuries. It is a seminal landmark feminist book, the first to ever explore why sewing is perceived as just women’s work. Parker debates the nature of women’s embroidery through time, the dutiful and the radical, the artistic and the unacknowledged and if it hadn’t been for this book I would never have become fascinated about people who sew not simply to decorate clothes or their homes but to campaign, celebrate, conserve their stories and make their mark.
Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements.
The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works…
I’ve been rising for years. In fact, Dark Star: Reclaiming Lilithis the culmination of 18 years’ worth of my personal ascension, which is certainly still a work in progress. My book is written in an extremely magical realistic, sci-fi/fantastical manner. I do believe that there are a cohort of women here on Planet Earth right now who’ve incarnated to help carry Gaia into her 5th dimension. Especially now, it’s relevant to move our planet into a more sustainable, spiritual, and connected way. If our voices can span across genres, generations, and gender, then maybe, they can reach all corners of the Universe before it’s too late for us and our planet.
This book not only changed my entire life, but it has also helped me shape the ending of my own book. Wilson gave me the permission and vocabulary to express abstract concepts that I was carrying around; sacred rage, patriarchal oppression, a lineage of matricidal trauma… big stuff. Rather than a book, Maiden to Mother is a cultural and feminine ancestral movement. By traversing your own underworlds and excavating all of the buried, scorned, traumatized parts of ourselves, we can then begin the healing journey and live honest to our souls. In this non-fiction book, Wilson asks the reader to go where they’ve never gone before, and in return, promises liberation and true joy. She delivers this in a no-bullshit manner. And guess what? It works.
When the goddess culture was stolen and buried, so too were women's rites of passage into our wild, intuitive femininity and maturity. With Maiden to Mother, Sarah Durham Wilson excavates these ancient rites, guiding us through a sacred and crucial initiation from the immature Maiden into the archetypal Mother - the powerful, safe, compassionate, full-bloom feminine life force that exists within all of us.
Becoming the Mother is every woman's birthright - regardless of whether or not she raises children. The Mother is who we needed as a child, who we were meant to be in this life, and who…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I'm the author of Penelope’s Purple Passions. I've been in love with writing poetry since I was a little girl. I would go under the bunk bed at night with my flashlight and write all these poems about love, not that I knew anything about love, but what I did know was how writing poetry made me feel. I believe love is truly the most valuable gift we can give to another soul in our lifetime. I want my poetry to empower people and be that beacon of light in people’s lives. Poetry is the avenue where I can spread love and hope globally to anyone who picks up my books.
I recommend this book because it places emphasis on women knowing their self-worth. This book also speaks about loving deeply and not having that love given back in return. I could identify with being in relationships that have made me feel unloved and unworthy. I could also identify with having that eye-opening moment when you come to the realization that you are this beautiful, gifted, wonderful human being worthy of having a person in your life who recognizes and truly appreciates you for all that you embody. The takeaway from this book I gained is to never love anyone more than you love yourself.
#1 New York Times bestseller Milk and Honey is a collection of poetry and prose about survival. About the experience of violence, abuse, love, loss, and femininity.
The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. Milk and Honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.
I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me.
The best memoirs, to me, are not only records of past events. They are also the record of a writer grappling with how best to tell the story. Jeannie Vanasco takes this idea to an entirely new level in this brilliant meta-memoir that not only chronicles a sexual assault she experienced in college, but also her present-day investigation into her rapist’s memories of the event, his motives, and his present-day thoughts about what happened. This book challenged me to think in new ways—not only about sexual assault, but also about the ways we remember it and write about it.
A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature
Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person.
Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a…
As a journalist, I write about women and power. I’ve written about everything from taboos in women’s health, to the importance of reproductive autonomy, to the ability of women athletes to shape culture. Across all of these subjects, my work is rooted in the desire to explore the factors that drive gender inequity and how we can create lasting cultural changes that will close the gap. If there’s one thing I’ve learned in writing over 2,500 stories, it’s that gender inequity—from the pay gap, to the motherhood penalty—always comes back to power. And to one group’s desire to keep it at all costs.
I love books that challenge me to question established systems and science writer Angela Saini does this with tour-de-force narrative skills in Inferior.
In this book, Saini examines how gender bias influences the scientific community, and critically, the research it produces. She dives right into the idea that men are thought to be superior, and challenges readers to go a level deeper in the debate about why men dominate.
'Inferior is more than just a book. It's a battle cry - and right now, it's having a galvanising effect on its core fanbase' Observer
Are women more nurturing than men?
Are men more promiscuous than women?
Are males the naturally dominant sex?
And can science give us an impartial answer to these questions?
Taking us on an eye-opening journey through science, Inferior challenges our preconceptions about men and women, investigating the ferocious gender wars that burn in biology, psychology and anthropology. Angela Saini revisits the landmark experiments that have informed our understanding, lays bare the problem of bias in…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I have always been shy and overthink new experiences, so I typically just don’t do whatever it is. I hate that about myself, but I struggle to overcome it. That’s why the werewolf has always fascinated me. The wolf knows no fear, either of people or experiences. The wolf is freedom from all the constraints of human society, and to be able to call up the wolf, transform, and leave all the expectations of humanity behind and live free, relying on your instincts, is very appealing to someone who doesn’t like crowds or cities or answering to a boss at work.
Little Red Riding Hood may have been a prostitute who chose the wolf. I love how thorough Zipes is in his collection of (nearly) all things related to Red. The story is much older than the Brothers Grimm and as new as…well, this was published in 1993 and featured pretty new cartoons.
Unlike so many modern stories where the werewolf is simply a monster “out there” hunting and killing people, the story of Little Red Riding Hood is full of symbolism and metaphor and has been endlessly retold and reinterpreted across all mediums. Was she an innocent girl tricked and eaten by the wolf? Was she a curious young woman lured into the world of prostitution? Was she saved by a woodcutter? Did Grandma escape, or was she also a prostitute? The answer is almost always yes in some form of the story, and Zipes includes it here. This was…
Jack Zipes presents the many faces of Little Red Riding Hood. Bringing together 35 of the best versions of the tale, from the Brothers Grimm to Anne Sexton, Zipes uses the tales to explore questions of Western culture, sexism and politics.
