I grew up in New York City and was deeply influenced by the women’s liberation movement, which helped me go on to combine a career as a historian with marriage and motherhood. While doing research for an academic article on the Beecher-Tilton scandal, I became convinced that only by writing a novel could I unravel the story from the point of view of Elizabeth, the woman involved in the love triangle. Historical fiction is a marvelous medium to explore events from the perspective of those outside circles of power. When I began writing, I felt that my embrace of fiction as medium had unleashed an electric current of creative energy.
I loved this historical work about the real-life story of Ellen Craft, a young slave with a light complexion who escapes from the South with her partner, William, a slave of a darker complexion. The difficult voyage on a boat going north in which Ellen, who is impersonating a young white master traveling with his male slave, must converse with the white men on board as though she were one of them kept me in a state of high anxiety.
I prayed that she would succeed, agonizing over every difficult moment that could have aroused suspicions, internalizing the heroine’s terror and resolve. I loved the gripping prose and psychological insight of this author who has restored the voice of a remarkable woman who played an important role in the abolitionist movement.
The remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as "his" slave.
In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the…
I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present.
This book is, on its face, a sardonic, strange, delightful, and wild retelling of the story of John Brown from the perspective of a formerly enslaved teenager, who John Brown half rescues, half kidnaps, and who is bullied by the Old Man into pretending he is a girl. The story is phenomenally researched and brilliantly told, and the tone accomplishes the magnificent feat of being simultaneously iconoclastic and generous—perhaps even irreverent and reverent. This is a must-read.
Now a Showtime limited series starring Ethan Hawke and Daveed Diggs
Winner of the National Book Award for Fiction
From the bestselling author of The Heaven & Earth Grocery Store, Deacon King Kong (an Oprah Book Club pick) and The Color of Water comes the story of a young boy born a slave who joins John Brown’s antislavery crusade—and who must pass as a girl to survive.
Henry Shackleford is a young slave living in the Kansas Territory in 1856--a battleground between anti- and pro-slavery forces--when legendary abolitionist John Brown arrives. When an argument between Brown and Henry's master turns…
Like most, I grew up reading the classic literature assigned to me at school. But what I always found lacking were characters and themes that related to me—a queer, poor, half-Mexican in 80’s rural Texas. I wanted to be a writer at an early age, but took a 15-year detour as an editor at DC Comics, Scholastic, and other big publishing houses. While there, I was proud to find new diverse talent with new perspectives and voices. Stories are magical when they act as windows through which we learn about others, but they can be even more powerful when they act as mirrors in which we can see ourselves.
The moment I saw the cover of this book, I thought to myself, “Oh, they turned The Adventures of Huckleberry Finn into a graphic novel.” But it turned out to be so much more—in the best possible way.
This is an American Classic Reimagined, not through the lens of Huckleberry, but through the complex and difficult experiences of Jim himself, an enslaved Black man searching for his wife and kids after they were sold. The oversized graphic novel came with some heft to it—not just in weight, but in an extraordinary story.
A thrilling graphic novel reimagining of Adventures of Huckleberry Finn that follows Jim, an enslaved man on a journey towards freedom, and his sidekick, Huck, in the antebellum South—from the team behind the Eisner Award–winning The Black Panther Party.
WINNER OF THE AMERICAN LIBRARY ASSOCIATION'S ALEX AWARD • A BEST GRAPHIC NOVEL OF THE YEAR: The Washington Post, School Library Journal, Library Journal
“A brilliant remix of history, politics, satire, and passion filtered through the comics medium by two masters of storytelling.”—John Jennings, Hugo Award–winning comics creator
Commonly regarded as one of the great American novels, Adventures of Huckleberry Finn…
I am a social historian of the African Diaspora. I am passionate about writing stories that have never been told. The stories I uncover detail the lives, struggles, and resistance of enslaved people. I am interested in and have written about such overlooked topics as African resistance to the transatlantic slave trade; Maroons in the American South; the experience of African Muslims enslaved throughout the Americas; and the lives of the people deported on the Clotilda, the last slave ship to the US. Much still needs to be unearthed to help form a more comprehensive history of the people who, in countless and remarkable ways, fought against their subjugation.
This book is predominantly about Caribbean runaways and Maroons, with some brief forays into South America and the United States.
I found Thompson’s approach quite enlightening. Rather than studying marronage by country, as is usually the case, he chose an encompassing thematic approach across territories. He studies the topic in four major parts: the ideological bases of marronage, its origin and development, maroon organization, and the question of accommodation and revolution.
This panoramic view, which also offers a lot of details, helps point out commonalities but also differences between communities.
African slavery in the Americas has left indelible marks on the geographical, political, economic, social and cultural landscapes of the Americas. An important part of that indelibility is marronage that involved both flight from slavery and the establishment of free communities. This book is about the struggles of enslaved Africans in the Americas who achieved freedom through flight and the establishment of Maroon communities in the face of overwhelming military odds on the part of the slaveholders. Incontestably, Maroon communities constituted the first independent polities from European colonial rule in the hemisphere, even if the colonial states did not accord…
I am new to this author, but I
look forward to reading her future books. Embers on the Wind is a story where
time intersects, and generational families intertwine. It is part Black magical
realism and part historical fiction.
This tale, which expertly portrays both
the Black and the White experience with a delicate sense of balance, reminds us
that the atrocities of slavery are still a part of the American fabric.
Even though years separate now from then, the fabric of time has held onto
those memories, whether in actual ghostly form or the collective
consciousness. Rosenberg is a brilliant literary fiction writer, and Embers on
the Wind will last with me for years to come.
The past and the present converge in this enthralling, serpentine tale of women connected by motherhood, slavery's legacy, and histories that span centuries.
In 1850 in Massachusetts, Whittaker House stood as a stop on the Underground Railroad. It's where two freedom seekers, Little Annie and Clementine, hid and perished. Whittaker House still stands, and Little Annie and Clementine still linger, their dreams of freedom unfulfilled.
Now a fashionably distressed vacation rental in the Berkshires, Whittaker House draws seekers of another kind: Black women who only appear to be free. Among them are Dominique, a single mother following her grand-mere's stories…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
I loved this book because the author – a professor at the University of Michigan – honestly addresses a tough subject when informing the reader about the North’s benefit from slavery, a benefit which caused a forever compromise on the subject, leading to the Civil War.
I was shocked when I read Wall Street’s profits were so great it wanted to secede from the union and recreate itself as a separate nation-state on the eve of the Civil War in order to continue trading with both the North and South.
The professor does a wonderful job with documentation, particularly how free persons of color were kidnapped and sold into slavery because of the immense profits. At times, when reading this work, my mouth flew open and stayed open until I finished reading. My mind remains open because of the professor’s valuable contribution to this history.
Although slavery was outlawed in the northern states in 1827, the illegal slave trade continued in the one place modern readers would least expect, the streets and ports of America's great northern metropolis: New York City.
In The Kidnapping Club, historian Jonathan Daniel Wells takes readers to a rapidly changing city rife with contradiction, where social hierarchy clashed with a rising middle class, Black citizens jostled for an equal voice in politics and culture, and women of all races eagerly sought roles outside the home. It is during this time that the city witnessed an alarming trend: a number of…
I’ve been fascinated by the Civil War ever since I was a kid, traipsing through battlefields and digging up old Minie balls and bullets from the backyard where my dad played when he was younger. The war was America’s defining moment, in many ways more important than the Revolution itself, setting the stage for our continuing evolution as a nation. But often, the history we’re taught is incomplete and imperfect. As a journalist who’s done some prize-winning investigative work, I like to use those skills to peel away the cobwebs of history to find the untold stories that are too often hidden from view.
It is a riveting story of heroism triumphing over adversity as a South Carolina slave appropriates a Confederate transport ship and sails it out of Charleston Harbor, ferrying his fellow enslaved crewmen and their families to freedom. And that’s just the opening act, as he goes on to serve as a pilot in the Union Navy and later as a newspaper publisher and U.S. Congressman.
I came away from this book very impressed with Smalls and the level of research that went into telling his story. The Civil War was full of unsung heroes like this, and it’s great to see some of them finally getting their due.
It was a mild May morning in Charleston, South Carolina, in 1862, the second year of the Civil War, when a twenty-three-year-old enslaved man named Robert Smalls boldly seized a Confederate steamer. With his wife and two young children hidden on board, Smalls and a small crew ran a gauntlet of heavily armed fortifications in Charleston Harbour and delivered the valuable vessel and the massive guns it carried to nearby Union forces. Smalls' courageous and ingenious act freed him and his family from slavery and immediately made him a Union hero. It also challenged much of the country's view of…
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
Set just prior to the Civil War, this novel is one I’ve often recommended since first reading it years ago. The novel’s four main characters, enslaved mistresses of Southern men, are well-rendered and complex and stayed with me long after I finished the book. I was drawn by the women’s distinct personalities and how they responded to the harsh realities of their lives.
The novel also introduced me to a piece of my home state’s history: Tawawa House was a summer resort in southwestern Ohio popular among southern planters who brought their enslaved mistresses despite Ohio being a free state. (The resort would later become the site of Wilberforce University, the nation’s oldest private, historically black university owned and operated by African Americans.)
Wench by Dolen Perkins-Valdez is startling and original fiction that raises provocative questions of power and freedom, love and dependence. An enchanting and unforgettable novel based on little-known fact, Wench combines the narrative allure of Cane River by Lalita Tademy and the moral complexities of Edward P. Jones’s The Known World as it tells the story of four black enslaved women in the years preceding the Civil War. A stunning debut novel, Wench marks author Perkins-Valdez—previously a finalist for the 2009 Robert Olen Butler Short Fiction Prize—as a writer destined for greatness.
I’ve been teaching university courses on gender and colonialism for about thirty years. I find students engage with the stories of the daily lived reality of women and men in the past. The books on my list are ones I have assigned at universities in two different countries. It’s so powerful to read someone’s own story from centuries ago, in their own words, like that of Mary Prince. While I love to recommend fiction to history students, I’ve always been fussy about only assigning novels set in a time period and context that the author knew first-hand. It makes these stories—like Heart of Darkness, Burmese Days,andCoonardoo—truly historical evidence.
We all know that slavery was practised by many empires through world history, but it is rare to find the voice and life experience of someone who was enslaved. Literary scholar Moira Ferguson has edited and republished the memoir of Mary Prince, who was born into slavery in Bermuda but escaped in 1828 when her owners took her to London. Mary Prince found refuge with anti-slavery reformers, who wrote down and published her account of her life. I find it a searing account of how enslaved people were torn from their own families and loved ones, and the brutality of their lives in the Caribbean. Be warned: the sexual assault, violence, and cruelty are shocking. But if you want to know about slavery, this book will tell you.
Mary Prince was the first black British woman to escape from slavery and publish a record of her experiences. In this unique document, Mary Prince vividly recalls her life as a slave in Bermuda, Turks Island, and Antigua, her rebellion against physical and psychological degradation, and her eventual escape to London in 1828.
First published in London and Edinburgh in 1831, and well into its third edition that year, The History of Mary Prince inflamed public opinion and created political havoc. Never before had the sufferings and indignities of enslavement been seen through the eyes of a woman-a woman struggling…
I am a social historian of the African Diaspora. I am passionate about writing stories that have never been told. The stories I uncover detail the lives, struggles, and resistance of enslaved people. I am interested in and have written about such overlooked topics as African resistance to the transatlantic slave trade; Maroons in the American South; the experience of African Muslims enslaved throughout the Americas; and the lives of the people deported on the Clotilda, the last slave ship to the US. Much still needs to be unearthed to help form a more comprehensive history of the people who, in countless and remarkable ways, fought against their subjugation.
I first became acquainted with the continental magnitude of marronage with the 1979 edition of this classic book. Richard Price, the expert on Maroon communities in Surinam, presents 21 texts on marronage in Spanish America, the French Caribbean, the United States, Brazil, Jamaica, Surinam, and French Guiana.
Sixteen pioneering historical studies were written by various scholars between the 1960s and 1970s. Five texts or testimonies by contemporaries, including Maroons themselves, were produced in the 18th and 19th centuries. Taken together, these studies and testimonies are essential to understanding the reach and significance of the maroon phenomenon in the history of Black people in the Americas.
Now in its twenty-fifth anniversary edition, Maroon Societies is a systematic study of the communities formed by escaped slaves in the Caribbean, Latin America, and the United States. These societies ranged from small bands that survived less than a year to powerful states encompassing thousands of members and surviving for generations and even centuries. The volume includes eyewitness accounts written by escaped slaves and their pursuers, as well as modern historical and anthropological studies of the maroon experience. From the recipient of the J. I. Staley Prize in Anthropology
