I’ve had the urge to write stories as far back as public school. And despite encouragement from a creative writing teacher in high school, my first career ended up being corporate financial analysis. By the time I reached 59, I was (a) unemployed and unemployable (due to age) and (b) in a relationship with a wonderful woman who loved science fiction and was very creative (a former art teacher). With her encouragement, I finished my first SF novel at just the right time to benefit from the explosion of interest in reading ebooks bought on Amazon. I’ve now written 37 novels.
I read this book at university and couldn’t put it down. It was written in the 1950s by an author who tragically took his own life just as he was on the verge of becoming as popular as Arthur C. Clark or Isaac Asimov. Do not be put off by the campy title. It’s a ‘rousing good yarn’ and may have influenced a lot of space opera writers over the years.
Piper was a student of history, and his historical knowledge is evident in this book. His writing style reflects the times he was in when curse words were not allowed every day, so he had to invent his own. Piper is also known for his very popular Fuzzies series and his Paratime stories.
I often wonder what other rousing good yarns he would have written if he had not committed suicide. I have reread all his books at least…
The novel follows the adventures of Lucas Trask, a nobleman and space captain who becomes a "Space Viking" after his home planet, Aton, is attacked and devastated by a neighboring planet. Seeking revenge for the destruction of his world, Trask gathers a crew of loyal followers and embarks on a mission to raid and plunder planets in the Sword Worlds, a region of space known for its piracy and lawlessness. Trask's ultimate goal is to build a new civilization and carve out a domain of his own amidst the chaos of the galactic frontier. Along the way, he faces various…
When I headed the Executive Education Center at the University of Michigan I had the opportunity to meet with many great leaders and observe them in action. I also enjoy interacting with faculty colleagues who conduct state-of-the-art research on leadership. Because of this experience, I believe that leaders are made, not born, and that reading biographies, psychological studies, philosophical commentary, histories, and fiction like the books on my list is one of the best ways to gain insight into what you need to become a great leader.
This is the heartwarming and inspiring story of the journey a great chef took from serving as a lowly apprentice to becoming a leader in establishing new food traditions in America. I especially enjoyed the many funny stories about Pepin and his family. Warning: the book includes many of his favorite recipes that will cause hunger pangs as you read the book.
In this captivating memoir, the man whom Julia Child has called “the best chef in America” tells the story of his rise from a frightened apprentice in an exacting Old World kitchen to an Emmy Award–winning superstar who taught millions of Americans how to cook and shaped the nation’s tastes in the bargain.
We see young Jacques as a homesick six-year-old boy in war-ravaged France, working on a farm in exchange for food, dodging bombs, and bearing witness as German soldiers capture his father, a fighter in the Resistance. Soon Jacques is caught up in the hurly-burly action of his…
I've always been fascinated with history. The study of economic history allows me to combine my passion for understanding the past with a rigorous and systematic set of analytical tools. In my own work I'm interested in understanding the economic, political, and institutional transformations that have created the modern world. The books I've selected here help us better understand quite how different the past and they have proven to be invaluable to me as inspirations.
Marc Bloch was one of the greatest historians of the 20th century. He was also hero of the French Resistance, tortured and executed by the notorious Nazi Klaus Barbie. Feudal Society(2 volumes) is perhaps his best book.
It is often said that the past is a foreign country, and it is true that the world of the Middle Ages is alien to us in many respects. What Bloch does is to provide a systematic examination of all aspects of that world, that is he examines it it from a legal, a sociological, an anthropological, an economic, and a political perspective.
In so doing, he paints a remarkable portrait of a coherent, self-contained society. The economy was basic, laws and politics were personalized, but it was a social and political order that made sense in its own terms. More recent historians have criticized specific aspects of Bloch's vision of feudalism…
Marc Bloch said that his goal in writing Feudal Society was to go beyond the technical study a medievalist would typically write and 'dismantle a social structure.' In this outstanding and monumental work, which has introduced generations of students and historians to the feudal period, Bloch treats feudalism as living, breathing force in Western Europe from the ninth to the thirteenth century. At its heart lies a magisterial account of relations of lord and vassal, and the origins of the nature of the fief, brought to life through compelling accounts of the nobility, knighthood and chivalry, family relations, political and…
The classic samurai novel about the real exploits of the most famous swordsman. The classic samurai novel about the real exploits of the most famous swordsman. Miyamoto Musashi was the child of an era when Japan was emerging from decades of civil strife. Lured to the great Battle of Sekigahara in 1600 by the hope of becoming a samurai-without really knowing what it meant-he regains consciousness after the battle to find himself lying defeated, dazed and wounded among thousands of the dead and dying. On his way home, he commits a rash act, becomes a fugitive and brings life in
My four novels and three sets of writings are all about Tokyo. I rely not only on my daily observations, personal experiences, and reactions to the city, but on the responses of others to the city. I’ve used all these books to better understand the place where I’ve lived and worked for over two decades. I’ve written about various aspects of Japan for numerous publications, editorials for The Japan Times, art and architecture reviews for Artscape Japan, personal columns on Tokyo life for Newsweek Japan, and reviews and interviews on the vibrant jazz scene for my Jazz in Japan website. I continue to find Tokyo a mesmerizing place to spend my working and writing—and wandering—life. Living here is like traveling every day.
This biography by writer and photographer Mansfield is probably the best guide into Tokyo’s vibrantly organic nature. To get a thorough line on the largest city in the world isn’t easy, but Mansfield carefully selects the most relevant, and interesting details. Inevitably, it’s a work of exclusion as much as inclusion, but is magnificent for that. Seeing and understanding Tokyo requires getting past the cascade of small details that keep you from seeing the whole forest. Mansfield keeps his biography flowing with the right balance of telling details and insightful summary. His companion volume, Tokyo, a Cultural History is also excellent, as are his beautifully photographed books on Japanese gardens.
The history of Tokyo is as eventful as it is long. A concise yet detailed overview of this fascinating, centuries-old city, Tokyo: A Biography is a perfect companion volume for history buffs or Tokyo-bound travelers looking to learn more about their destination.
In a whirlwind journey through Tokyo's past from its earliest beginnings up to the present day, this Japanese history book demonstrates how the city's response to everything from natural disasters to regime change has been to reinvent itself time and again. A calamitous fire results in a massive expansion of the city's territory. A debate over the Samurai…
I grew up on science fiction: I was obsessed with Star Trek as a child, and as I got older, my love for space, aliens, and time travel spilled over into my taste in books. The Hitchhiker’s Guide to the Galaxy showed me that science fiction could be funny, and The Time Traveler’s Wife showed me that it could be romantic. But why not both at once? As a lifelong passionate reader, and now an author of two novels and counting, I love seeking out books that cross, blend, and transcend genres, as well as writing my own.
When I heard the words "Regency romance in space," I was already sold, but A Civil Campaign exceeded my expectations to become one of my favorite books of all time.
It’s hard to overstate the joy I experienced watching Miles Vorkosigan, military strategist and genius, fall flat on his face as he tries to woo quiet, intense widow Ekaterin Vorsoisson.
Navigating the complex social dynamics of the feudal colony planet of Barrayar, Miles’s romantic quest culminates in a proposal that rivals Darcy’s first attempt in its fist-in-mouth awfulness, and a love confession via letter that’s learn-by-heart-worthy.
ONE CUNNING PLAN TOO MANY. . .
? It's spring in Vorbarr Sultana, and a young
person's fancy lightly turns to thoughts of love . . . money . . . bio-genetics
. . . love . . . lack of money . . . incompat
I’m probably too dishonest to write a real non-fiction book, but the sort of non-fiction book that has some wiggle room for me to “improve” on reality when I think it needs tightening up, or a little more schmaltz—that’s the strange twilight area the books I write live in, and all irresponsible history books dwell in this neighborhood. Remember, kids, as long as you make it clear when you’re lying, it still counts as non-fiction!
Back in the 18teens, the president of Yale somehow had enough free time to lead the senior class in debates of various “questions” followed by an extemporaneous “decision” on who was right.
Yale’s President Dwight certainly had plenty of amusing ideas (that California was frequently visited by mariners from “Hindostan”; that Africans who “never expose their faces to the sun are white”), but what makes his “decisions” so interesting is that many of the questions force him to examine counterfactual histories.
And so he describes what the world would have been like if the Crusades had not happened (Europe bound in a perpetual feudal system!) or if the South were to secede (and this is in 1813, remember!—anyway, it wouldn’t turn out well, Dwight says).
(I found an 1833 copy of this book jammed behind a shelf and torn to pieces back when I was working in a used book…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I’ve been a lover of fantasy stories, mythology, and folklore for a long time, mostly because fully realized fictional settings beyond our world enthralled me. My first forays into writing dwelt on fantasy with a strong historical slant, even when I dabbled in romance. It was also then that I realized my male characters had more chemistry with each other than with the females I’d paired them with. This is how I wound up in fan fiction, where virtually anything goes. During those years, I honed my writing, deepened my fascination with world-building, and crafted stories that would feed the wellspring of my first historical fantasy novel.
It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.
Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.
In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that…
In the kingdom of Gwynedd, the mysterious forces of magic and the superior power of the Church combine to challenge the rule of young Kelson. Now the fate of the Deryni -- a quasi-mortal race of sorcerers -- and, indeed, the fate of all the Eleven Kingdoms, rests on Kelson's ability to quash the rebellion by any means necessary . . . including the proscribed use of magic!
I loved this deep dive into a history that I knew absolutely nothing about.
It’s the story of an enslaved man from East Africa transported by the Portuguese to Japan, left behind there with a Jesuit mission. He came to fight alongside feudal lord Odo Nobunaga to become Japan’s first foreign-born samurai. What? He’d been in India before that?
Every chapter yielded something new I didn’t know and it’s all really well contextualized. The writers make it clear where the gaps in documentation lie, even as they tell a gripping story and bring a larger-than-life character to the page.
"A readable, compassionate account of an extraordinary life.” —The Washington Post
The remarkable life of history’s first foreign-born samurai, and his astonishing journey from Northeast Africa to the heights of Japanese society.
Warrior. Samurai. Legend.
When Yasuke arrived in Japan in the late 1500s, he had already traversed much of the known world. Kidnapped as a child in Northeast Africa, he served as a bodyguard to the head of the Jesuits in Asia, traveling to India and China, and eventually arriving in Japan, where everything would change.
Most Japanese people had never seen an African man before. Some believed he…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
When I first read this book as a graduate student, Kathleen Davis’s ability to draw unexpected connections—between political power and temporality, feudalism and imperialism, medieval and postcolonial studies—melted my brain (in a good way). It’s not easy to do justice to her complex argument in a few sentences, but basically she shows how early modern jurists deliberately relegated certain ideas (servility, absolutism, religiosity) both to Europe’s medieval past and the present of the nonwestern world in order to justify imperial expansion, colonial domination, and even chattel slavery. A dense critique of both medieval historiography and postcolonial theory, Periodization and Sovereignty isn’t a breezy read but it’s well worth the effort.
Despite all recent challenges to stage-oriented histories, the idea of a division between a "medieval" and a "modern" period has survived, even flourished, in academia. Periodization and Sovereignty demonstrates that this survival is no innocent affair. By examining periodization together with the two controversial categories of feudalism and secularization, Kathleen Davis exposes the relationship between the constitution of "the Middle Ages" and the history of sovereignty, slavery, and colonialism.
This book's groundbreaking investigation of feudal historiography finds that the historical formation of "feudalism" mediated the theorization of sovereignty and a social contract, even as it provided a rationale for colonialism…
