Long before I was an author of romantic fantasies, I was an avid reader of all things romance. Genre romance. Fantasy Romance. Romantic Fantasy. Romantic suspense. An adventure where the characters smile at each other for a heartbeat longer than usual. Give me even a hint of attraction between two characters, and I’m hooked. Give me life-or-death stakes and a first kiss that takes hundreds of pages, and I’m addicted. As a psychologist, helping young adults sort through real-life romance dilemmas is one of my favorite parts of the job. Now that I get to write these stories, I’ve made it my mission to devour all the best high-stakes YA romances I can find—or write.
Jane Eyre retelling in Ethiopa with magic—need I say more? Rich, quirky Magnus lives in a seriously haunted house, and the only exorcist willing to help him is broke, blunt Andromeda. I could not love these two more. Magnus is a beautiful weirdo who has been haunted and spoiled for far too long, and Andromeda puts him in his place. The banter, the creepiness of the house that is literally trying to kill them—no wonder Reese Witherspoon picked this one for her book club!
INSTANT NEW YORK TIMES BESTSELLER REESE'S BOOK CLUB FALL 2021 YA PICK
"Lauren Blackwood’s can’t-miss debut is a magical, Ethiopian-inspired remix of Jane Eyre." - Harper's Bazaar
What the heart desires, the house destroys...
Andromeda is a debtera―an exorcist hired to cleanse households of the Evil Eye. She would be hired, that is, if her mentor hadn’t thrown her out before she could earn her license. Now her only hope of steady work is to find a Patron―a rich, well-connected individual who will vouch for her abilities.
When a handsome young heir named Magnus Rochester reaches out to hire her,…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
Can you call it “urban fantasy” when most of the action happens in rural areas? You really get a sense of how much young Paxton Locke lost when his mother murdered his father to summon a demon, and how that shapes him in the present into a man who goes out of his way to help others all over the country. Paxton isn’t the only character whose layers we get to dig into either. Without spoiling anything, he does pick up a sidekick in his travels who is more than meets the eye, and the narration occasionally switches to some other colourful characters on their own arcs to intersect Paxton’s.
From Dragon Award nominee Daniel Humphreys Son of a Witch
Family drama is bad enough without adding magic and human sacrifice. Ten years ago, Paxton Locke’s mother killed his father in a mysterious ritual that – thankfully – went incomplete. Now, Paxton makes his living as a roving paranormal investigator, banishing spirits while Mother languishes in jail.
When a terrified ghost warns him of a dangerous, newly-freed entity, Paxton faces a fight far beyond simple exorcism. In a battle for his very soul, will he be able to endure – or simply fade away?
I’m tired of heroes, and I’ve forgotten what the good guys were fighting for, and if a dark lord wants to ravage the land in the name of Cthulu then they can get in line. I’m more interested in deadbeat losers. What is it really like to walk amongst the living but feel dead inside? How hard is it when you’re beaten before you’ve even begun? And in a world of losers, can one of them really change the world and make it a better place?
From a book series that everyone has heard of to a book series even I forgot existed! Seriously, it was difficult to find these books again, but as a teenager, I devoured Mike Carey’s urban fantasy series about freelance exorcist Felix Castor.
They’re so irreverent, so bolshy, and absolutely not what I expected when I was looking for a new fantasy. These books are actually cool! The biggest problem Felix has is paying his rent until, of course, whatever case he’s given upends his life and drags him into worlds of cultish magic, thuggish villains, and difficult decisions.
As a bonus, after digging these up, I have discovered another book has been added to the series, so I’ve cleared my schedule and apologized yet again to my TBR pile.
Author of The Girl With All the Gifts Mike Carey presents the first book in his hip supernatural thriller series featuring freelance exorcist Felix Castor.
Felix Castor is a freelance exorcist, and London is his stomping ground. It may seem like a good ghostbuster can charge what he likes and enjoy a hell of a lifestyle, but there's a risk: sooner or later he's going to take on a spirit that's too strong for him.
When Castor accepts a seemingly simple ghost-hunting case at a museum in the shadowy heart of London, what should have been a perfectly straightforward exorcism…
I'm the perfect age for this book that is steeped in 1980s nostalgia. I listened to much of the same music on my Walkman and even worked in a VHS movie rental store—the cover design of the paperback mimics VHS packaging, including the "Be Kind Please Rewind" sticker. If you were in your teens or early twenties in the '80s you'll love all the references. If you weren't, you're getting a great glimpse into the time. And it's also truly creepy and scary!
The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act different. She s moody. She s irritable. And bizarre incidents keep happening whenever she s nearby. Abby s investigation leads her to some startling discoveries and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil? Like an unholy hybrid of Beaches and The Exorcist, My Best Friend s…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
This study offers a thorough presentation of the traditional (and non-traditional) Jewish thoughts about various topics, including ghosts and apparitions, magic and superstition, and even reincarnation. However, the main thrust is the analysis of six (presumably) documented accounts of possession by spirits and subsequent exorcisms.
I have listed this work for two reasons. First, it underscores the significance of possession within a community not known for performing exorcisms. Then, more personally, I found the presentation challenging, intriguing, and perhaps even provocative. If such malevolent possession has been documented, why not a benevolent ibbur?
An astonishing book chronicling and dramatizing six documented reports of possession and exorcism in the Jewish experience. Also features a fascinating historical look at the traditional Jewish perspective on reincarnation, ghosts, apparitions, magic and superstition.
One of my favourite reviews described my book as ‘a bloodstained version of the world of Barbara Pym.’ Perfect! I write crime novels set in the Church of England. I also read mysteries with churchy connections—lots of them. My shelves hold hundreds, featuring clerical sleuths (and even a few clerical murderers), books set in churches, cathedrals, and monasteries (past and present). I love to explore the questions I am so often asked when talking about the books I love: why is there such a plethora of them, and why does the Church, which represents ‘goodness,’ appear so often in novels which feature unspeakable crimes?
Set in the evocative, spooky borderlands known as the Marches, between England and Wales, this is part of a series by Phil Rickman. Through the novels we follow the trials and tribulations of Merrily Watkins, a parish priest and the official exorcist for the Hereford diocese of the Church of England—thus introducing a strong element of the supernatural. Merrily is a believable and sympathetic protagonist, with her share of human weaknesses, and she’s surrounded by a rich, unforgettable cast of ongoing supporting characters: daughter Jane, musician Lol, and the wonderful Gomer Parry. It was difficult to choose one book from this fine series, but I settled on this one because it features one of my own favourite churches—Kilpeck, in the wilds of Herefordshire.
When Aidan Lloyd's bleak funeral is followed by a nocturnal ritual in the fog, it becomes all too clear that Aidan, son of a wealthy farmer, will not be resting in peace.
Aidan's hidden history has reignited an old feud, and a rural tradition begins to display its sinister side.
It's already a fraught time for Merrily Watkins, her future threatened by a bishop committed to restricting her role as diocesan exorcist for Hereford. Suddenly there are events she can't talk about as she and her daughter Jane find themselves potentially on the wrong side of the law.
I am a writer and all-around nerd living in California. When I was a kid, I loved scaring myself silly with ghost stories. My school’s tiny library had a stock of Goosebumpsbooks that I devoured like candy. Ever since, I’ve loved stories about the things we are afraid of—especially the ones that make us question where that fear comes from. The books on my list blend my love of horror and fantasy. They are stories to make you shiver, and stories to make you think. I hope you enjoy them as much as I have.
The Good Demon is unlike anything else I’ve read. It’s eerie, intimate, and spellbinding. Clare’s demon was her best friend, her Only, right up until her parents called a priest to cast the demon out. Now the only thing Clare wants is to get her demon back. It’s hard to say more about this book other than that it is very, very, good. The horror elements are scary in the way of abandoned houses and shadows seen from the corner of your eye. If you like your stories strange and moody and your characters flawed, you should definitely give this book a try.
It wasn't technically an exorcism, what they did to Clare. When
the reverend and his son ripped her demon from her, they called it a
"deliverance." But they didn't understand that Clare and her demon-known
simply as Her-were like sisters. She comforted Clare, made her feel
brave, helped to ease her loneliness. They were each other's Only.
Now, Clare's only comforts are the three clues that She left behind:
Be nice to him
June 20
Remember the stories
Clare will do anything to get Her back, even if it means teaming up with
the reverend's son and scouring every inch…
Blatty makes evil sound uncomfortably like us: petty, needling, relentless. It makes me think about how sometimes the scariest things aren’t demons, but what a people grab for when certainty slips.
Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.'
The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body.
Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer...
As a genre reader since childhood, I’m all-too-familiar with the tropes of the Chosen One, the Prophecy and all those things that lead the unsuspecting child of humble birth to fulfil their Great Destiny. I’ve no complaint against it, it’s been the source of many rich and inventive stories, but I find myself increasingly drawn to stories where the protagonist is an ordinary Joe (or Jo), sucked into uncommon events beyond their normal lives and forced to find a way to survive. It’s easy to grab attention with the threatened destruction of the galaxy. How much more satisfying, then, to make a reader care about the soul of one character.
For me, the perfect blend of format and content. While I am in awe of the way Burgoyne stitches her story together in non-chronological order, no idle conceit but one that serves her story, introducing characters and themes when it makes most sense for the narrative rather than the chronology, it’s the emotional heart that resonates. Her protagonist is a heel, but I found myself rooting for him because of the emotional authenticity of his heartbreak.
I also relished the concept that, having paid the devil (or what stands for the devil in this tale) to remove every memory of the woman that broke his heart, his journey to try and recover those memories isn’t based on their loss, but rather the realisation that if he doesn’t know who she is, any new woman he meets could actually be her, ready to break his heart all over again. It’s a…
'I do not have a future, and I do not want dreams. My dreams are stories, written by a machine.
And I will not think of her.'
Luke Kierley has visited the writer and asked it to exorcise from him all memory of her. Now he has no idea who she was and he must try to find a way to live with a bleeding hole in his memory.
Told in a unique voice that recalls southern gothic, classic horror, and frontier literature, Writer is like nothing you have read before. JM Burgoyne's debut brings her virtuosic voice alive in…
I’m a scholar of religion who was trained in the History of Christianity at Rice University, and I’m endlessly fascinated by the monsters that people create, demons being one of the most often invoked and feared. I’ve been particularly interested in how people make use of ideas of demons throughout history, and much of my teaching and research has revolved around this subject. While I began as a medievalist, the contemporary United States is–believe it or not–equally, if not richer, in its materials on demons. More and more, I find myself drawn to researching the demons that pop up in an unlikely area: politics.
McCloud digs into ideas of contemporary exorcisms and deliverance ministries but connects them up with truisms in American religion. The result is a solid argument that these are neither the province of “crazy people” on the fringe of the nation and that this movement is growing in popularity.
I particularly loved the material on “spiritual mapping,” a practice in the Third Wave which locates geographic areas of demonic influence.
Stories of contemporary exorcisms are largely met with ridicule, or even hostility. Sean McCloud argues, however, that there are important themes to consider within these narratives of seemingly well-adjusted people--who attend school, go shopping, and watch movies--who also happen to fight demons.
American Possessions examines Third Wave evangelical spiritual warfare, a late twentieth-, early twenty-first century movement of evangelicals focused on banishing demons from human bodies, material objects, land, regions, political parties, and nation states. While Third Wave beliefs may seem far removed from what many scholars view as mainstream religious practice in America, McCloud argues that the movement provides…
