I could say I’ve had a hard life (and I have), but who hasn’t? Life is one adversity after another, and we need all the help we can get. Without that help, moods suffer, hope falters, and our souls are diminished. During my own personal journey through this quagmire called life, I have often been lifted up and out of the mud whilst reading the books I suggest below and more. These books either made me laugh and cry, made me think, or made me change the way I approached things. Quite often, they did all four at the same time. Their insights were invaluable.
No one has taught me more about life than Terry Pratchett. No one has taught me how to wrestle with my demons (both literal and metaphorical) or how to be a better person no matter what fate befalls me. Humanists don’t need a bible, but if they did, the collected works of Terry Pratchett would be that book.
More than just fantasy, humor, or satire, his words work at a profound and subtle level. All of his books are favorites of mine, but this one is my most favorite of all. It’s a book about witches and magic and fairy tales. It’s also a story that contains stories within stories, but most of all, it’s a book about knowing who you are.
'You can't go around building a better world for people. Only people can build a better world for people. Otherwise, it's just a cage.'
There's power in stories. The Fairy Godmother is good. The servant girl marries the Prince. Everyone lives happily ever after . . . don't they?
The witches Granny Weatherwax, Nanny Ogg and Magrat Garlick are travelling to far-distant Genua to stop a wedding and save a kingdom. But how do you fight a happy-ever-after, especially when it comes with glass slippers and a power-hungry Fairy Godmother who has made Destiny an offer it can't refuse?
I’m tired of heroes, and I’ve forgotten what the good guys were fighting for, and if a dark lord wants to ravage the land in the name of Cthulu then they can get in line. I’m more interested in deadbeat losers. What is it really like to walk amongst the living but feel dead inside? How hard is it when you’re beaten before you’ve even begun? And in a world of losers, can one of them really change the world and make it a better place?
This is my favorite book. It’s funny and thoughtful, and I relate to the bedraggled hero in so many unfortunate ways. Rincewind is a wizard in name only (and only when wizard is spelled with two Z’s). He’s a bit hopeless at everything, we join him in the middle of a desert digging a pointless hole, and he is constantly struggling against forces that couldn’t care less about him. So unfortunate and so very, very relatable.
In truth, though, I could recommend any of the Discworld books. They proudly flaunt usual fantasy tropes and instead delve into the nitty-gritty of what it would really be like to live in a squalid city populated by self-important wizards, thieves with the correct documentation, and shadowy assassins for hire.
A beautiful hardback edition of the classic Discworld novel
'Anything you do in the past changes the future. The tiniest little actions have huge consequences. You might tread on an ant now and it might entirely prevent someone from being born in the future.'
There's nothing like the issue of evolution to get under the skin of academics. Even if their field of expertise is magic rather than biology. With the best and most interfering minds of Unseen University somehow left in charge at a critical evolutionary turning point, the Discworld's last continent needs a saviour...
My great interests have been ships and space travel, and if one takes time to consider the similarities the parallels stand out. Ships, especially submarines, travel in a medium and through an environment that is hostile to human life. In space travel, the ‘ship’ becomes the only habitat in which we can survive for any extended period, leaving it without a space suit is a fatal move. I cannot claim to be an expert in closed environments, but it's a subject that has fascinated me throughout my life. Every ‘biosphere’ is unique and incredibly complex and depends on the symbiosis of an enormous number of living creatures right down to bacteria and even viruses.
This book and the others, including The Globe, Darwin’s Watch, and Judgement Day, are wonderful in their mix of fantasy – Pratchett’s Discworld Wizards mixing it up in their quest to understand the “Round World” they accidentally created – and real science introduced and explained by Ian Stewart and Jack Cohen. The fantasy and the science are seamlessly interwoven in a way that make some complex subjects not just understandable but very readable. Like the explanation of exploring particle physics in the Large Hadron Collider by comparing it to a race that has never seen a piano, cannot see the piano, and try to determine its function and properties by hitting it and eventually pushing it out of a window five stories up and then naming the sounds it makes on hitting the ground…
When a wizardly experiment goes adrift, the wizards of Unseen University find themselves with a pocket universe on their hands: Roundworld, where neither magic nor common sense seems to stand a chance against logic. The Universe, of course, is our own. And Roundworld is Earth. As the wizards watch their accidental creation grow, we follow the story of our universe from the primal singularity of the Big Bang to the Internet and beyond. Through this original Terry Pratchett story (with intervening chapters from Cohen and Stewart) we discover how puny and insignificant individual lives are against a cosmic backdrop of…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
We all know what happens when Death takes a holiday, but what happens when Death is given notice?
Dismissed from the only job he’s ever known, Death must decide how to spend the time he has left. Taking on the random name “Bill Door,” he offers his talents scything hay, “one blade at a time, one time, one blade.” Death is a recurring character in Discworld and has the casually brutal forbearance of someone who has seen it all.
Seen, but not experienced and it is the dawning comprehension that I love most about Reaper Man: “[Death] wondered if he’d ever felt wind and sunlight before. Yes, he’d felt them, he must have done. But he’d never experienced them like this; the way wind pushed at you, the way the sun made you hot. The way you could feel Time passing. Carrying you with it.”
One of the "Discworld" humorous fantasy series. Death is missing. Dead Rights activist Reg Shoe suddenly has more work than he'd ever dreamed of, and newly-deceased wizard Windle Poons wakes up in his coffin to find that he has come back as a corpse.
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
I said I would limit myself to two Discworld books, so here we have my other favourite. This is quite an early one, before the world is fully formed, but the portrayal of the wizards and their University is beginning to emerge, full of chaos and joy and demented energy. But again, this madcap, surreal mania is corralled masterfully, the characters feeling like real people with real agency, moving through a world that—while full of vivid colours and impossible, surreal things—is also somehow solid and real. It is a testament to Pratchett’s incredible storytelling powers that Ankh Morpork is more real to me than several cities I have actually, physically visited. It is unreal and yet hyper-real at the same time. You should go visit. It is wonderful.
'May well be considered his masterpiece . . . Humour such as his is an endangered species' The Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
All this books and stuff, that isn't what it should all be about. What we need is real wizardry.
Once there was an eighth son of an eighth son, a wizard squared, a source of magic. A Sourcerer.
I have been reading Terry Pratchett’s Disc World novels since my teens, and I will never stop! Pratchett’s genius comes from his ability to tell us about our own world through wonderful characters who are werewolves, wizards, and golems. However, my favorite character is in Men At Arms, and he is very human.
Sam Vines is in charge of the police and the social commentator of the novels, describing the hierarchies and injustices of the world, such as the "Boots" theory of socioeconomic unfairness. The story is gripping, the characters are funny, and they highlight the disparities in our own society, so it educates and does good as well as entertains.
There's evil in the air and murder afoot. The City Watch needs all the help it can get, as Captain Vimes is about to hang up his badge. From the author of "Small Gods" and "Lords and Ladies", this book is part of the "Discworld" humorous fantasy series.
I’m the author of an award-winning indie book series that focuses on a pretty unusual main character: a middle-aged mother actively parenting three kids in an insane situation. I love unexpected situations and fresh or unusual characters, and the books I recommend here reflect that.
This is one of my favorite Discworld books. It’s hard to choose between it, Carpe Jugulum, and Reaper Man, but I went with this one because the sequence during the finale where Vimes is totally off his rocket and knows he’s missing bedtime storytime with his son is simultaneously so epic and so ridiculous.
If you’re a parent who has ever tried to balance the demands of family life with the demands of life in general, you’re gonna empathize with Vimes so hard.
'Some people would be asking: whose side are you on? If you're not for us, you're against us. Huh. If you're not an apple, you're a banana'
Koom Valley, where the trolls ambushed the dwarfs, or the dwarfs ambushed the trolls, was a long time ago.
But if he doesn't solve the murder of just one dwarf, Commander Sam Vimes of Ankh-Morpork City Watch is going to see it fought again, right outside his office.
With his beloved Watch crumbling around him and war-drums sounding, he must unravel every clue, outwit every assassin and brave any darkness to find the…
'Destiny is important, see, but people go wrong when they think it controls them. It's the other way around.'
Three witches gathered on a lonely heath. A king cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the royal crown, both missing.
Witches don't have these kinds of leadership problems themselves - in fact, they don't have leaders.
Granny Weatherwax is the most highly regarded of the leaders they don't have. But even she finds that meddling in royal politics is a lot more complicated than certain playwrights would have you believe. Particularly when the blood…
Monstrous Regiment was a bit like a jigsaw puzzle which didn’t really click until much of the way through. It has the usual Discworld outlandishness blended with characters that really grow on you as the story progresses.
It picked up steam about halfway through, finishing strong with characters to cheer for, resolution to a gripping plot, and the typical excellent social commentary that’s solid, but not too on the nose.
A new stage adaptation of one of Pratchett's best-selling novels The Monstrous Regiment in question is made up of a vampire (reformed and off the blood, thank you), a troll, Igor (who is only too happy to sew you a new leg if you aren't too particular about previous ownership), a collection of misfits and a young woman discovers that a pair of socks shoved down her pants is a good way to open up doors in a man's army."One of the funniest English authors alive" (Independent)
We first met about 10 years ago at Sheffield Hallam University, bonding as work colleagues over a love of enabling students to understand wealth management and finance in a way that we hoped they would find interesting and accessible. The books we chose mix our love of storytelling and making finance accessible by using real-world experiences. They do this in a unique way, challenging the reader to think about their understanding and perspective, something we try to do every day. It has been lovely to reread these books before writing the reviews, reminding us of what makes us tick. We hope they help you to find your tick too.
From the moment I first read a Discworld novel, I was hooked by the unique and whimsical twist, given by Terry Pratchett, to the situations his characters find themselves in. His clever use of humor allows him to entertain his readers while making complex financial concepts accessible to readers of all backgrounds. This use of humor and the underlying message that finance is as much about human nature as it is about numbers underpins my teaching and writing.
He highlights the quirks and motivations of bankers and entrepreneurs which I recognised from my time in the industry. But importantly he highlights the personal transformation and ethical dilemmas a quest for wealth can bring. For me, this resulted in really considering the true meaning of success.
That said he doesn’t shy away from addressing economic disparities. But overall, when I read this I was given a chance to view the finance…
This title features M19, F10, and Extras. This play can by played at various simple settings. Lord Vetinari wants to overhaul the banks of Ankh-Morpork so he appoints former con-man Albert Spangler, aka Moist von Lipwig, to the position of Mater of the Royal Mint, attached to a senior post at the Bank of Ankh-Morpork. Then Mrs Lavish, the bank manager, dies, leaving her dog Mr Fusspot - who also happens to be the majority shareholder - to Moist. Suddenly he finds himself in charge, and his life being threatened by resentful members of the Lavish family. His talent for…
