In 2016, I started thinking about art’s power to unite diverse people. The recent presidential election coincided with a sharp spike in anti-immigrant rhetoric, but artists, musicians, creatives, and performers were fierce defenders of the value of cultural difference. In my own life, I’ve always found inspiration and solace from creative practice. For years now, I’ve been part of an eclectic friend group I first met in painting class. The joy art brings to my life also made me wonder who gets credit and what even constitutes “art.” Is an expensive oil painting really worth more than a comic book, if someone loves the comic book just as much?
Among U.S. immigrants and racially and culturally marginalized peoples, Asian Americans have a particularly complicated history in our national culture. Chinese and other ethnic Asians are still less than 7% percent of the U.S., a modicum at least partly conditioned by Chinese Exclusion, a federal law that for more than sixty years (from 1882-1943) severely restricted ethnic Asians from immigrating to and settling within the U.S.
But just as Neil Gabler and Lin-Manuel Miranda emphasize the migrants and racial-ethnic minorities at the core of America’s founding myths, novelist Lisa See details an eclectic group of artists, movie stars, and other creatives who gathered in Los Angeles Chinatown since the 1930s. This multimedia, multicultural milieu included both whites and ethnic Asians and spanned Hollywood, fine art, and commercial design.
Now a classic Asian American history, See's bestselling 1995 family history documents the enduring impact of the Chinatown residents and creatives who…
Out of the stories heard in her childhood in Los Angeles's Chinatown and years of research, See has constructed this sweeping chronicle of her Chinese-American family, a work that takes in stories of racism and romance, entrepreneurial genius and domestic heartache, secret marriages and sibling rivalries, in a powerful history of two cultures meeting in a new world. 82 photos.
This is a topic that is very passionate for me since growing up in Toronto, and I never had any role models that look like me to look up to. I wanted to showcase powerful Asian women authors to show others what is possible and that we can also dismantle the negative stereotypes we still face. I want to be able to create better representation for Asian women in the media, and highlighting these amazing authors is a great way to showcase that.
This is a great guide for any Asian professional who wants to create more visibility in the workplace. There are great interviews from leaders and tips that you can use in your own journey.
It’s such a timely book for anyone who wants to advance in their career and be seen as a leader in their industry.
Explore the challenges faced by Asian professionals and how to overcome them.
A SOUTHERN CALIFORNIA BOOK FESTIVAL AWARD WINNER A NEW ENGLAND BOOK FESTIVAL AWARD WINNER A PINNACLE BOOK AWARD WINNER
"A must-read if you're ready to unlock your full potential!" -Tiffany Pham, Founder and CEO, Mogul
Find your voice, own your story, and elevate your professional life. In The Visibility Mindset: How Asian American Leaders Create Opportunities and Push Past Barriers, Chao and Lam deliver an engaging and enlightening treatment of how Asian American professional leaders have powered through the obstacles in their way. Exploring a variety of myths,…
I lived most of my life in Hawai‘i’s multiethnic community—an amazing place, where, for the most part, people of diverse ancestries got along. The foundation of tolerance was the culture of Native Hawaiians, who lived isolated from outsiders for centuries before the nineteenth century and thus had few prejudicial ideas about others. The natives generally welcomed them and adopted their beliefs. While confrontations and violence occurred, they were limited, not long-term or widespread. Of course, outsiders brought their racial and cultural prejudices, but, today, with a high rate of intermarriages among all the ethnic groups, Hawai'i is one of the most integrated societies in the world.
Bamboo Ridge Press was established in 1978 to publish the multiethnic literature of Hawai’i. In this selection the best of its first eight years, the writers, of various ancestries, celebrate their families, cultures, and traditions, but also the cultures and traditions of others—a Hawaiian poet writes about a Tang fisherman; a poet of Chinese-Japanese ancestry and a writer of Puerto Rican ancestry reflect on Hawaiian activism; a white poet features bodhisattvas and Kuan Yin while another dedicates her song to a Hawaiian musician. Native Hawaiian writers are underrepresented in this collection published during a renaissance of Hawaiian culture, but a year earlier, in 1985, Bamboo Ridge also published Mālama: Hawaiian Land and Sea, an anthology of Native Hawaiian writers.
Poetry. Fiction. This anthology of fiction and poetry is a good introductory survey of Hawai'i literature. Selected from issues of the first eight years of BAMBOO RIDGE, The Hawaii Writers' Quarterly, it features the work of more than 50 writers and includes an introduction by the editors as well as an essay on Asian american literature in Hawai'i by Stephen Sumida.
E. L. Shen is a writer and editor living in New York City. Her debut middle-grade novel, The Comeback (Farrar Straus Giroux Books for Young Readers) is a Junior Library Guild Selection, received two starred reviews, and was praised for its “fast-paced prose, big emotions, and authentic dialogue” in The New York Times. Her forthcoming young adult novel, The Queens of New York (Quill Tree Books) was won in a six-figure preempt and is scheduled to publish in Summer 2023.
Told from
multiple points of view, this story details the horrific internment of fourteen
Japanese American teenagers and their families during the height of World War
II. The history of Japanese internment camps is often glazed over in Social
Studies classes in favor of celebrating America’s successes in the war, but I
was taken by Traci’s unflinching portrait of the teenagers’ lives and choices
as they grapple with how to be Asian American in a world that refuses to
acknowledge their citizenship and identities.
Fourteen teens who have grown up together in Japantown, San Francisco. Fourteen teens who form a community and a family, as interconnected as they are conflicted. Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps. In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.
I am African American, so colorism is part of living on this planet as a Black person because it’s a byproduct of racism. I am also the mother of a “mixed” child. Her father is White. I am brown-skinned and my daughter is light-skinned and looks racially ambiguous. Since she was a newborn, people have made colorist and racist remarks toward us. The Half Series – When Black People Look White was written based on real-life experiences.
Unfortunately, colorism/racism issues are not limited to the Black community. The #StopAsianHate hashtag started trending in 2021 due to Covid19 being linked to China along with disparaging comments from Trump. This resulted in hate crimes against Asian people increasing. The personal accounts of Asian American women in this book highlight their experiences with skin color bias, aspirational Whiteness, anti-Blackness, skin bleaching, and plastic surgery.
Heartfelt personal accounts from Asian American women on their experiences with skin color bias, from being labeled "too dark" to becoming empowered to challenge beauty standards
"I have a vivid memory of standing in my grandmother's kitchen, where, by the table, she closely watched me as I played. When I finally looked up to ask why she was staring, her expression changed from that of intent observer to one of guilt and shame. . . . 'My anak (dear child),' she began, 'you are so beautiful. It is a shame that you are so dark. No Filipino man will ever…
I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
The narrator of Chang’s debut novel keeps referencing this project she’s working on, and it just might be the book we’re reading.
The novel brilliantly messes around in the gray area between life and art, author and narrator, truth and fiction—as our narrator, adrift in a new town after a cross-country move, writes as a way to make sense of where she’s been and where she’s going.
“Startlingly original and deeply moving.... Chang here establishes herself as one of the most important of the new generation of American writers.” — George Saunders
A Recommended Book From Buzzfeed * TIME * USA Today * NPR * Vanity Fair * The Washington Post * New York Magazine * O, the Oprah Magazine * Parade * Wired * Electric Literature * The Millions * San Antonio Express-News * Domino * Kirkus
A wry, tender portrait of a young woman—finally free to decide her own path, but unsure if she knows herself well enough to choose wisely—from a captivating new literary…
This is a really emotional book. The story of a Chinese American boy whose mother is deported so that he is adopted by an American couple with a very different lifestyle than he is used to. It kept me very interested and I felt a great deal of sympathy for both Daniel and his mother, who is an equal character in the story. The structure is skillfully rendered to keep the reader wondering exactly what happened and what is GOING to happen, with a satisfactory resolution that reflects the growing maturity and acceptance of both mother and now adult son by the end.
One morning, Deming Guo's mother, an undocumented Chinese immigrant named Polly, goes to her job at the nail salon and never comes home. No one can find any trace of her. With his mother gone, eleven-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. They rename him Daniel Wilkinson in their efforts to make him over into their version of an "all-American boy." But far away from all he's ever known, Daniel struggles to reconcile his new life…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I admire the way this book jumps out of the box and debunks the emphasis on “pure craft”—a term that grew out of the hero’s journey. (Basically the “Horatio Alger” story about a character going from rags to riches.)
This model stifles the voices of writers from other cultures.
Salesses’ techniques help writers mine their cultural background and discover stories only they can tell. It also frees all writers from the model of the hero’s journey.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…
Twelve years ago, I visited Cambodia for the first time to begin co-writing the memoir of my friend Chantha Nguon, a Cambodian survivor and social entrepreneur. As I traveled around the country with Chantha, echoes of history were everywhere: ruined temples, bomb craters from American B-52s, unmarked mass graves. We also tasted history in the meals we shared—at roadside stands and in her kitchen. I soon learned that food unlocked Chantha’s memories, so we decided to tell her life story through remembered meals and recovered recipes. Meanwhile, I read books that informed our project, a few of which I’ve listed below.
I’m a huge admirer of the late Cambodian American author Anthony Veasna So—he had an eye for the perfect, defining detail. In his debut short-story collection, published after his death, he bore witness to his beloved Khmer diaspora community’s loves and losses, traumas and triumphs—somehow balancing bitter wit and humanity as he tackled the Big Questions: How do you remake a life after witnessing the worst horrors imaginable? How can the next generation truly understand what their elders endured?
So was an extraordinary talent—what a tragedy that he died so young. Thankfully, he left the world this splendid document of his generation’s experience of growing up as exiles in the shadow of genocide. Reading these stories as Chantha and I worked on her memoir helped us connect the parallel threads of what it was like for those who left Cambodia in the 1970s and made new lives abroad and for…
WINNER OF THE JOHN LEONARD PRIZE AT THE NATIONAL BOOK CRITICS CIRCLE AWARDS AND THE FERRO-GRUMLEY AWARD FOR LGBTQ FICTION THE NEW YORK TIMES BESTSELLER
'So's distinctive voice is ever-present: mellifluous, streetwise and slightly brash, at once cynical and bighearted...unique and quintessential' Sunday Times
'So's stories reimagine and reanimate the Central Valley, in the way that the polyglot stories in Bryan Washington's collection Lot reimagined Houston and Ocean Vuong's novel On Earth We're Briefly Gorgeous allowed us to see Hartford in a fresh light.' Dwight Garner, New York Times
'[A] remarkable debut collection' Hua Hsu, The New Yorker
I've been interested in children’s lives for as long as I can remember. I think my own childhood experiences provoked my curiosity about the world as observed and perceived by children. My own childhood was affected by globalization in the broadest sense. When I was a child, my family moved to the United States from Iran. I grew up in Utah where I encountered a different way of life than the one I left behind. The shift from one culture to another was thrilling and scary. The encounter with a new world and a different culture has taught me important lessons about children’s creativity, strength, and curiosity as well as their fears, insecurities, and vulnerabilities.
Growing up, I moved from one culture to another, and I know being a teenager can be difficult. The lives of teenage girls are complex, even more so for the children of Asian immigrants, who not only face the pressures of school and society but also serve as cultural mediators, negotiators, community builders, and bridges between the many worlds they grow up in. His book looks at the lives of Asian American girls and their roles in globalization and boundary crossing as they struggle, dream, grow, and thrive. As an immigrant myself, I connected to many of the ideas in this book.
This book provides a complex and intricate portrayal of Asian American high school girls - which has been an under-researched population - as cultural meditators, diasporic agents, and community builders who negotiate displacement and attachment in challenging worlds of the in-between. Based on two years of ethnographic fieldwork, Tomoko Tokunaga presents a portrait of the girls' hardships, dilemmas, and dreams while growing up in an interconnected world. This book contributes a new understanding of the roles of immigrant children and youth as agents of globalization and sophisticated border-crossers who have the power and agency to construct belonging and identity across…
