As a philosophy student at university, I stuck my nose up at Voltaire and his cynicism and blunt words. Now, in my wise old age, I not only realize the truth behind his aphorisms but I am also astounded by how accurately he speaks to life happening now.
History repeats itself is not a cliche, it’s fact, and while reading this book, I found myself taken aback by Voltaire’s wisdom. It highlighted so many present-day issues despite being written centuries ago and offered meaningful and groundbreaking approaches to navigating life. I’m so grateful I returned to Voltaire.
Voltaire's Philosophical Dictionary, first published in 1764, is a series of short, radical essays - alphabetically arranged - that form a brilliant and bitter analysis of the social and religious conventions that then dominated eighteenth-century French thought. One of the masterpieces of the Enlightenment, this enormously influential work of sardonic wit - more a collection of essays arranged alphabetically, than a conventional dictionary - considers such diverse subjects as Abraham and Atheism, Faith and Freedom of Thought, Miracles and Moses. Repeatedly condemned by civil and religious authorities, Voltaire's work argues passionately for the cause of reason and justice, and criticizes…
As a career coach and artist-advocate, who had a successful career as an artist, I am always on the lookout for books to recommend to clients that offer excellent guidance about facets of developing a career as an artist, including the innerworkings of the artworld. I am very picky! Each book that I recommend contains advice, and/or observations that can help artists make wise career plans and decisions, develop realistic expectations, and soothe anxieties.
I can open any page of this book and discover meaningful observations—with lots of food for thought. For two decades, the late artist and educator Walter Darby Bannard reflected on the question, why do young artists struggle to find their voices?
He answered the question with engaging insights based on his personal philosophy. At the urging of a former student, he put his thoughts into a book. But you don’t need to be an aspiring artist to treasure what Bannard has to say; artists at all career levels will be inspired by his words.
I wear many hats in my life, but none matter as much as the hat: mama. As a clairaudient medium who works first-hand with mothers on their spiritual journeys, I feel as though I know what spiritually conscious parents hope to find and be moved by in the books they read because I know what my spirit needs during this wild and overwhelming adventure called motherhood. It can be an isolating path to walk, and these books not only felt like a helping hand during the rockiest moments but also like a warm hug when I needed it most.
This was the very first spiritual motherhood book I found shortly after discovering I was pregnant and, let me tell you, I’m glad it was this book!
Sacred Pregnancy is divided into weeks. The experience is like consuming profound aphorisms, ideas, and reflective journaling activities that will nourish both you - fatigued and very pregnant mama - and the child you will be raising very soon.
Not only did I become excited about every new week along my pregnancy journey, I looked forward to every new week diving into this book, with its informative and transformative content. I loved it so much that I bought the corresponding oracle deck to continue my weekly bonding with my unborn child.
In today's western cultures, the typical pregnancy focuses on the baby to the exclusion of the woman herself, so that the entire experience has become more about preparing for the baby's arrival than looking closely at oneself to prepare emotionally for all of the changes that creating a new life brings. Sacred Pregnancy was written to help the pregnant woman journey within herself to prepare for the birth of her baby.
Sacred Pregnancy is a gorgeous four-color book especially created for mothers-to-be to reflect on the many personal milestones of the full gestation period of a pregnancy. With beautiful professional…
I hold the chair of Old Testament at the Faculty of Catholic Theology at Munich University in Germany. My main area of expertise is Semitic languages, though, which is also the field for which I previously held a chair at Leiden University in the Netherlands for fifteen years (eventually, however, Munich made me an offer one cannot refuse). Hence my main occupation concerns the interpretation of ancient texts in exotic languages such as Hebrew, Aramaic, Phoenician, and others, mostly at the baseline of individual words, grammatical forms, and syntactic constructions. Despite the seemingly dry, specialized character of my work, it is, in my view, a lifestyle rather than a job.
Academic institutions are competitive environments governed not only by the zest to enrich and transmit knowledge, but also by politics, vanity, and caprices. In many respects, they resemble life at a royal court as described by the seventeenth-century Spanish Jesuit philosopher Baltasar Gracián. His Pocket Oracle is chock-full of advice, in the form of maximally compact yet hauntingly beautifully written maxims, on how to penetrate through the appearance of things. Imbued in the art of discernment of St. Ignatius of Loyola, he repeatedly singles out the essential qualities that make possible successful choices in academic life as well, such as taste, judgment, and an eye for talent. One of his aphorisms (no. 4) is particularly dear to me: scholarship and courage make immortal, because that is what they themselves are.
A unique collection of advice for life, Baltasar Gracian's The Pocket Oracle and Art of Prudence is a philosophical gem, and perhaps the first 'self-help' book ever written. This Penguin Classics edition is translated from the Spanish with an introduction by Jeremy Robbins.
Written over 350 years ago, The Pocket Oracle and Art of Prudence is a subtle collection of 300 witty and thought-provoking aphorisms. From the art of being lucky to the healthy use of caution, these elegant maxims were created as a guide to life, with further suggestions given on cultivating good taste, knowing how to refuse, the…
In this book, Bakewell describes the philosophy of Michel de Montaigne in, as she writes, one question and twenty attempts at an answer.
Although I spent much of my time during the early 1990s reading philosophy, I read little of Montaigne’s work. I had focused on the writing of the ancient Greeks and, as a result, I had failed to notice the important work of Montaigne. Bakewell’s clever, question-based approach is engaging.
I strongly recommend it, even if you are familiar with philosophy and Montaigne’s abundance of writing.
How to get on well with people, how to deal with violence, how to adjust to losing someone you love? How to live?
This question obsessed Renaissance nobleman Michel Eyquem de Montaigne (1533-92), who wrote free-roaming explorations of his thought and experience, unlike anything written before. Into these essays he put whatever was in his head: his tastes in wine and food, his childhood memories, the way his dog's ears twitched when it was dreaming, events in the appalling civil wars raging around him. The Essays was an instant bestseller, and over four hundred years later, readers still come to…
I am an aficionado of lost objects, lost time, afterlives; of writing which never “fitted” its era. Examples would be that of John Aubrey, Herman Melville, Fernando Pessoa, Djuna Barnes, Elizabeth Hardwick, Ralph Ellison… the list goes on. I look for writing that has stood the test of time, not celebrated for the fame and bling of the moment. I look for the futile products of those who possessed genius, but who never earned enough readers until decades or centuries later, once they were released from the prison-house of genre. I look for the posthumous brilliance of language; the phosphoric glow of its offerings and of the buried treasures found therein.
Joubert (1754-1824), was not published until 114 years after his death. These notebooks are neither diaries nor memoirs, neither essays nor aphorisms, but enigmas worthy of much ponder. He was uncompromisingly seeking an afterlife for the source of his writing and language, and he pretty much discovered that in the cracks of insight. For example: those who make laws can’t plant crops. One has to apply names to things: I have many forms for ideas, but not enough forms for phrases.
He is a writer’s writer, since he insists on close and silent and above all, slow reading.
I’ve sat in many grief circles and listened to fellow grievers share their pain at being abandoned or misunderstood by their friends and families as they grieve. Often we suffer the secondary loss of community because our culture has not taught us how to grieve or how to be a friend to those in grief. My wife and I found some invaluable tools that helped us communicate our needs to our community, and keep them close on our grief journey. One of those tools is grief books. I’ve read dozens of them, and while everyone responds to grief books differently, I think these five books are the very best.
This book is a wonderful practical guide to grieving that is accompanied by charming illustrations from the author. This might make it sound child-like or cutsie, but it’s not at all.
It’s an honest and fierce guide that doesn’t use any cheesy aphorisms or simplistic clichés about grief. It tells it like it is, but with kindness and hope. It helped me feel not so alone.
Welcome to the Grief Club--a place where one human who experienced a terrible loss, Janine Kwoh, is at the door to welcome other humans who are grieving. It is not an instruction manual, or a step-by-step playbook, or a memoir. It is, rather, a fresh, empathetic approach to all of the surprising, confusing, brutal, funny, and downright bizarre parts of grief. Combining her own experiences with grief--the author's partner died when both were in their late 20s--with what she learned from others in her "grief club," Kwoh uses brief writings and observations, hand-drawn illustrations, and diagrams to explore all the…
I am an aficionado of lost objects, lost time, afterlives; of writing which never “fitted” its era. Examples would be that of John Aubrey, Herman Melville, Fernando Pessoa, Djuna Barnes, Elizabeth Hardwick, Ralph Ellison… the list goes on. I look for writing that has stood the test of time, not celebrated for the fame and bling of the moment. I look for the futile products of those who possessed genius, but who never earned enough readers until decades or centuries later, once they were released from the prison-house of genre. I look for the posthumous brilliance of language; the phosphoric glow of its offerings and of the buried treasures found therein.
Someone once said that novels were for light summer reading by bourgeois ladies. W.G. Sebald may have shared this opinion. The latter preferred letters, notes, fragments and diaries. Similarly, Elias Canetti, Bulgarian-born, of Sephardi ancestry, German-speaking and winner of the 1981 Nobel Prize for literature, only ever wrote one novel. But his aphorisms, both long and short, are remarkable. He unearths forgotten writers, important ones that he had met, and he meditates on literary gossip and the remaining time in his life. Here’s an example: Klaus Mann’s last proposal: a mass suicide of writers (of the great names).
From one of the preeminent intellectual figures of the twentieth century, a highly personal testimonial of what Canetti himself chooses to term "notations," bits and pieces: notes, aphorisms, fragments. Taken together, they present an awesomely tender, guiltily gloomy meditation on death and aging.
" A mosaical portrait of an old body's mind determined to do its exercises and not lose a step--and fascinating for that." - Kirkus Reviews
In late high-heat summer, I sat reading in the
forest-park near our house in our Ontario town. While my daughter played with
her friends, I delved into Kafka’s Diaries. Another parent passed by.
“What’re you reading?” she asked. “My bible,” I said. “Oh? …Which version?”
“Kafka’s,” I said.
I took K.’s book everywhere through the fall.
A task. It’s 670 pages, in a large-sized format. Why Kafka years into the 21st century? There is
K.: he’s endured, prevailed in his tragi-absurd precognitions of tyrannical systems.
“And yet. No ‘and yet’”, he wrote: his prophetic presence looms over what we do
to harm our world and psyches.
He reminds us of the serious undertaking called Writing,
and of the necessary accompanying private process, Reading. (Do we need
reminding? Maybe, and maybe not.) To K., our trials—to adapt his word—turn us
toward experience—its suffering, its muting extravagances—and to exorcising
dreams and…
An essential new translation of the author's complete, uncensored diaries - a revelation of the idiosyncrasies and rough edges of one of the twentieth century's most influential writers
'The writing glimmers with sensitivity, and openness to the world' - The Wall Street Journal
Dating from 1909 to 1923, Franz Kafka's Diaries contains a broad array of writing, including accounts of daily events, assorted reflections and observations, literary sketches, drafts of letters, records of dreams, and unrevised texts of stories. This volume makes available for the first time in English a comprehensive reconstruction of Kafka's handwritten diary entries and provides substantial…
This
is a novel about a young man who must decide between pursuing a career in
baseball or marrying a woman he loves, the daughter of a midwestern farming
family.
The author knows what it’s really like to live on a farm
in Iowa, and it shows. His characters fully inhabit that world. Although the
story is about one man’s ambition, love, and uncertainties, it’s capacious enough that we all can see ourselves in it.
The story encompasses heartbreak
and hope and is written subtly and with insight. It’s the kind of book that
keeps you thinking long after you finish it.
The Beckoning World is set in the first quarter of the twentieth century and follows Earl Dunham. His weeks are comprised of six days mining coal, followed by Sundays playing baseball. Then one day a major-league scout happens on a game, signs Earl, and he begins a life he had no idea he could even dream.
But dreams sometimes suffer from a lovely abundance, and in Earl's case her name is Emily Marchand. They fall quickly and deeply in love, but with that love comes heartbreaking complications.
The Beckoning World gathers a cast of characters that include Babe Ruth and…