I picked up this book, read the prologue, and never put it down. Every African American child I know has had “the talk.”  When your parents explain why you cannot act like the other kids, and how you can navigate and transcend a toxic American sub-culture where people of color are viewed as angry, dangerous, or someone to be feared.

I love this book because it is direct, non-judgmental, and provides a path to open dialogue. Written from the viewpoint of Darrin as a six-year-old child, we trace his growth into adulthood and how he makes sense of race, culture, and trauma growing up as a biracial person in the USA. 

Written as a beautiful graphic novel, it makes the story and the lessons it teaches accessible to both young and old. It provides a bridge to understanding, compassion, and healing.  

This book fundamentally reshaped my notion of how biography–especially biographies of women–can be written. Shapland felt intimately connected to McCullers as a person and as a writer and also had an inkling there was more to her personhood than previous biographical treatments suggest.

By inhabiting McCullers’s spaces and putting herself in proximity to the writer’s material past, Shapland demonstrates the ways in which convention has limited both the stories we tell and, thus, the possibilities we can envision for our lives as women. 

Cowley was at the center of the Lost Generation in Paris and America, but he also was instrumental in championing such post-WWII authors as Kerouac and Kesey, among others.

This biography covers all his roles and interactions with such authors throughout his life. I found the book often felt to me like a fascinating lecture on the literary life of the 1920s-80s from your favorite English professor in college. So much detail is filled in on the lives and works of the writers of the period as they fit into Cowley’s own work and life.

To take one great example, the story of how Cowley was more responsible than anyone else for rejuvenating Faulkner’s career after his books went out of print, in part through Cowley’s The Portable Faulkner. After Cowley’s labors on Faulkner’s behalf, the obscure Faulkner went on to get all his books reprinted, taught in college… show more.

I love this book because it took me on a surprise adventure through the life of a black boy (and young man) raised in the South. I met Laymon at a writing workshop a few months prior to this book’s release date, and I heard him read an excerpt from it.

I was immediately hooked on his storytelling ability. The language is so authentic to him and his experiences, and he holds nothing back. I love the vulnerability that saturates each page as I follow him through his addictions and struggles. While his life is so different from mine, the idea of finding one’s identity in society could not be more relatable.

I always felt that those with ADHD were not disordered but rather unique brains that sometimes struggled in the current highly stimulating yet sometimes sedentary modern world we live in. When I came across this book, I felt as if all my ideas had been synthesized into one comprehensive and truly revolutionary piece of literature that outlines the biology, history, and research behind why this is correct.

The author lays out why ADHD should not be considered a form of dysfunction or disorder but rather a subset of people who are “hunters in a farmer’s world.”

This book also helped me understand why some vocational tests, academic expectations, and societal norms do not support the unique ADHD brain and why thinking outside the box and asking what the powerful ADHD brain can offer our society has the potential to benefit us all.  

In many ways this is the quintessential Hong Kong book because its very style and approach is, as the title says, somewhat impossible, mixing the intensely personal with the political, closely observed reflections and a large collection of unique Hong Kong voices.

Written during and after the 2019/20 protests, Cheung throws her net wide to give the reader an intimate picture of the real Hong Kong, an exasperating and wonderful place. She is the youngest of the authors I have recommended and, therefore, closer to the generation who gave rise to the protests. People often speak of the unique Hong Kong spirit in Hong Kong, and this book gives profound insight into what that means.

New voices in Native American fiction are getting noticed, and Morgan Talty’s novel Night of the Living Rez introduced me to characters who are powerfully real, with fresh ways of thinking and expressing themselves.

The community in Maine that Talty writes about comes alive, and I feel for their trials and victories. Talty is a new force in American fiction, and this book will show you why. I thoroughly enjoyed this.

I have a lot of respect for an animal that is so mysterious and remains so despite years of research and curiosity, and I really appreciate this in-depth commitment to showcasing an animal most people get the heeby jeebies about.

The interweaving of personal narrative and deep dives into the realm of eels was a nice combination, catching a glimpse into how one’s early relationship to specific parts of their surrounding natural world can influence so much beyond that.

I’m a big fan of cheerleading for the underdogs of the animal kingdom, the ones we think are scary or ugly or gross—they’re usually fascinating and not well understood, and when it comes to eels, I recommend pushing aside any ick factor and delving into the mysteries they’ve been keeping for millennia. 

I can’t help but be struck by how Richardson brought together so many big topics so smoothly in one volume.

Usually, historians treat the stories of the post-war South, North, and West separately, but Richardson unites them by looking at how Civil War-era Americans thought about foundational ideas like work, freedom, and order.

Arguing that the whole country went through a broader, national reconstruction, Richardson follows ideas about “bad workers” and “special interests” from 1865 down to the early 20th century, using vignettes of interesting and important individuals to move the story along.  

How can you not already love these underwater giants? But I didn’t know much about them before reading Gigg’s love letter to our undersea cousins. They live by breathing air and giving birth like we do, but most of their lives takes place in a hidden, watery world.

The horror our species inflicted on whales during commercial whaling became more repulsive as Giggs uncovered the layers of whales’ complexity and sociality. I learned that arthritis sufferers in the nineteenth century would bathe in holes cut into whale carcasses for their curative powers. I also tried to imagine an animal with blood vessels big enough for a child to crawl through and a heartbeat that can be heard through the water for over a mile.