I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I recommend this book because James Baldwin’s brilliant voice and profound writing explore the intersection of personal truths and deeply held beliefs. Baldwin masterfully captures the youth and naivety of John Grimes as he wrestles with sexuality, faith, and the pervasive racism of his time.
This book brilliantly brings these struggles to life while showcasing Baldwin’s gift for conveying complex emotions and societal pressures with intimacy and precision.
'Go back to where you started, or as far back as you can, examine all of it, travel your road again and tell the truth about it. Sing or shout or testify or keep it to yourself: but know whence you came.'
Originally published in 1953, Go Tell it on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson…
I have been writing about James Baldwin for over twenty years and have been reading him since my teens. My father saw the writer debate the conservative polemicist William F. Buckley Jr. at the University of Cambridge in 1965, and I’ve been hooked since he told me about that event. I’ve written three books on Baldwin, scores of articles, and book chapters, and I co-founded the journal James Baldwin Review a decade ago. It's been wonderful to see Baldwin gain popularity over the last decade, and I hope that more people continue to read his essays, novels, plays, and poetry.
I remember feeling exhausted the first time I finished reading Baldwin’s last novel. In common with many novels published during the late 1970s, this is a saga, a sprawling account of interlocking families and characters across thirty years. It takes the reader to the US, South, London, Korea, Paris, and Africa. It is also a pioneering book that describes an intense sexual relationship between African American men.
As I’ve read Baldwin over the last twenty-plus years, I’ve relished seeing patterns and themes that cut across his work. One of his earliest essays, “Journey to Atlanta,” published in 1948, is an account of his brother David’s trip to the US South as part of a gospel quartet, a story that is played out in his final novel. As with much of Baldwin’s work, this novel explores love, family, and politics.
James Baldwin’s final novel is “the work of a born storyteller at the height of his powers” (The New York Times Book Review).
“Not everything is lost. Responsibility cannot be lost, it can only be abdicated. If one refuses abdication, one begins again.”
The stark grief of a brother mourning a brother opens this stunning, unforgettable novel. Here, in a monumental saga of love and rage, James Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the forbidden passion of Giovanni’s Room, and to the political fire that enflames his…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well.
A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America.
But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it…
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
I didn't have time to draw a breath before this book took me on a maddening ride through the world of a black sheriff in a rural Virginia county. His writing and story-telling gallops across the page with a message that elevates and enriches.
*** THE TIMES - THRILLER OF THE MONTH*** *** MAIL ON SUNDAY - BEST NEW FICTION*** *** FINANCIAL TIMES - BEST NEW CRIME BOOKS***
'A crackling good police procedural....fresh and exhilarating' STEPHEN KING
'S. A. Cosby's novels always hit the grand slam of crime fiction; unstoppable momentum, gripping intrigue and deep character with a hard and telling look at culture and society' MICHAEL CONNELLY
'Titus Crown is one of the most compelling characters I've read in a long time.' STEVE CAVANAGH
A BLACK SHERIFF. A SERIAL KILLER. AND A SMALL TOWN READY TO COMBUST.
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This rare Black queer romance novel is a heartfelt exploration of friendship and second chances.
It doesn’t shy away from the complexities of maintaining relationships in the midst of grief, addressing head on one of the most difficult and underexplored aspects of loss. It’s a reminder that our past shapes us, but our present can redefine us, through the refreshing lens of Black queer characters just trying to figure out their lives.
Two newly single, Black, queer, and socially aware men have packed up to start again--in love, career, and life--in the West Hollywood neighborhood of LA.
Zaire James, on the cusp of 30, has decided marriage isn't all it's cracked up to be. Despite friends, family, and coworkers loving Zaire's "perfect" partner, divorce is a necessary step for finding himself and being free. If only it were that easy.
Kenny Kane has made a career of deferring dreams, lowering expectations, and chasing partners not on his level in hopes of finding a love to call his own. However, on the verge…
Percival Everett’s Erasure is a sharp, daring satire that wields raw wit and playful style to provoke both thought and uneasy laughter. Beneath its layered humor lies a pointed commentary—sometimes mocking, sometimes mournful—on the pressures placed on writers to define and market themselves through racial identity.
The inspiration for the acclaimed film American Fiction, this novel is as entertaining as it is incisive—provided the reader isn’t easily rattled by Everett’s liberal use of the F-word.
Percival Everett's Erasure is a blistering satire about race and writing
Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies—his aged mother is fast succumbing to Alzheimer's, and he still grapples with the…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Noting my fortune to have been a reader of this book before its official surfacing to the national public, I was first drawn to those poems that again gave me back my memory. Poems reminisced on Migos, Blu & Exile, and others.
Soon after, it's display of self-portraiture unfolded into a mastery of wit, celebrating how music is always a task of discovery first.
“I saw stranger; looked again, I saw friend,” Watkins writes with an intelligence marked by the fruit of reorientation and heart that comes with inhabiting and celebrating your own tribe.
Poems on Black joy, masculinity, and the music that transforms a space into a home
Jorrell Watkins's debut poetry collection is a polyvocal, musically charged disruption of the United States's fixation on drug and gun culture. The poems in Play|House embody many identities, including son, brother, fugitive, bluesman, karate practitioner, and witness. Throughout, Watkins inflects a Black/trap vernacular that defamiliarizes the urban Southern landscape. Across three sections of poetry scored by hip-hop, blues, and trap, Watkins considers how music is a dwelling and wonders which histories, memories, and people haunt each home. Past figures such as John Coltrane, Billie Holiday,…
COVID killed my father early on during the pandemic. Every day, I blogged about him. First, when he was in the ICU and I was begging the universe to save him. Then, after he died, as I grieved in a world that seemed cold and lonely. I wrote about Dad, telling stories of happier times, to keep him alive through my memories and to share his life with others. Soon, friends started recommending books about grief. In reading, feeling, and absorbing the pain of others, I somehow felt less alone.
I loved this book because it brought me into a the heart of Ward’s culture.
She brilliantly depicted the discrimination African-American men experience in America. Her love for her brother was endearing. I cried when she wove in the story of his death, and the deaths of other men she knew while growing up.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
I have enjoyed writing and creating stories based on fictional characters since my writing assignments in elementary school. I can remember my teachers telling my mother that my stories were very captivating and that I would take my simple assignments to a level that they hadn’t expected. This love for writing led to a love for reading fiction books and a deeper love for urban fiction, women’s fiction, and erotic fiction. I enjoyed books so much that I became a bookseller at a local bookstore and moved up to a specialist who introduced customers to their next favorite book.
This book will remain on my list of favorite books of all time. I love how the author begins the story of the promiscuous doctor by jumping straight into the drama. Immediately, you are made aware of the well-respected cardiac surgeon’s character and how he loves women and plenty of them! Dr. Makkai Worthy is referred to by his many sex partners as Dr. Feelgood.
I became wrapped in the four women’s stories as they were introduced throughout this book. I found each character interesting, and there was never a dull moment as their disdain grew for the once-beloved doctor. I also found it interesting how the story takes you back to the place where it all began to explain the doctor’s love for sex and his inability to commit to just one woman. This page-turner is one that I plan to read again and again.
From the author of MAKE ME HOT comes a steamy tale of a popular heart surgeon and his four women, told in their own voices. They call him Dr. Feelgood . . . One woman would never be enough to satisfy noted cardiologist Dr. Makkai Worthy, better known by his sex partners as Dr. Feelgood. Womanizer extraordinaire, he's a chip off the old block of his rolling-stone papa and commitment isn't an option. At 37 and single, he's happier than he's ever been, living the lifestyle of the rich and fine. A gifted surgeon, Dr. Feelgood knows how to operate…
Invisible Man is a classic that, somehow, I never got around to reading until this year. The story line is Dickensian, to a point. In Ellison's telling, the young man on his own makes his way to the city and meets unscrupulous characters at every turning. But he never meets the wonderful woman or mysterious benefactor who makes everything OK at the end. Instead, we find the narrator living "underground" having deliberately made himself "invisible," but promising to re-emerge. So what is Ellison’s invisibility? Many current reviews online say that invisibility is imposed on the narrator (who stands for all black people) by whites who are racist. Ellison's position is actually more complex. While there's no lack of white-on-black racism in the novel, the narrator receives some of his roughest treatment from the hypocritical Dr. Bledsoe and gang leader Ras the Destroyer, who are black. For the narrator, everyone he…
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
