Here are 100 books that PlayHouse fans have personally recommended if you like
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I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
I am always on the verge of returning home. Sometimes, it’s the food; other times, it’s the memory. I am not from New Orleans, but this book is phenomenal in its guidance of a city and what it means to name any place home.
From its onset, this collection moves through music and mythology as a means for sorting through devastation while placing life a step ahead of it.
I’d recommend this book to any seasoned (or first) reader of poetry on the search for beauty around the corner and a reminder of how close we are to it.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Love is made more possible by every violence it has overcome.
Throughout Summerhill’s sophomoric collection, I found myself turning toward play, both in the pause that suddenly arrived after a line that hits and in the music I turned on after a line that urged reconsideration.
Even for the avid fan of Frank Ocean’s discography, this book serves as a vital push toward questioning what it is we deem valuable. A must-read for self-declarations of grace and hope in the face of racial, historical, and social brutality.
A poetry collection that celebrates Black culture, creativity, and memory.
From Kendrick to Kanye, to a Sunday in Oakland with Frank Ocean's falsetto in the foreground, Mausoleum of Flowers is still life set against the backdrop of demise. Daniel Summerhill's sophomore collection grabs fate by the throat and confronts it. What does it mean to continue living when your friends are dying beside you? This collection melds an exploration of spirituality and rebellion with Black tradition. Summerhill's poems invite the reader near in order to self-excavate and explore tones of loss, love, and light.
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Both keen and forgiving, this book traces the amorous and lofty histories of Black masculinity in America while also delighting in the surprises surrounding its speaker(s).
No song is without a community to which it belongs. We sing our songs together. This realization is especially stark and exacting in this book as it chronicles the bounty of lyrics from Marvin Gaye to the Delfonics.
Imperial Liquor is a chronicle of melancholy, a reaction to the monotony of racism. These poems concern loneliness, fear, fatigue, rage, and love; they hold fatherhood held against the vulnerability of the black male body, aging, and urban decay. Part remembrance, part swan song for the Compton, California of the 1980s, Johnson examines the limitations of romance to heal broken relationships or rebuild a broken city. Slow Jams, red-lit rooms, cheap liquor, like seduction and betrayal - what's more American? This book tracks echoes, rides the residue of music "after the love is gone."
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
For only the fifth of what could be more recommendations on musical collections, I wanted to draw attention to Avery Young’s book for its relentless approach to enactment and what movements manifest in the aftermath of music’s touch.
I read this collection during a low period of 2022 when COVID was still rampant, and it was a reminder of what it is I am listening for. Past our doctoring or our purities, our humanity is most clear when we are true about our experiences.
I would highly encourage readers to grab a copy of this dream of a book and look out for what’s next from Chicago’s inaugural poet laureate.
The ""blk alter"" of Avery R. Young's poetic vision makes its stunning debut in a multidisciplinary arsenal entitled, neckbone: visual verses. Young's years of supernatural fieldwork within the black experience and the gospel of his transitions between poetry, art and music, become the stitch, paint brush, metaphor, and narrative of arresting visual metaphors of childhood teachings and traumas, identity, and the personal reverence of pop culture's beauty and beast. A mastermind in a new language of poetry, that engages and challenges readers to see beyond the traditional spaces poems are shaped and exist, Young's neckbone extends tentacles in literature, art,…
I have enjoyed writing and creating stories based on fictional characters since my writing assignments in elementary school. I can remember my teachers telling my mother that my stories were very captivating and that I would take my simple assignments to a level that they hadn’t expected. This love for writing led to a love for reading fiction books and a deeper love for urban fiction, women’s fiction, and erotic fiction. I enjoyed books so much that I became a bookseller at a local bookstore and moved up to a specialist who introduced customers to their next favorite book.
This book will remain on my list of favorite books of all time. I love how the author begins the story of the promiscuous doctor by jumping straight into the drama. Immediately, you are made aware of the well-respected cardiac surgeon’s character and how he loves women and plenty of them! Dr. Makkai Worthy is referred to by his many sex partners as Dr. Feelgood.
I became wrapped in the four women’s stories as they were introduced throughout this book. I found each character interesting, and there was never a dull moment as their disdain grew for the once-beloved doctor. I also found it interesting how the story takes you back to the place where it all began to explain the doctor’s love for sex and his inability to commit to just one woman. This page-turner is one that I plan to read again and again.
From the author of MAKE ME HOT comes a steamy tale of a popular heart surgeon and his four women, told in their own voices. They call him Dr. Feelgood . . . One woman would never be enough to satisfy noted cardiologist Dr. Makkai Worthy, better known by his sex partners as Dr. Feelgood. Womanizer extraordinaire, he's a chip off the old block of his rolling-stone papa and commitment isn't an option. At 37 and single, he's happier than he's ever been, living the lifestyle of the rich and fine. A gifted surgeon, Dr. Feelgood knows how to operate…
"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
Sparky, fast-talking and addictive, I adored this book when it came out in the early 1990s. I enjoyed the subsequent film, too.
But you don’t hear much about it any more, though I think it’s probably still a relevant portrait of Black women’s lives in America. It’s about four friends, women in their thirties, each chapter told from the viewpoint of one of the friends.
The voice is so fresh and in-your-face, so funny and engaging. I love how teasing and chiding of each other they are when they’re together, but also so supportive and loving. Below the lighter-than-air surface of their conversations, the reader comes to realise what they mean to each other.
The story of four vibrant black women in their thirties. They draw on each other for support as they struggle with careers, divorce, motherhood and their relationships with men.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m an amalgam of all of my varied interests and varied employments from actress and singer to corporate paralegal at a movie studio. Since my teenage years, I’ve loved to research. That joy leads into writing factually-accurate historical fiction set in the West. Delving into the private lives of both the fictional and the real people gives the reader a better understanding of the characters’ designated paths leading to the events upon which my novel is based. My recommendations for the best books set in the West with in-depth characters have qualities I’ve employed in my novel. Some of these books also delve into characters from differing races, reflecting most towns in the Old West.
Bass Reeves, a real individual, was a slave in Texas and, as personal attendant and crack shot, accompanied his owner, an officer in the 11th Texas Cavalry Regiment, into battle during the Civil War.
The lyrical and colorful narrative closely resembles Bass Reeves’s speech and thoughts, so that one flows into the other. That’s fine writing. Thompson reveals in meticulous detail behavioral traditions between owner and slave and between the slaves themselves that reflect the injustice rife at that time.
This is the first novel in a trilogy, and I’m eagerly awaiting the next two books.
Adapted for the Paramount+ miniseries Lawmen: Bass Reeves, directed by Taylor Sheridan and starring David Oyelowo
2022 National Indie Excellence Awards Finalist for Western Fiction
2021 Phillip H. McMath Post Publication Book Award Finalist for Prose
2021 International Afro-American Historical & Genealogical Society Book Award for Historical Fiction in Event/Era
2021 Oklahoma Book Award Finalist for Fiction from the Oklahoma Center for the Book
2021 Will Rogers Medallion Book Award Finalist for Western Fiction
2021 Spur Award Finalist for Historical Novel from the Western Writers of America
2021 Next Generation Indie Book Award Finalist for Historical Fiction (Pre 1900s)
2020…
I’m an old lawyer, a writer, and now I’ve stumbled into acting, but reading, just plain old sitting on the couch and reading, has always been my personal slice of heaven. I was a history major but not a history buff like those folks that can rattle off dates or win $287,000 on Jeopardy. These stories from history can be told realistically, romantically, impressionistically, philosophically, and lots of other ways. But satirically is how stories capture and move me the most. Nothing stirs me or grows goosebumps on me as effectively as a story of hard times and hard-hearted people who deserve a bit of exposure from some well-aimed wit.
I read Imperium in an Afro-American Literature course in college. The instructor was excellent. I was the only non-Afro-American male in the class. I sat in the back. As soon as I finished reading Imperium I said to myself “This would make a great movie.” About ten years later I adapted the book into a screenplay. I typed it myself on my old typewriter. There was gunk on some of the keys and they needed cleaning. I realized that around Scene Five. If you ever read my old manuscript, I apologize for the first twenty pages. You can tell Sutton Griggs I’m sorry, also.
Imperium in Imperio (1899) is a novel by Sutton E. Griggs. Written while Sutton was at the beginning of his career as a Baptist minister, Imperium in Imperio was sold door to door and earned modest praise upon publication. Although Griggs' novels were largely forgotten by the mid-twentieth century, scholars have recently sought to emphasize his role as an activist and author involved with the movement for Black nationalism in the United States. Critics since have recognized Griggs as a pioneering political figure and author whose utopian themes and engagement with contemporary crises constitute some of the era's most radical…
I’m a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, I’ve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.
This is Albert Woodfox’s shocking and amazing life history of spending most of his life in Angola, the most brutal prison in Louisiana.
It’s an exposé of prison brutality and dehumanization. But it’s also a stunning account of his own courage and spirit. On top, the writing is sparse, stark, and beautiful.
FINALIST FOR THE PULITZER PRIZE IN GENERAL NONFICTION FINALIST FOR THE NATIONAL BOOK AWARD IN NONFICTION Named One of Barack Obama’s Favorite Books of 2019 Winner of the Stowe Prize Named the Louisiana Endowment for the Humanities Book of the Year Named a Best Book of the Year by the New York Times, the Washington Post, NPR, Publishers Weekly, BookBrowse, and Literary Hub Winner of the BookBrowse Award for Best Debut of 2019 A New York Times Book Review Editors’ Choice
“An uncommonly powerful memoir about four decades in confinement . . . A profound book about…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have had two careers and two lives. Beginning as a historian of American culture, I
have become a writer of fiction. That I have turned to fiction now is because I have so many of my
own stories to explore and relate. And what I love most about writing novels and the
short pieces I compose is the possibility to create living characters who sometimes
surprise me with what they believe and do, but always, I know, emerge from the very
deepest corners of my imagination and the issues that I feel compelled to examine and
resolve.
I have always considered Philip Roth to be a master stylist and, even more, a brilliant author of the way that characters think and feel. This book is also wonderful for the way its ironies unfold in a story that is riveting, disturbing, and revealing.
I am intrigued by the way that Roth can confront important social issues. Even though this was written several years ago, I find it to be particularly relevant to the debates about diversity that seem to concern us most as a society today.
The American psyche is channelled into the gripping story of one man. This is the Pulitzer Prize-winning writer Philip Roth at his very best.
It is 1998, the year America is plunged into a frenzy of prurience by the impeachment of a president. In a small New England town a distinguished professor, Coleman Silk, is forced to retire when his colleagues allege that he is a racist. The charge is unfounded, the persecution needless, but the truth about Silk would astonish even his most virulent accuser. Coleman Silk has a secret that he has kept for fifty years. This is…