I became a young man near the end of the sixties, and I have always been enthralled by the era's various idiosyncrasies, both good and bad. For instance, I loved the complex yet pleasant rock music and the freewheeling lifestyle. On the downside, the war in Vietnam cast its pall over the times, and I narrowly escaped being drafted and sent off to Southeast Asia. Overall, it was an era in which good and evil were starkly defined, and many people were attempting to create a better, more peaceful world. There is still much we can learn from this time.
This memoir paints a vivid picture of the sixties due to its author's excellent writing style and his immersion into the important events of the era.
One of the key factors for me and many other young people at the time was the war in Vietnam, where Stone served as a reporter. Later, he was closely associated with the sixties counterculture, including the exploits of Ken Kesey and the Merry Pranksters, which he describes in this absorbing and fascinating book.
From the New York City of Kline and De Kooning to the jazz era of New Orleans's French Quarter, to Ken Kesey's psychedelic California, Prime Green explores the 1960s in all its weird, innocent, turbulent, and fascinating glory. Building on personal vignettes from Robert Stone's travels across America, the legendary novelist offers not only a riveting and powerful memoir but also an unforgettable inside perspective on a unique moment in American history.
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
Denis Johnson’s big, National Book Award-winning novel revolves around the Vietnam War itself, with a big cast of characters and many narrative threads.
I really loved following all the threads and seeing the intricate web they formed. The picture it paints of America is still relevant today. It’s an exciting book, and though it requires quite a lot from a reader, it ends up being hugely satisfying.
`Once upon a time there was a war, and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That's me.'
This is the story of Skip Sands, a CIA spy engaged in psychological operations against the Viet Cong, and the disasters that befall him. It is also the story of two brothers heading towards self-destruction, and a story…
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
I’m cheating a bit here because this book is set in the Japan and Okinawa, rather than Texas. But Sarah Bird is one of Texas’s most beloved writers, and this exquisite novel about the college-aged, Vietnam War-protesting daughter of an Air Force fighter pilot, is one of the finest novels written by anyone from Texas. Bird captures the mood of the Vietnam era with empathy and wonderful humor, but beyond that, The Yokota Officers Club is a deeply affecting story about families, about love, loss, and the hope of redemption. It’s a transcendent novel that feels both intimate and sweeping. Sarah Bird has written several fine books but this one is her masterpiece.
“A GEM, POLISHED AND FACETED IN A WAY THAT PULLED ME INTO THE HEART OF IT WITH THE FIRST PARAGRAPH. . . . Important, touching, meaningful, and uplifting.” –JEANNE RAY Chicago Tribune
After a year away at college, military brat Bernadette Root has come “home” to Kadena Air Base in Okinawa, Japan, to spend the summer with her bizarre yet comforting clan. Ruled by a strict, regimented Air Force Major father, but grounded in their mother’s particular brand of humor, Bernie’s family was destined for military greatness during the glory days of the mid-’50s. But in Base life, where an…
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
I found this book extremely important because it finally put to bed the myth that counter-cultural women were merely subservient to their male counterparts, while these women did so much to actually shape the counter-culture.
I recommend reading this alongside Nina Graboi’s criminally neglected autobiography–One Foot in the Future–that serves as a perfect illustration of American women successfully looking for empowerment in these counter-cultural enclaves.
It was a sign of the sixties. Drawn by the promise of spiritual and creative freedom, thousands of women from white middle-class homes rejected the suburban domesticity of their mothers to adopt lifestyles more like those of their great-grandmothers. They eagerly learned 'new' skills, from composting to quilting, as they took up the decade's quest for self-realization. 'Hippie women' have alternately been seen as earth mothers or love goddesses, virgins or vamps - images that have obscured the real complexity of their lives. Gretchen Lemke-Santangelo now takes readers back to Haight Ashbury and country communes to reveal how they experienced…
I’m a poet, tarot muse, and artist whose childhood experiences with vivid night-time dreams and a handful of years on a commune in the cornfields ignited my passion for exploring inner imagery. I read voraciously from science fiction to fairytales to channelings. I discovered tarot in my twenties, using it to read for others, mend my broken heart, and get squared away enough to apply to graduate school for poetry in the heartland at the Iowa Writers’ Workshop. Ever since, tarot is my favorite mirror for self-reflection. Author of two poetry collections, I wrote a workbook to help others apply the tarot in joyful, healing ways through writing and art.
Writer, photographer, and journalist William Cook Haigwood selected his own photos to create Journeying the Sixties: A Counterculture Tarot. The book helped me understand the context for my early childhood when my parents had an apartment in the Haight. Haigwood practically offers a graduate-level course in the Sixties by examining the major players, the opposing forces, and the gifts and wages of the unbridled idealism and enthusiasm characteristic for the times (love, religion, art, music, politics, law enforcement, war, drugs, feminism, poetry, revolution, and more). The Eight of Cups chapter looks at People’s Park in Berkeley; Mick Jagger represents the King of Pentacles; the Death card discussion explores Martin Luther King, Jr., Kennedy, and Vietnam. Haigwood’s interpretations make tarot’s archetypal energies relevant to the lessons of an entire generation.
Journalist and writer William Cook Haigwood offers a unique look at the Counterculture of the 1960s in this collection of historical essays and vintage photographs that uses the symbolism of the Tarot to describe and conceptualize the era’s critical cycles of experience. Journeying the Sixties: A Counterculture Tarot features photographs selected from thousands made by the author during more than 15 years of reporting and participation in what has come to be called “the 20th century’s longest decade.” Selected images from the period have been formatted as Tarot cards. Essays supporting the cards use the Fool’s Journey to extend a…
I have spent my 50-year career as a writer, illustrator, and comic book artist. My comics involve surrealistic situations and alternate realities. I am best known for my strip The Bus, which appeared monthly in Heavy Metal magazine, and Dope Rider, which appeared regularly in High Times magazine. Both series have been collected in books and published internationally. I read the graphic novels of other artists whose work centers on surrealism, alternate realities, and the psychedelic experience for enjoyment and to draw inspiration for my own work. Fans of graphic novels who like trippy stories and art should enjoy the books on my list.
I was fascinated and appalled to learn of the CIA’s Project MK-Ultra, a long-running program in which the CIA dosed unwitting victims with LSD to study its effects and potential as a mind-control weapon. The subject has been covered in other books, but this graphic novel, illustrated by Stewart Kenneth Moore, brings this alarming tale to life visually.
His garish colors and mind-warping graphics depict the hallucinatory experiences in a sometimes appealing but more often terrifying manner. Moore’s art also gives the straight narrative elements of the story a warped, dreamy quality, imbuing even mundane reality with the disturbing quality of an acid flashback.
While most Americans were watching Leave it to Beaver and listening to The Everly Brothers, an eclectic group of CIA operatives were spiking each other's coffees with LSD, throwing decadent parties and hiring prostitutes to slip unsuspecting johns drug-laced drinks in order to observe every stoned and kinky moment from behind two-way mirrors. And this was only when they weren't dreaming up the next far reaching "official" application for this new, all-powerful, mind-blowing drug - a drug that would ironically fuel the counter-culture over a decade later. Coincidence? Maybe not. Based on actual events, Project MK-ULTRA is a zany, pop-culture…
Pete Quaife, co-founder and original bass player of the Kinks, based this novel on his experiences growing up in post World War 2 England and on forming a rock band in the early 1960s.
Veritas first appeared in 2011 but was released in this collector’s edition in 2023. (Full disclosure: I was friends with the author and wrote the foreword for this latest edition.)
If you are interested in the music scene in the 1960s you will thoroughly enjoy Veritas. Quaife tells the story of the fictional Elmores, a fledging band struggling to learn their instruments, to stabilize group membership, to gain parental approval and support, and to arrange gigs. Anyone who has tried to form a band will relate to the Elmores.
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This novel is a strange triptych, with three tangentially connected parts that all have to do with the darker side of the '60s counterculture. I loved it.
One part is about the early days of the Rolling Stones, with the band members themselves as characters. Then there’s avant-garde filmmaker Kenneth Anger, who made a movie in which Mick Jagger appeared alongside Bobby Beausoleil, who later joined the Manson Family. The third part is about the Manson Family itself, leading up to their inexplicable crimes.
The book engaged and compelled me in spite of (also because of) its disjointed nature—it’s beautifully written and a true work of art.
Three dramatic and emblematic stories intertwine in Zachary Lazar's extraordinary novel, Sway -- the early days of the Rolling Stones, including the romantic triangle of Brian Jones, Anita Pallenberg, and Keith Richards; the life of avant-garde filmmaker Kenneth Anger; and the community of Charles Manson and his followers. Lazar illuminates an hour in American history when rapture found its roots in idolatrous figures and led to unprovoked and inexplicable violence.
Connecting all the stories in this novel is Bobby Beausoleil, a beautiful California boy who appeared in an Anger film and eventually joined the Manson "family." With great artistry, Lazar…
I was a Brooklyn kid who grew up on Long Island. I started hitting the bars and clubs in NYC when I was still a teenager. I found my way to CBGB in 1975, moved to Bleecker St in 1976, and in a right place/right time moment I found myself working the Mudd Club door in early 1979. That moment was a life changer. The Mudd Club book tells the story.
The best book written about 1960’s Pop-Culture madness and mayhem. As founding member of The Fugs and a unique literary voice, Ed Sanders tells this tale brilliantly. The warning signs, the goosebumps, and knowing when it’s time to stop are all there in The Family.
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
Bud Shrake’s novel of Dallas at the time of the Kennedy Assassination is an excellent example of what I call “eyewitness fiction.” As a prominent journalist at the rabidly anti-JFK Dallas Morning News, Shrake spent time mingling with the far-right millionaires who refashioned Dallas into a “City of Hate.” Yet the politically liberal, dope-smoking Shrake was also a denizen of Dallas’s underworld and was dating the star stripper at Jack Ruby’s nightclub. From these twin worlds, he fashioned this ferocious, comically subversive portrait of Dallas in the months leading up to the assassination.
Shrake’s writing has less in common with his Texas contemporaries than it does with American novelists Ken Kesey, Charles Portis, and Kurt Vonnegut. This novel blasts off so hard it can be a bit hard for some readers to hang on in the beginning. But if you stay with it, and latch on to Shrake’s Dexedrine-fueled…
A TV western star quits his successful series and returns to Dallas to make a documentary film that reveals the truth about his home town. His quest forces him to learn if he is capable of using his six-gun for real as he moves from booze and radical politics in oil men's palaces into the infamous Carousel Club and the underworld of arms and dope smuggling in a city ripe for the murder of a President.
