Here are 94 books that You Remind Me of Me fans have personally recommended if you like
You Remind Me of Me.
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I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
In this book, Alison Bechdel is obsessed with the triangular relationship between one’s parents, oneself, and literature, and, in my poetry, so am I.
Our parents are either puzzles we can solve or mysteries we cannot, but still we have to try. And in this book, again and again, Bechdel takes those insights and moments of beauty that literature offers, investigates her father’s life and death, and in this book (as well as the follow-up, Are You My Mother?), the meaning of her mother’s choices as well.
Now that I think of it, Fun Home is the story of how literature is always the child of what an author experiences in their life and what they read, the two brimming over into the impulse to make more words, understand more life.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Of the five books I recommended, four are memoirs, and one is a novel that reads like a memoir. I read these books because the subject, the maternal relationship, fascinates me, and also because I wanted to learn from these other writers. Each book gave me some ideas about how to approach my own exploration of my relationship with my mother. At the same time, the books reinforced my belief that each of us carries our family history forward, especially our maternal history. To live fully requires understanding and integrating that past.
I loved this gorgeous memoir, in part for its compelling structure—a blend of prose and poetry.
The narrator explores his grief in the aftermath of his mother's death, and in doing so, reminded me of the ways in which grief never leaves you, though it changes over time. Alexie seeks to, and succeeds in, animating his mother as the complex and deeply traumatized woman she was. Studying how he portrayed his mother gave me some new ways to think about how I might present my own.
This writer placed his very personal story of grief within the context of larger losses he experienced as a Native American man—familial, cultural, environmental. At the same time, Alexie's memoir is an ode to human resiliency. It is a memorable book.
A searing, deeply moving memoir about family, love, loss, and forgiveness from the critically acclaimed, bestselling National Book Award-winning author of The Absolutely True Diary of a Part-Time Indian.
Family relationships are never simple. But Sherman Alexie's bond with his mother Lillian was more complex than most. She plunged her family into chaos with a drinking habit, but shed her addiction when it was on the brink of costing her everything. She survived a violent past, but created an elaborate facade to hide the truth. She selflessly cared for strangers, but was often incapable of showering her children with the…
As I child I wanted to know the information that was withheld from me. What were the adults whispering about? What were they hiding? Secrets, things that are hidden, have a way of shaping the lives around them, a dark space that exerts a presence, even though it isn’t seen. I thought if I found out the secret, maybe my family, and the world, would make sense. Breaking Out of Bedlam is my version of my grandmother’s story, based on the whispers I heard and a few faint clues—a newspaper clipping, a Bible, and a baby’s sock. More than that, it’s an explanation for the silence in my family, for my grandmother’s bitterness, her drug abuse, and depression.
This haunting novel has stuck with me so vividly and in so many ways. Set in 1968, in a tiny village on the Labrador coast, it is the story of a baby born with both male and female genitalia to a hardscrabble couple barely eking out a living. They decide to raise the child as a boy, whom they name Wayne. Wayne’s parents keep the secret, even from him, and as he struggles to adopt the manly attributes expected of him, he can’t suppress his other self, a girl he calls Annabel, who insistently speaks from his innermost self. His journey to discovering who he truly is, and finding a way to express that self in a harsh and narrow environment is both painful and liberating.
In 1968, into the beautiful, spare environment of remote coastal Labrador in the far north-east of Canada, a mysterious child is born: a baby who appears to be neither fully boy nor girl, but both at once. Only three people share the secret - the baby's parents, Jacinta and Treadway, and a trusted neighbour, Thomasina. Together the adults make a difficult decision: to go through surgery and raise the child as a boy named Wayne. But as Wayne grows up within the hyper-male hunting culture of his father, his shadow-self - a girl he thinks of as 'Annabel' - is…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
As I child I wanted to know the information that was withheld from me. What were the adults whispering about? What were they hiding? Secrets, things that are hidden, have a way of shaping the lives around them, a dark space that exerts a presence, even though it isn’t seen. I thought if I found out the secret, maybe my family, and the world, would make sense. Breaking Out of Bedlam is my version of my grandmother’s story, based on the whispers I heard and a few faint clues—a newspaper clipping, a Bible, and a baby’s sock. More than that, it’s an explanation for the silence in my family, for my grandmother’s bitterness, her drug abuse, and depression.
Caramelo explores the places where lies end and stories begin, how family histories are built and shaped by each generation that adds its own versions of the “truth” to family lore. Lala, the narrator, is consumed by rumors of the daughter her father had with a washerwoman, a half-sister whom she imagines and seeks, a truth which she struggles to extract from a family known for its storytelling, its “healthy lies,” as her grandmother calls them. “You’re not supposed to ask about such things. There are stories no one is willing to tell you,” Cisneros writes. I love Cisneros’s amazing symphony of details—colors, smells, noises—the way she weaves so many stories together, her hilarious eye for human quirks, and her sparkling prose.
Every year the three Reyes sons and their families drive south from Chicago via Route 66 to the home of the Awful Grandmother and the Little Grandfather on Destiny Street in Mexico City. From the back seat of her father's red Chevy station-wagon, our storyteller Lala loves to witness the crossover from endless Texas to flamboyant Mexico, the switch from truck stop donuts to street vendors with corn on the cob, the smell of hot tortillas and the sting of roasting chillies in the throat and eyes. The youngest of many cousins, Lala is also the most curious. Did the…
I write fiction set in the Bronze Age world of the Trojan War and the Hittite Empire. I love to combine history and archaeology with magic and fantasy arising from the ancient beliefs of this period. My novels bring women to the fore—whether the captive Briseis or a remarkable Hittite queen lost to human memory until recently. Armed with degrees in Classics, I have spent too much time exploring the remains of the ancient Greeks and Hittites through travel and research. From the beginning, the Trojan War tradition has left room for many variations. Here are five entirely different “takes” on this iconic war—all masterfully written.
Carosella offers another, refreshing take on Helen. This Helen takes control of her life and tries to defy fate (and the gods do their darndest, as usual in Greek mythology, to make her and everyone else miserable). Carosella’s engaging novel develops the characters’ jealousies, passions, and loyalties, as well as bringing the reader directly into the ancient Greek world. I enjoyed the sense of interconnectedness between different parts of this Greek and Mediterranean world, Troy, Sparta, Egypt, Mycenae, and Athens. This accurately reflects the current understanding of this exotic world. I appreciate a flexible view of all the legendary mythology surrounding this iconic war, and Carosella has flexed some impressive muscle.
Long before she ran away with Paris to Troy, Helen of Sparta was haunted by nightmares of a burning city under siege. These dreams foretold impending war-a war that only Helen has the power to avert. To do so, she must defy her family and betray her betrothed by fleeing the palace in the dead of night. In need of protection, she finds shelter and comfort in the arms of Theseus, son of Poseidon. With Theseus at her side, she believes she can escape her destiny. But at every turn, new dangers-violence, betrayal, extortion, threat of war-thwart Helen's plans and…
I write books about feisty girls who follow their dreams and don’t let fear stand in their way. Growing up in London I was an extremely shy child with a full-blown fantasy life, but at eighteen decided it was time to channel my inner “feisty girl”, take charge of my destiny, and travel to America to pursue my dream of becoming a writer. Now, many years later I am the proud author of five middle-grade novels, and the mother of four amazing children who are all off following their own dreams. When I’m not writing books about feisty girls, I’m reading other people's. Here are some of my favorites.
Okay, this is an old-fashioned book with some old-fashioned views, but it was my childhood favorite, so I had to include it! Orphaned Maria is sent to live with a distant relative at Moonacre Manor, but all is not as perfect as it seems, and it isn’t long before Maria discovers a world of hidden secrets and ancient feuds. It can’t have been easy growing up a feisty girl in Victorian England, but Maria Merryweather manages it, and I love that about her. She is stubborn, brave, and inquisitive, refusing to let anything dampen her spirit. As well as a passion for life Maria also has a passion for good food, (like me) so eat a snack while you read this because the descriptions will make you hungry! A perfect balance of mystery, magic, and teatime treats.
'The Little White Horse was my favourite childhood book. I absolutely adored it. It had a cracking plot. It was scary and romantic in parts and had a feisty heroine.' - JK Rowling - The Bookseller
Winner of the Carnegie Medal in 1946 and J.K. Rowling's favourite childhood book. This bestselling favourite fantasy classic is 'one of the most of the most magical stories in the world.' - The Independent. This is the story of a thirteen-year-old orphan, a Moon Princess, and a mysterious white horse.
Maria Merryweather, a plain London orphan, is sent to Moonacre Manor to live with…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
My work as an anthropologist has focused on understanding the worldviews of people of different backgrounds and nationalities in the Middle East. This is despite the tendency now for anthropologists to pursue more theoretical and academic research. Although there are many ways to acquire an understanding of culture, the best is of course to live and work with local people. The next best way is to listen to them explaining themselves. These books by cultural insiders do just that. The authors come from several sub-cultures of the Arab world and religions. They all describe their own versions of culture, that although overlapping in many ways, also show the distinctiveness of each group.
During the sixties, Atiya collected life stories of five Egyptian women from the lower and middle classes, ranging in age from twenty to mid-sixty. The stories show how to them, life starts with marriage. If they mention their childhoods, it is as preparation for marriage. Parents invariably arranged the women’s marriages or gave permission to potential husbands attracted to their daughters from a distance. Once the excitement of their weddings is over, however, most face an endless stream of difficulties. They recount experiences as co-wives, being forced into acrimonious divorces, family conflicts, and problems with children. They discuss witchcraft, female circumcision, poverty, and health issues. The book is unusual in that it conveys in their own words, the thinking of people not usually heard from in Middle Eastern writing.
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
If you are of a certain age, you may remember Choose Your Own Adventure novels, where you read an enticing setup of a story, and then you are asked to choose–go to page xx for this action or page yy for this other action. These books were often adventure or mystery tales, and they were fairly short.
Well, this author took this concept to new heights–she wrote over 150 different endings. All written in the second person, in this book, you can fall madly in love as well as die tragically, so caveat emptor!
There are hundreds of lives sown inside Pretty Little Mistakes, Heather McElhatton's singularly spectacular, breathtakingly unique novel that has more than 150 possible endings. You may end up in an opulent mansion or homeless down by the river; happily married with your own corporation or alone and pecked to death by ducks in London; a Zen master in Japan or morbidly obese in a trailer park.
Is it destiny or decision that controls our fate? You can't change your past and start over from scratch in real life—but in Pretty Little Mistakes, you can! But be warned, choose wisely.
Not only have I written six critically acclaimed novels for middle-grade readers, including three historical fictions, I am the parent of a tween and teen who is always looking for great read-alouds and read-alongs for my own family. I am a firm believer that this is a valuable way to encourage literacy and love of story as I wrote in a recent, much-discussed essay inThe Atlantic. Having lived abroad, including as an exchange student and camper in the Soviet Union and for three years in Belgium, I am also a huge believer in expanding our own as well as our kids’ knowledge of history beyond our own borders, cultures, identities, and perspectives.
Schlitz’s latest historical novel, set in Ancient Greece, is one I read aloud to my own kids, who like many are already well versed in Greek and Roman mythology.
The story of the rebellious daughter of a noble family and an enslaved boy, it’s a haunting and beautifully rendered introduction to classical philosophy and the story of Socrates. Reading this together gave us a chance to discuss the classical world as a real place and its culture and religion in detail and depth.
Schlitz’s books are among the most literary and original out there and this one was written to stay with you for a very long time.
The Newbery Medal–winning author of Good Masters! Sweet Ladies! givesreaders avirtuoso performance in verse in this profoundly original epic pitched just right for fans of poetry, history, mythology, and fantasy.
Welcome to ancient Greece as only genius storyteller Laura Amy Schlitz can conjure it. In a warlike land of wind and sunlight, “ringed by a restless sea,” live Rhaskos and Melisto, spiritual twins with little in common beyond the violent and mysterious forces that dictate their lives. A Thracian slave in a Greek household, Rhaskos is as common as clay, a stable boy worth less than a donkey, much less…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I began studying philosophy, both western and Asian, as a college freshman, and I never stopped. Much of my career in philosophy was devoted to building bridges between western and Buddhist traditions. The best philosophers try to make their ideas as clear as possible. But standards of clarity can differ across traditions, and this sometimes makes it difficult to present the theories and arguments of one philosophical tradition to those who think in terms of another. I have struggled with this in my own efforts at bridge-building, and I am always appreciative when I see other scholars of Buddhism achieve the sort of clarity I aim for.
A key claim of Buddhist philosophy is that all the facts about persons are causally determined. This claim leads people to wonder where Buddhists stand on the so-called ‘free will’ problem: can someone whose actions are determined by earlier events be held responsible for what they do? This question never arose in Indian Buddhist philosophy, but modern scholars have had much to say about whether Buddhism’s causal determinism is compatible with the practice of praising or blaming people for what they do. This book collects some of the best attempts to answer the question.
Throughout the history of Buddhism, little has been said prior to the Twentieth Century that explicitly raises the question whether we have free will, though the Buddha rejected fatalism and some Buddhists have addressed whether karma is fatalistic. Recently, however, Buddhist and Western philosophers have begun to explicitly discuss Buddhism and free will.
This book incorporates Buddhist philosophy more explicitly into the Western analytic philosophical discussion of free will, both in order to render more perspicuous Buddhist ideas that might shed light on the Western philosophical debate, and in order to render more perspicuous the many possible positions on the…