Books like Ordinary Thunderstorms — picked by fans

This is the first book in a series that seems—hooray!—never ending.

Novels, novellas, short stories, graphic novels…they’re all built around a wonderful idea: police procedural in a version of the modern world where rivers have goddesses, trees have dryads, and vampires, werewolves, elves, and all the other creatures of folklore and fantasy matter-of-factly exist alongside council estates and the internet. And so have to be policed.

The "Isaacs" (named after Isaac Newton) are that branch of the Old Bill which deals with magic, so its inspectors and constables tend to be witches and wizards. All the books are incredibly inventive and funny. I love them.

This was the book that turned me on to crime fiction, a genre I had always previously spurned. Why should anyone want to read about crime, I’d thought. Isn’t there enough of it in real life anyway?

Then, on my honeymoon in St Lucia, I was staying with my new wife in a magical villa full of books I’d never read. I picked this one up because it was about a publishing house, which reminded me of several I knew as an author. Right from the off, I was drawn in by James’s superb characters and wonderful descriptions. Then the plot kicked in, and I was hooked. When I’d finished it, I moved on to another of her books and was soon reading crime voraciously.

I have always liked the idea of living in a houseboat on the River Thames. This wonderful story simultaneously fed my fantasies and made me realise it might not be as idyllic as I imagined.

The houseboats on Battersea Reach are like a small village–each character is an individual yet integral part of the whole, their fortunes rising and falling with the tide. Through these characters, the book paints a picture of sixties London, swinging yet also unforgiving for those who slip between the cracks. Penelope Fitzgerald lived on a barge in Battersea, and I think much of the story is based on personal experience.

What I particularly liked was the sense of the houseboat dwellers not quite belonging, being offshore in more ways than one. 

As a bookseller as well as a writer and editor, I believe strongly that good children’s books should also be read by adults.

The setting here is 1683, and the River Thames is frozen. I studied history, and I often stand on London Bridge and try to imagine the flowing water as a field of ice with stalls and side shows on the frozen surface. Embankments and new bridges mean the river no longer freezes, but this story brings historical London to life and allows us to feel what it would have been like.

A magic nocturnal Frost Fair, a lost boy, and a determined twin sister are at the heart of this bewitching story, which is dark yet uplifting–a perfect combination that had me gripped throughout. 

Schlitz’s latest historical novel, set in Ancient Greece, is one I read aloud to my own kids, who like many are already well versed in Greek and Roman mythology.

The story of the rebellious daughter of a noble family and an enslaved boy, it’s a haunting and beautifully rendered introduction to classical philosophy and the story of Socrates. Reading this together gave us a chance to discuss the classical world as a real place and its culture and religion in detail and depth.

Schlitz’s books are among the most literary and original out there and this one was written to stay with you for a very long time. 

If you are of a certain age, you may remember Choose Your Own Adventure novels, where you read an enticing setup of a story, and then you are asked to choose–go to page xx for this action or page yy for this other action. These books were often adventure or mystery tales, and they were fairly short.

Well, this author took this concept to new heights–she wrote over 150 different endings. All written in the second person, in this book, you can fall madly in love as well as die tragically, so caveat emptor!

One of the many things I like about this novel is the way the writing itself mimics the confusion of the protagonist, Jonah—the way Chaon allows us to completely inhabit his mind, down to the most telling details, his doubts, and precise but uncertain perceptions. We too search for the person whom Jonah intuits but doesn’t know, we grasp for the shape whose presence shadows his life. I was dazzled by the patchy way that Chaon builds the narrative, the intriguing overlaps, and surprising connections as he moves between past and present, allowing the secret at the heart of the story to float closer to the surface. I felt deep compassion for the pain and bewilderment of the characters, for the way they struggled forward, for the complexity of their feelings for each other. 

Okay, this is an old-fashioned book with some old-fashioned views, but it was my childhood favorite, so I had to include it! Orphaned Maria is sent to live with a distant relative at Moonacre Manor, but all is not as perfect as it seems, and it isn’t long before Maria discovers a world of hidden secrets and ancient feuds. It can’t have been easy growing up a feisty girl in Victorian England, but Maria Merryweather manages it, and I love that about her. She is stubborn, brave, and inquisitive, refusing to let anything dampen her spirit. As well as a passion for life Maria also has a passion for good food, (like me) so eat a snack while you read this because the descriptions will make you hungry!  A perfect balance of mystery, magic, and teatime treats.

During the sixties, Atiya collected life stories of five Egyptian women from the lower and middle classes, ranging in age from twenty to mid-sixty. The stories show how to them, life starts with marriage. If they mention their childhoods, it is as preparation for marriage. Parents invariably arranged the women’s marriages or gave permission to potential husbands attracted to their daughters from a distance. Once the excitement of their weddings is over, however, most face an endless stream of difficulties. They recount experiences as co-wives, being forced into acrimonious divorces, family conflicts, and problems with children. They discuss witchcraft, female circumcision, poverty, and health issues. The book is unusual in that it conveys in their own words, the thinking of people not usually heard from in Middle Eastern writing.

A key claim of Buddhist philosophy is that all the facts about persons are causally determined. This claim leads people to wonder where Buddhists stand on the so-called ‘free will’ problem: can someone whose actions are determined by earlier events be held responsible for what they do? This question never arose in Indian Buddhist philosophy, but modern scholars have had much to say about whether Buddhism’s causal determinism is compatible with the practice of praising or blaming people for what they do. This book collects some of the best attempts to answer the question.