Here are 78 books that You Can't Go Home Again fans have personally recommended if you like
You Can't Go Home Again.
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I’ve always been drawn to the connection between the physical and the mental and how small, repeated actions shape who we become. I started searching for meaning because life knocked me to my knees and left me with questions I couldn’t ignore. Everything I thought I was certain about came undone, and I was left trying to figure out what to do with the pieces.
What I learned the hard way is that real change doesn’t come from answers; it comes from what we survive and who we decide to become afterward. I write from inside those lessons, where purpose is discovered through experience, missteps, and the resolve to keep going. These books will shape you—enjoy!
It is very sparse and meditative, with few fireworks that go off. It’s one of those books that when you finish, you don’t think, “What a great story!” Rather, it’s a “...wait, what just happened?”
Where The Alchemist frames purpose as something discovered and Tuesdays with Morrie offers wisdom at the end of life, Siddhartha finds meaning in the realization that every mistake, every heartache, and every detour was a necessary part of his transformation.
I reflected on this book for a while. I found that growth, for me, often comes not from choosing the right path but from finding peace through embracing life’s totality.
Here the spirituality of the East and the West have met in a novel that enfigures deep human wisdom with a rich and colorful imagination.
Written in a prose of almost biblical simplicity and beauty, it is the story of a soul's long quest in search of he ultimate answer to the enigma of man's role on this earth. As a youth, the young Indian Siddhartha meets the Buddha but cannot be content with a disciple's role: he must work out his own destiny and solve his own doubt-a tortuous road that carries him through the sensuality of a love…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I am a scholar of international human rights and comparative genocide studies. My father was a refugee from the Holocaust. So I was always interested in genocide, but I did not want to be another Holocaust scholar. Instead, I introduced one of the first university courses in Canada on comparative genocide studies. From a very young age, I was also very interested in social justice: I was seven when Emmett Till was murdered in the US. So when I became a professor, I decided to specialize in international human rights. I read a lot of “world literature” fiction that helps me to empathize with people in places I’ve never been.
I studied under the distinguished sociologist, Immanuel Wallerstein. One day in class he said, if you read only one book, it should be this one. So I read it.
Koestler was a Hungarian Jew who joined the German Communist Party. He became disillusioned with communism, in part because of the Stalin trials of the 1930s, in which many of Stalin’s own former allies were tortured and executed.
The protagonist of the novel is Rubashov, a dedicated Communist who is accused of treason, tortured, and eventually executed despite confessing to his supposed crimes. The novel is a great way to learn not only about the Stalinist Soviet Union, but about any society that brain-washes its victims.
The newly discovered lost text of Arthur Koestler’s modern masterpiece, Darkness at Noon—the haunting portrait of a revolutionary, imprisoned and tortured under totalitarian rule—is now restored and in a completely new translation.
Editor Michael Scammell and translator Philip Boehm bring us a brilliant novel, a remarkable discovery, and a new translation of an international classic.
In print continually since 1940, Darkness at Noon has been translated into over 30 languages and is both a stirring novel and a classic anti-fascist text. What makes its popularity and tenacity even more remarkable is that all existing versions of Darkness at Noon are…
I was a computer programmer (BA and MA in math) for several organizations, including NASA and the Savannah River Ecology Lab before retirement, went to the Clarion and Tulane SF&F Workshops, and read the slush pile for Amazing/Fantastic. I’ve done a lot of theatre as actor and lighting tech, have always liked to hike in the woods, have written 11 novels (including 3 published SF novels), had 5 plays given full production, and have 2 CDs of my original songs. In my copious spare time, I sleep.
Tully was a best-selling author in the second and third decades of the twentieth century. Beggars of Life, his first book, is based on his experiences riding the freights as a young man. These are the kind of people I like to write about, though usually not as far down as Tully’s.
Jim Tully left his hometown of St. Marys, Ohio, in 1901, spending most of his teenage years in the company of hoboes. Drifting across the country as a “road kid,” he spent those years scrambling into boxcars, sleeping in hobo jungles, avoiding railroad cops, begging meals from back doors, and haunting public libraries. Tully crafted these memories into a dark and astonishing chronicle of the American underclass—especially in his second book, Beggars of Life, an autobiographical novel published in 1924. Tully saw it all, from a church baptism in the Mississippi River to election day in Chicago. And in Beggars…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I was a computer programmer (BA and MA in math) for several organizations, including NASA and the Savannah River Ecology Lab before retirement, went to the Clarion and Tulane SF&F Workshops, and read the slush pile for Amazing/Fantastic. I’ve done a lot of theatre as actor and lighting tech, have always liked to hike in the woods, have written 11 novels (including 3 published SF novels), had 5 plays given full production, and have 2 CDs of my original songs. In my copious spare time, I sleep.
LaFarge’s first novel, Laughing Boy, about the love affair between a reservation Indian and one who had been raised in a religious school, won the 1930 Pulitzer Prize. LaFarge spent much of his life fighting for Native American rights, sometimes in the “dark of Washington.” I wanted to grow up to be an Indian. I still do.
Winner of the Pulitzer Prize: “A romantic idyll played out in the rhythms and meanings of a vanished Navajo world.” —The Denver Post
Laughing Boy is a model member of his tribe. Raised in old traditions, skilled in silver work, and known for his prowess in the wild horse races, he does the Navajos of T’o Tlakai proud. But times are changing. It is 1914, and the first car has just driven into their country. Then, Laughing Boy meets Slim Girl—and despite her “American” education and the warnings of his family, he gives in to desire and marries her.
In the wake of my father’s sudden death (when I was sixteen) I was left with many questions about my heritage. Why didn’t I know more about my parents and their homeland of Korea? Why wasn’t I curious enough to ask questions when my father was alive? Now I’m a Korean American author of many award-winning children’s books most of which are inspired by my family heritage. I’ve spent my adult life unearthing the past, immortalizing long-lost loved ones, sharing meaningful stories that would otherwise be forgotten. I’m drawn to historical fiction the way most people are to their smartphones. The truth is, there is no future without remembering the past.
“Nine robed figures dressed all in white,” begins this haunting story of the Ku Klux Klan arriving in the small town of Bumblebee, North Carolina. The year is 1932 and the town is, of course, segregated. Black and White. A line in the soil―just like the neighborhood street of my childhood in Springfield, Virginia that divided my Korean family from the white family who fought and failed to keep us from moving into our home. The reader will step into eleven-year-old Stella Mills' shoes and feel all her fear and anger over the injustices of her world that highlights voting rights. But young Stella harnesses her anger through words (much the way I did as a child) by creating a fantasy newspaper column called Stella Star’s Sentinel. Why didn’t I think of that? I only had my blue diary with a gold clasp. In Stella’s ‘newspaper’ she expresses how…
Sharon M. Draper presents "storytelling at its finest" (School Library Journal, starred review) in this New York Times bestselling Depression-era novel about a young girl who must learn to be brave in the face of violent prejudice when the Ku Klux Klan reappears in her segregated southern town.
Stella lives in the segregated South-in Bumblebee, North Carolina, to be exact about it. Some stores she can go into. Some stores she can't. Some folks are right pleasant. Others are a lot less so. To Stella, it sort of evens out, and heck, the Klan hasn't bothered them for years. But…
I’ve devoted my academic career and personal life to the limits and possibilities of white liberal approaches to civil rights reform. Trained in U.S. history and published in American Jewish history, I look closely at how ethnic groups and religious minorities interact with their racial and gender status to create a sometimes-surprising perspective on both history and our current day. At times powerful and at other times powerless, Jews (and other white ethnics) navigate a complex course in civil rights advocacy.
By investigating what white liberal Greensboro meant with the word “civility” against what black activists meant by “civil rights,” Chafe dives deep into the limits of white liberalism, undermining the claim that civil rights could be achieved by following a slow, southern, and civil, approach.
Reveals how whites in Greensboro used the traditional Southern concept of civility as a means of keeping Black protest in check and how Black activists continually devised new ways of asserting their quest for freedom.
Anytime we imagine ourselves to be smarter or more clever than Madison Avenue or sponsored content on your social media feeds or a well-designed advertisement a nostalgia unlocking tweet will prove you wrong. We are all vulnerable to their manipulations, and it is from this belief that I explore the histories, the conflicts, and the techniques that strengthen capitalism’s hold on our imaginations. And yet, despite the lures of the marketplace, I believe that people can come together and outmaneuver corporations and their enablers. Whether it’s a fast-food restaurant that crashed and burned in the 1980s or the most popular toy of 1973 or failed TV spinoffs, I see these cultural contributions as rich texts to understand race, gender, and American identities.
When I teach students about the Civil Rights Movement, many of them had previously learned that the freedom struggle ended after Martin Luther King, Jr. was assassinated in 1968. I disabuse them of this notion by highlighting all the political work that was inspired—rather than stymied—by King’s passing. In this book, Fergus provides a provocative idea: What if the radicals of the late 1960s and 1970s were able to influence liberals and conservatives alike? By showing the ways that Black Power actually resonated with the leaders of pre-Reagan America, Fergus recovers the various approaches to capitalism, political participation, and compromise that can’t be easily categorized as Left or Right.
This book presents a provocative reinterpretation of recent political history. In this pioneering exploration of the interplay between liberalism and black nationalism, Devin Fergus returns to the tumultuous era of Johnson, Nixon, Carter, and Helms and challenges us to see familiar political developments through a new lens. What if the liberal coalition, instead of being torn apart by the demands of Black Power, actually engaged in a productive relationship with radical upstarts, absorbing black separatists into the political mainstream and keeping them from a more violent path? What if the New Right arose not only in response to Great Society…
I’ve practiced criminal law in Appalachian Kentucky as both a defense attorney and a prosecutor—not at the same time—for twenty five years. I can tell what’s genuine from what’s contrived in no time flat. Sometimes I can suspend my disbelief, but usually I can’t, so I lean toward books that get the details and intricacies right. If you’re looking for some modern Appalachian crime tales told by people who know how to a tell a story and know how to get the details of the place right, this list is for you.
David Joy writes contemporary crime in Appalachia with beauty, ferocity, and wit few can match. This was my first David Joy book and his first novel, but I’ve read everything he’s written since.
I love his books because of his focus on the intricacies of character and place in contemporary Appalachia that people outside the region don’t usually get to see. On top of that, his stuff is always suspenseful as all hell and full of tension. This one is a barn burner.
A Finalist for the Edgar Award for Best First Novel
“Remarkable . . . This isn’t your ordinary coming-of-age novel, but with his bone-cutting insights into these men and the region that bred them, Joy makes it an extraordinarily intimate experience.”—Marilyn Stasio, The New York Times Book Review
"Lyrical, propulsive, dark and compelling. Joy knows well the grit and gravel of his world, the soul and blemishes of the place."--Daniel Woodrell
In the country-noir tradition of Winter's Bone meets 'Breaking Bad,' a savage and beautiful story of a young man seeking redemption.
The area surrounding Cashiers, North Carolina, is home…
Paul Bass is the co-author with Douglas W. Rae of Murder in the Model City: The Black Panthers, Yale, and the Redemption of A Killer. Paul has been a reporter and editor in New Haven, Conn., for over 40 years. He is the founder and editor of the online New Haven Independent.
Robert F. Williams may be the most influential, inspiring, and entertaining leader to be written out of popular American civil rights history. Tyson rescues him and his story, showing how one man can combine writing and organizing talent to outwit the Klan, the FBI, change his community, challenge movement orthodoxy, and then have unforgettable and unpredictable encounters with Castro, Mao — and Nixon, at the dawn of a new foreign policy era. This book, like Williams himself, forces us to wrestle with the nuances of arguments about social justice, racism, violence, and ideology. It’s also an unforgettable story in and of itself.
This classic book tells the remarkable story of Robert F. Williams (1925-1996), one of the most influential black activists of the generation that toppled Jim Crow and forever altered the arc of American history. In the late 1950s, Williams, as president of the Monroe, North Carolina, branch of the NAACP, and his followers used machine guns, dynamite, and Molotov cocktails to confront Klan terrorists. Advocating ""armed self-reliance,"" Williams challenged not only white supremacists but also Martin Luther King Jr. and the civil rights establishment. Forced to flee during the 1960s to Cuba-where he broadcast ""Radio Free Dixie,"" a program of…
I never thought I’d become a historian of the US military. Like most Americans raised in the era of the All-Volunteer Force, I grew up with no close personal connections to the US military. Yet its symbols, metaphors, and power flooded my life, from movies to games to politics. Every encounter with a memoir, an operational history, a biography, or a government study offered a new understanding of how the US military came to play such a vital role in US society, and how US society in turn shaped practices and people in the military. These five histories did more than any others to shape my understanding of the military’s relationship to American society in the twentieth century.
When I picked up Homefront, I couldn’t put it down. A study of perhaps the most iconic military community in the US, Fort Bragg, North Carolina, Homefront brings a reader as close to everyday life in a military town as they can get without being there. Lutz burrows into Fayetteville and Fort Bragg, and pries open their histories and cultures. She offers glimpses into military subculture, the militarization of American infrastructure, the tensions surrounding town-and-installation relations. More than any other book, Homefront sensitized me to the complexities of twentieth-century US military culture and its deep influence on American people, places, and ideas.
A look at Fayetteville, North Carolina, home to Fort Bragg, that poses the question,'Are we all military dependents?'
Fayetteville has earned the nicknames of Fatalville and Fayettenam. Unusual and not-sounusual features of the town include gross income inequalities, an extraordinarily high incidence of venereal disease, miles and miles of strip malls, and a history of racial violence. Through interviews with residents and historical research, Catherine Lutz immerses herself in the life of the town to discover how it has supported the military for over a century. From secret training operations that use civilians as mock enemies and allies to the…
