Books like Year of Wonders — picked by fans

I read this book 3 months into the COVID-19 pandemic and LOVED it—it totally made me realize that: 1. we’ve been here before; 2. our reactions and responses are all tried and true (and probably not that useful); and 3. we would survive this time, too—at least most of us.

This is Daniel Defoe (yes, you know him from Robinson Crusoe) explaining what it was like to live in London when the plague came. It wasn’t pretty. The most chilling moment in the book came at the end, when I googled facts about the plague, realized it went away, and then came back repeatedly for decades.

This book is a gripping story of the year 1666 in which three calamities befell London: the Black Plague, the Anglo-Dutch War, and the Great Fire of London. When I read the book in 2021, I found that we were re-living practically the same events in modern times. I live in the foothills of the Santa Catalina Mountains in Tucson, Arizona, and in the spring of 2020, shortly after the COVID shutdowns, fires ignited by lighting swept through the canyons just north of my home. I found myself in a “get ready” zone of the region’s “Get Ready, Get Set, Go” emergency evacuation plan.

1666 shows the range of people’s responses to extreme and immediate danger: from Samuel Pepys’ quick thinking to get the critical government documents out of harm’s way, all the way to the panic and inability to act of others. All animals show a range of reactions… show more.

I love Diana Norman’s historical novels and she inspires the way I write mine.

Her books are packed with historical atmosphere but they're never stodgy, the characters are full of life and there's always a dash of humour. This one, set in 17th-century London, is my favourite.

The heroine, Penitence Hurd, is a young Puritan girl who comes to London just as the Great Plague is about to strike, and finds herself - to her horror - living alongside the working girls in a brothel. She’s such an engaging character, stiff and prim at the beginning but as she bonds with the other women when they're shut in during the plague, she begins to change.

This was pretty much the first true horror book I read.

My mother, who had read it, thought I'd like it. Reading as a teenager, the scenarios of giant rats attacking people were frightening, and Herbert's description lent a realism to those scenes which I'd not encountered before. I found myself eagerly turning the pages to feast on the horrors of that which was contained within with relish. I was also fortunate, in my adult life, to meet and interview James Herbert and gain an insight into how he wrote and came up with the stories he told. 

This book is a glorious exhortation to live, even when—especially when!—death is lurking. It takes place in the plague of 1666. I used to have a bizarre fear of the bubonic plague (like I imagined it was in my closet and, if I opened the door, it would escape out into the world), so it’s strange how much I love this book.

I think it’s because Anna, the main character, is such a force. She repeatedly reminds me to connect with the natural world and myself and then to stretch and reach beyond what I thought I was and who I thought I could be. It's magic.

I loved that the main character was a kickass female. Ashley is a fabulous character who is more than what people think she is, which is how I often feel. The fun thing is that Ashley is just like everyone else, a woman trying to get through a very rough day. Ashley felt like she could be any of us or all of us. In fact, I hope that I can be Ashley if there is a zombie apocalypse, a strong female who doesn’t let anyone cause me to die (except me). 

During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery. 

I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.

While not as famous as Thomas Mann or Anne Rice, Marina Fiorato well deserves her place on this list with The Venetian Bargain. It’s another superbly researched and beautifully written piece of historical fiction set in 1576 during the plague. Grounded in fact, it follows a young Turkish girl, scorned in her homeland, who sneaks aboard a boat bound for Venice. She soon discovers the ship's illicit cargo in the hold—and the sultan’s horrific plan—a man infected with bubonic plague. The man infects the entire city within days. This book is much more than a historical account. It’s a gripping story with compelling characters. What’s more, much of what the world has gone through with Covid-19, from masks to quarantine, was invented by the Venetians and it's covered in The Venetian Bargain through the eyes of wonderful characters.

Cantor’s book showed me that when a lethal pandemic arrives, it can change society in ways that make “returning to normal” impossible, because the conditions that made “normal” possible no longer exist. The Black Death - probably a bubonic plague pandemic - wiped out as much as half of China’s population, before traveling the silk road to Europe where, from 1347-1351, a third of the population died. The pandemic also suffocated the feudal order, created the conditions for capitalism, the Reformation, and the Enlightenment, breathed new life into art, and transformed the legal system. In effect, the pandemic plowed the seedbed for the modern Western world. Covid may be a similar epidemiological juggernaut, sweeping away human institutions that we know, leaving us a novel world that will be strange and different in ways we can’t yet imagine.

I especially love this novel as Camus applies his background in existential philosophy to elevate the medical thriller genre into the realm of the metaphysical.

I love how the novel uses the plot device of an outbreak of the plague to force me as a reader to move  beyond the surface questions of “What?” “When?” and “Where?” to ask the deeper question of “Why?” and “What now?”