Here are 57 books that Year of Wonders fans have personally recommended if you like
Year of Wonders.
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I have an annoying habit of figuring out why someone says or believes what they do—and think that is more interesting than their actual ‘truth’. I try to keep this in check during social events (it can make for painful dinner table conversations if I go too far). Still, it means the general take on the medical humanities (and I’d put all the books below in that wide category) is something I’m passionate about. Why do we believe what we do about health? About disease? About the body? And why do we think medical doctors have the truth for us?
I read this book 3 months into the COVID-19 pandemic and LOVED it—it totally made me realize that: 1. we’ve been here before; 2. our reactions and responses are all tried and true (and probably not that useful); and 3. we would survive this time, too—at least most of us.
This is Daniel Defoe (yes, you know him from Robinson Crusoe) explaining what it was like to live in London when the plague came. It wasn’t pretty. The most chilling moment in the book came at the end, when I googled facts about the plague, realized it went away, and then came back repeatedly for decades.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
Secrets, misunderstandings, and a plethora of family conflicts abound in this historical novel set along the Brazos River in antebellum Washington County, East Texas.
It is a compelling story of two neighboring plantation families and a few of the enslaved people who serve them. These two plantations are a microcosm…
Internationally recognized mind-body science and design and health pioneer, Esther Sternberg M.D. is Research Director, Andrew Weil Center for Integrative Medicine, Inaugural Andrew Weil Chair for Research in Integrative Medicine, Professor of Medicine, Psychology, Architecture, Planning & Landscape Architecture, Founding Director, University of Arizona Institute on Place, Wellbeing & Performance, and Associate Director (Research), Innovations in Healthy Aging. Formerly a National Institutes of Health Senior Scientist and Section Chief, she received the U.S. Federal Government’s highest awards, authored over 235 scholarly articles, and two engaging and popular science-for-the-lay-public books: The Balance Within chronicling mind-body science underpinning stress and illness and belief and wellness, and Healing Spaces, which helped ignite the 21st-century design and health movement.
This book is a gripping story of the year 1666 in which three calamities befell London: the Black Plague, the Anglo-Dutch War, and the Great Fire of London. When I read the book in 2021, I found that we were re-living practically the same events in modern times. I live in the foothills of the Santa Catalina Mountains in Tucson, Arizona, and in the spring of 2020, shortly after the COVID shutdowns, fires ignited by lighting swept through the canyons just north of my home. I found myself in a “get ready” zone of the region’s “Get Ready, Get Set, Go” emergency evacuation plan.
1666 shows the range of people’s responses to extreme and immediate danger: from Samuel Pepys’ quick thinking to get the critical government documents out of harm’s way, all the way to the panic and inability to act of others. All animals show a range of reactions…
1666 was a watershed year for England. The outbreak of the Great Plague, the eruption of the second Dutch War and the Great Fire of London all struck the country in rapid succession and with devastating repercussions.
Shedding light on these dramatic events, historian Rebecca Rideal reveals an unprecedented period of terror and triumph. Based on original archival research and drawing on little-known sources, 1666: Plague, War and Hellfire takes readers on a thrilling journey through a crucial turning point in English history, as seen through the eyes of an extraordinary cast of historical characters.
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
I love Diana Norman’s historical novels and she inspires the way I write mine.
Her books are packed with historical atmosphere but they're never stodgy, the characters are full of life and there's always a dash of humour. This one, set in 17th-century London, is my favourite.
The heroine, Penitence Hurd, is a young Puritan girl who comes to London just as the Great Plague is about to strike, and finds herself - to her horror - living alongside the working girls in a brothel. She’s such an engaging character, stiff and prim at the beginning but as she bonds with the other women when they're shut in during the plague, she begins to change.
In the throes of the Civil War, Adrien Villere joins Terry's Texas Rangers to safeguard his East Texas home and protect the reputation of his love, Lily Hart.
As war unfolds, Adrien grapples with forbidden love, ethical dilemmas, and the harsh treatment of the enslaved, culminating in a poignant realization…
I have loved horror since my early teens, when I first discovered The Rats and Lair and other horror stories by James Herbert. The thing I like about horror, in particular, is that there are no holds barred, no censorship, as to what can be written. I grew up on movies like The Exorcist, Friday the 13th, Jaws, Alien, The Thing, etc., but horror writing takes you deeper and gives a more visceral experience than anything any film can do.
This was pretty much the first true horror book I read.
My mother, who had read it, thought I'd like it. Reading as a teenager, the scenarios of giant rats attacking people were frightening, and Herbert's description lent a realism to those scenes which I'd not encountered before. I found myself eagerly turning the pages to feast on the horrors of that which was contained within with relish. I was also fortunate, in my adult life, to meet and interview James Herbert and gain an insight into how he wrote and came up with the stories he told.
A special fortieth anniversary edition of The Rats, the classic, bestselling horror novel that launched James Herbert's career.
With a foreword by Neil Gaiman, author of Norse Mythology.
It was only when the bones of the first devoured victims were discovered that the true nature and power of these swarming black creatures with their razor sharp teeth and the taste for human blood began to be realized by a panic-stricken city. For millions of years man and rats had been natural enemies. But now for the first time - suddenly, shockingly, horribly - the balance of power had shifted .…
I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.
This book is a glorious exhortation to live, even when—especially when!—death is lurking. It takes place in the plague of 1666. I used to have a bizarre fear of the bubonic plague (like I imagined it was in my closet and, if I opened the door, it would escape out into the world), so it’s strange how much I love this book.
I think it’s because Anna, the main character, is such a force. She repeatedly reminds me to connect with the natural world and myself and then to stretch and reach beyond what I thought I was and who I thought I could be. It's magic.
From the Pulitzer Prize-winning author of 'March' and 'People of the Book'.
A young woman's struggle to save her family and her soul during the extraordinary year of 1666, when plague suddenly struck a small Derbyshire village.
In 1666, plague swept through London, driving the King and his court to Oxford, and Samuel Pepys to Greenwich, in an attempt to escape contagion. The north of England remained untouched until, in a small community of leadminers and hill farmers, a bolt of cloth arrived from the capital. The tailor who cut the cloth had no way of knowing that the damp…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery.
I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
Cities of Women is a dual timeline novel that interweaves the contemporary story of Verity Frazier, a disillusioned professor lacking passion and love in her life, with the tale of a medieval woman, who transforms herself into the artist, Anastasia, an unidentified illuminator of the manuscripts of the historical Christine…
We're all in this together: public health for all people, no matter their status or wealth, is one of humanity's great achievements. Favoring reason over faith, science over anecdote, and the group over the individual, has led to lowered infant mortality, improved health, and longer human lifespans. During pandemics, however, evidence and reason are often discarded, as people panic and try to save themselves. The odd human behavior we have seen during the Covid-19 pandemic has multiple precedents in the past. Quack cures, snake-oil sales, conspiracy theories, suspicion of authority, the emergence of cults with eccentric, bizarre, and inexplicable beliefs: again and again, this has been the human response to the unknown.
Cantor’s book showed me that when a lethal pandemic arrives, it can change society in ways that make “returning to normal” impossible, because the conditions that made “normal” possible no longer exist. The Black Death - probably a bubonic plague pandemic - wiped out as much as half of China’s population, before traveling the silk road to Europe where, from 1347-1351, a third of the population died. The pandemic also suffocated the feudal order, created the conditions for capitalism, the Reformation, and the Enlightenment, breathed new life into art, and transformed the legal system. In effect, the pandemic plowed the seedbed for the modern Western world. Covid may be a similar epidemiological juggernaut, sweeping away human institutions that we know, leaving us a novel world that will be strange and different in ways we can’t yet imagine.
A New York Times bestseller, In the Wake of the Plague is a fascinating study of the cultural and religious consequences of one of the deadliest tragedies to befall humanity: the black plague. Though rigorously scientific in his approach, Norman F. Cantor has produced an unforgettable narrative that in many ways employs the novelist’s skill for storytelling.
The Black Death was the fourteenth century’s equivalent of a nuclear war. It wiped out one-third of Europe’s population, and irrevocably changed the lives of those who survived. And yet, most of what we know about it is wrong. The details of the…
I find Plagues to be fascinating, especially having lived through COVID-19 (with masks and distancing and fear of catching an unknown sickness!). The Plague of London in 1665 especially interests me because it brings in the well-known character of The Plague Doctor. This iconic character is feared and admired (and still a very popular Halloween costume). I have done extensive research on the 1665 Plague in terms of how it affected food insecurity, homelessness, fear, trade routes, employment, and the different classes of a community.
I loved this middle-grade book about plagues! It was a page-turner with interesting facts, fun stories, and great illustrations. I also found the easy-to-read history gripping. This book would be a great addition to home and school libraries. It is not just a reference book; it is a great MG read!
Myths! Lies! Secrets! Uncover the hidden truth about history's pandemics, from the Black Death to COVID-19. Perfect for fans of I Survived! and Nathan Hale's Hazardous Tales.
During the Black Death in the 14th century, plague doctors wore creepy beaked masks filled with herbs. RIGHT? WRONG! Those masks were from a plague outbreak centuries later--and most doctors never wore anything like that at all!
With a mix of sidebars, illustrations, photos, and graphic panels, acclaimed author Kate Messner delivers the whole truth about diseases like the bubonic plague, cholera, smallpox, tuberculosis, polio, influenza, and COVID-19.
I have always been fascinated by the history of medicine, particularly the more macabre details. While researching my family lineage, I became especially interested in medieval medicine and the lives of English monarchs. I was honored to be asked to write a book on medicine in the middle ages, and I dove into the research head first. I have been lucky enough to write for several other publications, and I have self-published on Amazon. I enjoy writing historical fiction and my novel, Sleeping with the Impaler, was a book I truly enjoyed writing. I hope the books I recommended spark your interest as they will stay with me forever.
The Great Mortality was a key tool in my research for my book. John covered the Black Death in every country it devastated, such as England, Italy, and France. He touches on the effect the Black Death had on the church and the great lengths that were taken to protect the pope. He goes into morbid detail about the plague, and you get a real understanding of what these people went through. I can not recommend this book enough.
“Powerful, rich with details, moving, humane, and full of important lessons for an age when weapons of mass destruction are loose among us.” — Richard Rhodes, Pulitzer Prize-winning author of The Making of the Atomic Bomb
The Great Plague is one of the most compelling events in human history—even more so now, when the notion of plague has never loomed larger as a contemporary public concern.
The plague that devastated Asia and Europe in the 14th century has been of never-ending interest to both scholarly and general readers. Many books on the plague rely on statistics to tell the story:…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I love anthropology, so what could be better than an alien anthropologist who visits 1350 Earth to study the Black Plague, hoping to find clues to help her civilization respond to a different plague?
Anthropological principles presented through narrative storytelling define science fiction for grownups.
In medieval Italy, Niccolucio, a young Florentine Carthusian monk, leads a devout life until the Black Death kills all of his brothers, leaving him alone and filled with doubt. Habidah, an anthropologist from an alien world racked by plague, is overwhelmed by the suffering. Unable to maintain her neutrality, she saves Niccolucio from the brink of death. Habidah discovers that neither her home's plague nor her assignment on Niccolucio's ravaged planet are as she's been led to believe. Suddenly the pair are drawn into a worlds-spanning conspiracy to topple an empire larger than the human imagination can contain.
