Here are 100 books that Women in the Viking Age fans have personally recommended if you like
Women in the Viking Age.
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George Hagen is a Brooklyn writer who has written two adventure books for children about talking ravens. Hagen lived on three different continents by the time he was eleven, and developed a tremendous passion for folktales of all cultures from Africa, Egypt, Greece, Europe, and Celtic and Norse myth. His children's books were inspired by the myth of the Viking God Odin whose two ravens, Huginn and Muninn, flew around the land of ice and fire, reporting all the news. Hagen has appeared before hundreds of students, unraveling the secret mystery of riddles (modern and ancient) at schools from New York to Los Angeles.
The D'Aulaire's book is a visual feast of stories from the land of ice, fire and Viking culture. The tales are well-told and exciting. It comes with lively illustrations which offer children who haven't encountered Thor, Odin, Freya or Loki before, a panorama of this marvelous world and the many adventures of the Norse Gods.
The Caldecott medal-winning d'Aulaires once again captivate their young audience with this beautifully illustrated introduction to Norse legends, telling stories of Odin the All-father, Thor the Thunder-god and the theft of his hammer, Loki the mischievous god of the Jotun Race, and Ragnarokk, the destiny of the gods. Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am a writer of historical fiction. When I was in my teens, my family embarked on a project to trace our ancestry and identify our living relatives. Through church records in Sweden and Norway, we found that Harald Fairhair (Harfagr), the first king of Norway is one of our ancestors. Those explorations gave me the seeds of my first novel of Viking-Age Norway, The Half-Drowned King, and the subsequent books in the trilogy.
This is one of the first books of Viking history that approached the Vikings on their own terms rather than their effect on Christian Europe. It illuminates areas of their lives like Viking technology, laws, and social organizations, and then how Viking explorers, traders, and raiders exported those abroad. As I began researching my Viking novels, this was one of the books that brought me into the Viking world the most fully.
This is an account of the Norsemen in the period A.D. 800-1200, and is written primarily for the general reader but will also serve the needs of many university students.
I am a writer of historical fiction. When I was in my teens, my family embarked on a project to trace our ancestry and identify our living relatives. Through church records in Sweden and Norway, we found that Harald Fairhair (Harfagr), the first king of Norway is one of our ancestors. Those explorations gave me the seeds of my first novel of Viking-Age Norway, The Half-Drowned King, and the subsequent books in the trilogy.
One of the best ways to envision a historical period is to see its artifacts. Vikings: The North Atlantic Saga is a companion to a Smithsonian exhibit of the same name and contains a rich trove of images and descriptions of viking physical culture, along with essays about the archeology of their discovery, and how they were used in the exploration of the North Atlantic, and the eventual journey to the New World.
Replete with color photographs, drawings, and maps of Viking sites, artifacts, and landscapes, this book celebrates and explores the Viking saga from the combined perspectives of history, archaeology, oral tradition, literature, and natural science. The book's contributors chart the spread of marauders and traders in Europe as well as the expansion of farmers and explorers throughout the North Atlantic and into the New World. They show that Norse contacts with Native American groups were more extensive than has previously been believed, but that the outnumbered Europeans never established more than temporary settlements in North America.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I grew up in Sweden surrounded by archaeology steeped in Viking history, which fueled my interest in Norse mythology. For example, Uppåkra, the largest and richest Iron Age settlement in Scandinavia, is only a few miles from my childhood home. When my seventh-grade history teacher noticed my fascination with the Viking myths, he started recommending me books. Ever since, I’ve read extensively about the Norse pantheon, and its stories inspire my own writing. I’ve also taken several research trips to historical Viking settlements in Sweden, Denmark, and Iceland.
The very fact that we have written records of the Viking myths, other than Runestones, is thanks to Icelandic historian, poet, and politician Snorri Sturluson. His Icelandic Sagas inspired many writers, including Tolkien and Lewis. In her biography of this influential medieval writer, Ms. Brown not only tells us about Sturluson’s life but also summarizes much of his writing and puts it into context with Norse fables. If you’ve ever wondered how much of the Viking stories were historical facts and how much of it is Sturluson’s imagination, this is a great book to read.
An Indie Next pick for December 2012, Song of the Vikings brings to life Snorri Sturluson, wealthy chieftain, wily politician, witty storyteller, and the sole source of Viking lore for all of Western literature. Tales of one-eyed Odin, Thor and his mighty hammer, the trickster Loki, and the beautiful Valkyries have inspired countless writers, poets, and dreamers through the centuries, including Richard Wagner, JRR Tolkien, and Neil Gaiman, and author Nancy Marie Brown brings alive the medieval Icelandic world where it all began. She paints a vivid picture of the Icelandic landscape, with its colossal glaciers and volcanoes, steaming hot…
Ever since childhood I’ve been fascinated by the history of England, and fifteen years ago I made the decision to write a series of novels set before the Norman Conquest. Since then I’ve immersed myself in the history of that period and made numerous visits to the locations where I set my novels. I’ve been frustrated though by the enormous gaps in the historical records of that time, in particular the lack of information about the women. Because of that I am drawn to the work of authors who, like me, are attempting to resurrect and retell the lost stories of those remarkable women.
Recent genetic research on the human remains of a 10th-century Viking grave excavated in 1878 in Birka, Sweden, rocked the world of Viking studies when it determined that the warrior buried with numerous weapons and two horses was not male, but female. I loved how this author imagines what that woman’s life might have been like. She also suggests that the woman buried in the Birka grave was merely one of many female Viking warriors, offering data drawn from archaeological finds, from historical accounts, from language studies, and from the sagas to support the theory that ‘shield maids’ really did exist. I had been dubious about the possibility of female Vikings, but the arguments presented in this book are too compelling. Reading it changed my mind. Now I’m a believer.
In the tradition of Stacy Schiff’s Cleopatra, Brown lays to rest the hoary myth that Viking society was ruled by men and celebrates the dramatic lives of female Viking warriors
“Once again, Brown brings Viking history to vivid, unexpected life―and in the process, turns what we thought we knew about Norse culture on its head. Superb.” ―Scott Weidensaul, author of New York Times bestselling A World on the Wing
"Magnificent. It captured me from the very first page." ―Pat Shipman, author of The Invaders
In 2017, DNA tests revealed to the collective shock of many scholars that a Viking warrior…
Nancy Marie Brown is the author of seven books about Iceland and the Viking Age, including The Real Valkyrie: The Hidden History of Viking Warrior Women, The Far Traveler: Voyages of a Viking Woman, and the award-winning Song of the Vikings: Snorri and the Making of Norse Myths. Her books combine extremes: medieval literature and modern archaeology, myths and facts. They ask, What have we overlooked? What have we forgotten? Whose story must not be lost? A former science writer and editor at a university magazine, she lives on a farm in northern Vermont and spends part of each summer in Iceland.
In the “traders vs. raiders” approach to Viking history, women stay home and look after the farm while the men go off on adventures. Three books published in the 1990s by Judith Jesch and Jenny Jochens brought the lives of these women out of the shadows, showing how vital their role was.
In Valkyrie: The Women of the Viking World, Jóhanna Kristín Friðriksdóttir brings these early studies up to date. With her mastery of detail from the Icelandic sagas, Friðriksdóttir follows an ordinary Viking woman from birth to death. She tells stories of women who are bold and successful, others who are battered and victimized.
She hopes to introduce us, she says, “to the diverse and fascinating texts recorded in medieval Iceland, a culture able to imagine women in all kinds of roles carrying power.” Like the mythical valkyries of her title, these are “women who decided.” To learn…
LONGLISTED FOR THE 2020 CUNDILL HISTORY PRIZE
Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war - to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings. The women in these stories take full part in the power struggles…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Listen, I love straight people. I even married one! But sometimes, you have to get out of the hetero bubble. Most of the people in my life, outside of my family, are queer. Representation matters, and I am thrilled that the queer romance genre is booming. Experiencing lives outside of your own norm can only create more empathy, which is all we can hope for. I hope you enjoy the books on this list as much as I did, and that you check out my Hearts of Broadway series for more representation. And showtunes.
I. Love. Slow. Burn. And this burn is delicious. I also love a bit of a celebrity romance. And a bit of a will-they-won't-they-should-they-even?
There is a delicate balance to strike when one of the MCs is the boss, and Wilsner pulls it off effortlessly. Jo and Emma are flawed and authentic, and so in love with each other they can't even see it. A sapphic romance with bi-representation is my favorite, and the payoff at the end? Perfection.
A showrunner and her assistant give the world something to talk about when they accidentally fuel a ridiculous rumor in this debut romance.
Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn't come at a worse time—threatening Emma's promotion and Jo's new movie.
As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a “source” is feeding information to the media. But their only comment…
I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me.
The best memoirs, to me, are not only records of past events. They are also the record of a writer grappling with how best to tell the story. Jeannie Vanasco takes this idea to an entirely new level in this brilliant meta-memoir that not only chronicles a sexual assault she experienced in college, but also her present-day investigation into her rapist’s memories of the event, his motives, and his present-day thoughts about what happened. This book challenged me to think in new ways—not only about sexual assault, but also about the ways we remember it and write about it.
A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature
Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person.
Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a…
My love for strange women began with a love of the tomboy, growing up in the ‘80s and 90’s with characters like Pippi Longstocking and George from The Famous Five. They’re young women who broke the rules of decorum or gender presentation—and they just always seemed to be having a lot more fun. Or at least more interesting experiences. This love of rebels and unruly women has stuck with me, and I think our depiction of women like this has become deeper and more varied. I just love a character who’s a bit of an odd duck, is irrepressible or voracious, or just plain messy. Nice is boring—give me the chaos.
This book kicked off my obsession with stories about young women who are trying to make sense of all the versions of themselves they have inside and weighing up which one to present to the world at any given time. The protagonist, Ruth, is an American living in London who works at a department store, spritzing perfume during the day, watching all the people go past, and trying to understand how the other young women who work there seem so self-assured. This is not a plot-driven book so much as a character study of a character who doesn’t know who she is yet.
Kate Zambreno’s writing is absolutely gorgeous. She creates a distance between Ruth—the ‘green girl’—and the world, like she’s looking through a window and can see people inside talking but not understand what they’re saying. At the same time, I recognized myself in Ruth,…
With the fierce emotional and intellectual power of such classics as Jean Rhys's Good Morning, Midnight, Sylvia Plath's The Bell Jar, and Clarice Lispector's The Hour of the Star, Kate Zambreno's novel Green Girl is a provocative, sharply etched portrait of a young woman navigating the spectrum between anomie and epiphany. First published in 2011 in a small press edition, Green Girl was named one of the best books of the year by critics including Dennis Cooper and Roxane Gay. In Bookforum, James Greer called it "ambitious in a way few works of fiction are." This summer it is being…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I am a writer and avid reader of “domestic horror”: stories about the uncomfortable, inhospitable spaces that women inhabit in everyday life. In the past, I worked as a crime victim’s advocate for a national nonprofit. I became a writer because I believe in the power of expression and truth as healing agents. I am passionate about the issues of trauma and taboo, mental illness and motherhood, and the institutional power structures that constrict us all. My short stories, poetry, and essays have been published in many journals and literary magazines, including Witness, Ninth Letter, Identity Theory, Epiphany, Literary Mama, NonBinary Review, and elsewhere.
The title says it all. In this short story collection, simply being a woman is a kind of emergency. These stories are slow burns, full of interiority and character development. The devastation is in the details: tiny moments that reveal deep-seated fears and barely acknowledged longings.
Each story is full of quiet revelations: there’s subtlety in the dangers these women face; in fact, it’s woven into the very fabric of their lives.
A professor finds a photograph of her deceased mother in a compromising position on the wall of a museum. A twenty-something's lucrative remote work sparks paranoia and bigotry. A transplant to a new city must make a choice about who she trusts when her partner reveals a violent history. The summer after her divorce from an older man, an exiled painter's former friends grapple with rumors that she attempted to pass as a teenager.
In this long-awaited debut collection, Kathleen Alcott turns her skills as a stylist on the unfreedoms of American life-as well as the guilt that stalks those…
