Here are 100 books that Women in Praise of the Sacred fans have personally recommended if you like
Women in Praise of the Sacred.
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I’ve had a passion for poetry since my early childhood, when I fondly remember listening to my elders recite—specifically, my teachers reading rhymes by Shel Silverstein and Dr. Seuss. As I grew into my adolescence and adulthood, my interest in literature only amplified with my introduction to works by Maya Angelou, R.H. Sin, and Rupi Kaur. Now, as a self-published poet and self-proclaimed enthusiast of the genre, I continue to spend my time browsing shelves, attending readings, and supporting writers/artists debuting work into the world. I hope you enjoy the books on my list.
I love this book for many reasons, but to start, I love that the title is a poetic metaphor, I love that the story is almost a hundred years old but still speaks to the rebellious spirit alive within young readers, and I love that the book is loosely based on Zora’s real life and the real place of Eatonville, Florida.
I love that readers get to experience the past and can envision their own future while reading this book. I laughed, cried, and found pieces of myself within the quotes snitched to this story.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Jemisin combines geological apocalypse, complex magic, and generational trauma with raw power.
That’s something I explore in my own work, so this trilogy was a strong—if abstract—indirect influence. Few books have stayed with me so viscerally.
The writing is sharp, emotionally devastating, and fearless. It doesn’t just tell a story—it tears through it with tectonic force. It made me want to write braver and more honestly about pain, survival, and what breaks beneath the surface.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
This book details the engagement and impact African American women have made on race and gender issues throughout American history.
Paula Giddings uses first-person narratives to portray how generations of Black women have acted as “agents of change” to achieve political and economic progress. In researching the lives of two nineteenth-century Black female sculptors, I needed to understand the cultural and political environment that inspired them to tackle the controversial themes of race, gender, and social injustice in their art.
When and Where I Enter provided a gendered and historical framework to help me answer these critical questions.
“History at its best―clear, intelligent, moving. Paula Giddings has written a book as priceless as its subject”―Toni Morrison
Acclaimed by writers Toni Morrison and Maya Angelou, Paula Giddings’s When and Where I Enter is not only an eloquent testament to the unsung contributions of individual women to our nation, but to the collective activism which elevated the race and women’s movements that define our times. From Ida B. Wells to the first black Presidential candidate, Shirley Chisholm; from the anti-lynching movement to the struggle for suffrage and equal protection under the law; Giddings tells the stories of black women who…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I'm a storyteller whose daydreams begin with “once upon a time”. I worked as a corporate paralegal and always thought that legal pads could be put to better use by writing a novel. Someone said that women learn best by observing the lives of women. I'm inspired by women who have stepped off the path as well as by those who have maintained it. My learning began by observing the women in my family, African American women who walked their paths, chosen and unchosen, with grace, style, and courage, sometimes, in heels. The stories of women, fictional narratives as well as biographies, poetry, and historical accounts, illuminate these strong souls.
The current United States Poet Laureate. She is an artist and not just of words. Harjo plays a mean saxophone. And writes poetry to send the soul soaring. Reminding me of the sky, the soil, the roots. My roots. “Do you know how to make a peaceful road through human memory?” Harjo’s Muscogee roots have their beginnings in the soil that nurtured some of my Georgia-born ancestors. What can I say? I feel the words.
In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history. In An American Sunrise, Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother's death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to…
I love words! As a child, I learned the power of stories from my father, a master storyteller and creator of 480 original Brer Rabbit stories. I began writing myself at the age of seven, majored in journalism, and enjoyed a career that included everything from technical writing to several of the best-selling Chicken Soup for the Soul books. But only through poetry did I discover the beauty of getting to the essence of experience. I love how poetry takes both the writer and the reader to a deeper place, creating intimacy, giving us “ah-ha” moments, and touching heart and spirit.
In my favorite book of poems, Daniel Ladinsky has compiled three hundred poems from twelve of the great mystical poets across time: Rumi, Hafiz, St. Francis of Assisi, Kabir, Mira, St. John of the Cross, Tukaram, Rabia, St. Catherine of Sienna, St. Teresa of Avila Meister Eckhart, and Thomas Aquinas. While the voices are different, every one of them reveals the true nature of the Divine. Filled with humor and ecstasy, these poems never fail to uplift and inspire me.
Sacred poetry from twelve mystics and saints, rendered brilliantly by Daniel Ladinsky, beloved interpreter of verses by the fourteenth-century Persian poet Hafiz
One of 6 Books Oprah Loves to Give as Gifts During the Holidays
“All kinds of beautiful poetry.” –Hoda Kotb
In this luminous collection, Daniel Ladinsky—best known for his bestselling interpretations of the great Sufi poet Hafiz—brings together the timeless work of twelve of the world’s finest spiritual writers, six from the East and six from the West. Once again, Ladinsky reveals his talent for creating profound and playful renditions of classic poems for a modern audience.
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
I truly never thought I’d laugh out loud at an erasure poem. ThenInk Earl came along. Holbrook starts with a hundred copies of the original fifties ad pitch for the Pink Pearl eraser—get it yet?—and hacks away different parts of each, yielding a series of meditations and diatribes and bouts of spirited near-nonsense. The poems are consistently clever delights, and the project’s conceptual wholeness is icing on the cake.
ink earl takes the popular subgenre of erasure poetry to its illogical conclusion.
Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of "100 essays" and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families.
The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
I love this book. Dionne Brand conveys what it means to write through a crystalline web of ideas, poetry, and philosophy. Her profound, evocative, and real tale of imagined conversations between a poet and the clerk charged with dealing with their output is simultaneously familiar and fantastical. I got lost in the beauty of language only to be jolted into the realities of the world as it exists in all its beauty and awfulness.
On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba,…
I am passionate about integrating individual, organizational, and community needs to create a better world for the benefit of us all. I am an author and founder of organizations in the career and workforce development fields. My four books (Affiliation in the Workplace, Building Workforce Strength, Business Behaving Well, and How to Build a Nontraditional Career Path) and much of my career explored bringing work to life for those close to us, for ourselves, for our organizations, and for our communities. My social activism has been expressed through community volunteer work and promoting a range of social causes. I hope you enjoy the books I have chosen for you!
I loved this book as soon as I started reading it. And yet, I came across it almost by accident at a talk given by Parker Palmer, who wrote the introduction. It is a meditation on leadership, blending reflections by many leaders on how poems they each choose speak to them.
I was fascinated by the depth of emotion and thinking and have returned to this book many times over the years for quotes. It is a hidden gem.
Leading from Within is a wonderful collection of ninety-three poems from well-loved poets, each of which is accompanied by a brief personal commentary from a leader explaining the significance and meaning of the poem in his or her life and work. The contributors represent a wide range of professions including Vanguard Group founder John Bogle, MoveOn.org cofounder Joan Blades, several members of Congress, Christian activist Brian McLaren, business guru Peter Senge, and many other leaders from business, medicine, education, nonprofits, law, politics and government, and religion. In their reflections, these leaders explore how they have been inspired by poets such…
I’ve written five poetry books and I am presently working on my sixth. My poems are also confessional and narrative styles. I have also written two novels and enjoy writing fiction and poetry. I hope you enjoy the books on this list as much as I have. They have saved my life on many occasions.
I love this book because it’s an epic poetry book. The first of its kind. Three-hundred and ninety-six-page poetry book. Ariana Reines is one of my favorite top three modern poets as well. Poetry lovers should have this book in their collection. If not, what are you waiting for? It’s a masterpiece. I can see her soul in this book, I can see her heart. I can see her mind. It’s as if sand is literally under your feet as you read these poems divided into sections. This book is meant to be read slowly, like a fine glass of wine. It took me months to read it. It taught me that a poet is an artist and is a traveler of time and space. It taught me to break rules and to do whatever you want as a poet. It taught me to not limit myself as a writer…
Deadpan, epic, and searingly charismatic, A Sand Book is at once relatable and out-of-this-world. In poems tracking climate change, bystanderism, state murder, sexual trauma, shopping, ghosting, love, and the transcendent shock of prophecy, A Sand Book chronicles new dimensions of consciousness for our strange and desperate times.
What does the destruction of our soil have to do with the weather in the human soul? From sand in the gizzards of birds to the iridescence on the surface of spilt oil, from sand storms on Mars to our internet-addicted present, from the desertifying mountains of Haiti to natural disasters and state…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
My childhood diary entries often turned into poems. Writing and art have been in my life a long while. After earning a BA in Advertising and Design, I became an art director for Prentice Hall, a large educational publisher. My reading tastes are eclectic. Reading the work of poets came to me later in life when poetry began oozing out my pores. I’ve maintained an art & writing blog since 2014. I self-published an illustrated collection of poetry in 2016. My work has been published in a variety of journals. Do check out the books on my list, they are unique, just like you.
I’ve never been one to read a writer because of their accomplishments. But there are confessional voices (with stellar accolades), I can’t avoid. Louise Glück’s poetic voice evaluates experiences in ways that remind me that we’re all a bit messed up, but beauty sometimes lingers under rocks if you’re willing to dig. And dig I must to improve my work.
My poetry sometimes hides behind soft language, while my word-wolf remains hidden. Poems like Ms. Glück’s “Purple Bathing Suit” force me to evaluate if I’m artfully deceiving or striving to rise to her level of genuine gut-wrenching prose.
“I like watching you garden / with your back to me in your purple bathing suit: your back is my favorite part of you, the part furthest away from your mouth”
The collected works of the inimitable Pulitzer Prize–winning poet
It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone, a copper beech, a mother and father…
