100 Books Like Women and Warriors of the Plains

No book captures more clearly and compellingly the horrific, inspiring, and vital histories and stories of Native Americans than Brown’s.

I love the ways that Brown offers a profoundly new perspective on the American West, on the foundational myths that too often limit the way we see ourselves and the realities with which we must grapple instead, and on Indigenous communities as an essential part of the American story at every stage.

Revisionist Westerns are one of my very favorite genres, and this is the best one I know.  

I was quite taken with Thom’s meticulous evocation of the great Tecumseh, an American much of whose life is unknown but whose formidable effort to form a Native American confederacy came at a time when the British and Americans were engaged in the War of 1812. With convincing detail, Thom gives us a Native American perspective on those turbulent times and shows us a Tecumseh who was not only a warrior but also a political strategist and a diplomat.

Creation’s Journey ties actual native stories and beliefs with genuine artifacts from the vast collections of the National Museum of the American Indian. It provides a refreshing approach to our understanding of indigenous people’s utilitarian objects and how important they are in their daily lives. The photos in this book show the care for detail and craftsmanship that was pervasive in everyday Native American objects and clothing. It inspired me to commission native Americans to hand make the various costumes shown in my book.

Pilgrim Voices provides a fascinating first-hand description of pilgrims’ lives told through actual diaries and journals. Reading some of these 400-year-old accounts inspired me to visit the recreated 17th-century village of Plymouth Colony to gain a better sense of the environment as it once was in its wild and untamed state, along with the living conditions, customs, foods, and clothing of some of America’s first European settlers in the early 1600s.

There’s a saying in hip-hop to always “trust the shooter”, a nod to the importance of photographers in capturing the moment.

Contact High goes behind the lens and celebrates the photographers who contributed to the visual evolution of hip-hop. This is one of the best coffee table hip-hop books and goes beyond just pretty pictures. By using contact sheets, readers get a rare insider view of the creative process and a deep appreciation for the power of photography.

Martin is a pal. Even if he weren’t I would recommend this unusual meditation on how a work of art gets made. Imagine you have volunteered to sit for a portrait by a highly distinguished artist (here, Lucien Freud).

This entails many hours, stretching over many months—of sitting in exactly the same position, effectively doing nothing. Not only are you stuck with the situation. You can’t even be sure that the artist, let alone you, will be happy with the result. From this agony comes an essay on the process of a ‘masterpiece’ that is patient, tender, good-natured—and filled with telling anecdotes.

Published by the National Portrait Gallery in Washington D.C., this beautifully produced and generously illustrated book contains essays on many aspects of portraiture with special emphasis on the USA. Portraits are fascinating; there is just so much to say about the ways in which materials such as paper, stone, metal, and canvas, ink, crayon, and paint can conjure up a human being. Nations, institutions, professions, families, and individuals all make use of portraits to affirm their positions, persuade those who view them of their worth, and shape forms of remembrance. The essays are relatively short, which encourages readers to browse, read a contribution and then come back often to look as well as read more about one of the most extraordinary forms of visual culture that has ever been produced.    

This book is so well written. It draws the reader into the story quickly with rich historical details and compelling characters. In 1838 in England a young woman helps her father, a lighthouse keeper, rescue survivors of a shipwreck. A century later a young Irish woman is sent to America to have her baby while living with a relative who is a lighthouse keeper. The 1938 woman learns family history that takes us back to the previous story. I love stories of family legacies and mysteries that come to us from the past.

Women photographers have all too often been overlooked or forgotten. (This happened to the subject of my own book choice, Helen Post.) But Helen Levitt – who really flourished from the 1940s through the 1960s and is now undergoing something of a renaissance – has always had devotees. Steichen invited her to contribute to The Family of Man and one of her most notable admirers, James Agee, the novelist, poet, film critic, and documentarian, was pleased to write the insightful essay to A Way of Seeing. Levitt’s quirky pictures of street life – especially those featuring children, often at play – document quite ordinary customs at a particular moment. Despite never seeming intrusive, they get up close, reveal the photographer’s rapport with her subjects, and present them, so to speak, on the level. Ultimately, these images are so expressive that they become universal, transcending the period in which they… show more.

Elton John may be a feast more for the ears than the eyes, but his unique and elaborate costuming and showmanship, along with his collector’s approach to art and fashion, mean that a visual component is crucial to any complete appraisal of his cultural significance. 

I was thrilled to be able to include a few of Terry O’Neill’s classic photographs in my book On Elton John, but O’Neill’s work really deserves the treatment it is given here—a lavish, gorgeous, often mesmerizing presentation of every great O’Neill shot of John and the people who filled his world.

An ideal accompaniment to the biographies and albums.