29 Books Like Beyond the Face

This book is simply brilliant. I first read it in the 1980s and return to it often for inspiration and to remind myself of its piercing lucidity. Beautifully written, clear, thoughtful, and direct, it expresses a way of looking at art and visual culture that can be applied to other times and places. Baxandall explores the social relationships and practices out of which works of art emerge, connecting the way paintings look with the society in which they were made. He robustly criticises simplistic approaches to the art of the past and shows how we can think differently and understand more. I have deep admiration for Michael Baxandall, whose writings encourage readers to reflect on their own visual skills and habits, how and where they have acquired them.

A Fortunate Man is deeply moving by virtue of combining words and images to evoke the life of a General Practitioner in rural England, a man prone to depression, who took his own life 15 years later. The black and white photographs of the doctor, his patients, and the landscape in which they lived, perfectly match the poetic prose to capture the day-to-day existence of a man totally committed to his patients and their well-being. It’s an outstanding example of the power of photography when complemented by text to convey the complexities of lives, communities, and healing. The doctor truly dwelt among the people he treated and knew about every aspect of their lives. This book bears eloquent witness to a form of medical practice that has largely disappeared.

London’s British Museum, with its massive and diverse collections, is world famous and the story of its foundation and early years in the eighteenth century sheds light on the histories of collecting, knowledge, and exploration. More than twenty essays were assembled to celebrate the opening of the Enlightenment Gallery in the King’s Library after years of research and refurbishment. These essays draw readers into the people, the objects, and the ideas that shaped this important and influential institution. The book is lavishly illustrated with gorgeous photographs of paintings and statues, coins, fossils, china, and much more—a wonderful way to grasp the museum’s stupendous holdings and also to understand better the controversies it has engendered.

Passionate as I am about all forms of visual culture, ‘art’ remains important. There are some artists that I just can’t help returning to time and time again. One of them is the eighteenth-century French master Chardin. Exhibition catalogues are generally expensive, but they represent the state of the art, with reliable text and excellent illustrations—this one is no exception. It’s a work of art in its own right. The subject matter of Chardin’s work was diverse, and exquisitely rendered, whether a still life, a scene from everyday life, or a self-portrait. Words such as delicate, soft, and ravishing come to mind. It’s hard to explain why we are beguiled by some artists and not others. These hefty catalogues are so valuable, especially for those who can’t travel.

Women and Warriors of the Plains is about the frontier adventures of a newly-married young woman and her camera in the early 20th Century. Settling on the Northern Cheyenne Indian reservation in Montana, Julia Tuell went on to capture portraits and photojournalistic depictions of Native Americans living off the land and going about their everyday lives, including the Northern Cheyenne and the Rosebud Sioux Tribe of the Lakota nation. Many of Tuell’s photos taught me to compose my paintings in a more natural way.

There’s a saying in hip-hop to always “trust the shooter”, a nod to the importance of photographers in capturing the moment.

Contact High goes behind the lens and celebrates the photographers who contributed to the visual evolution of hip-hop. This is one of the best coffee table hip-hop books and goes beyond just pretty pictures. By using contact sheets, readers get a rare insider view of the creative process and a deep appreciation for the power of photography.

Martin is a pal. Even if he weren’t I would recommend this unusual meditation on how a work of art gets made. Imagine you have volunteered to sit for a portrait by a highly distinguished artist (here, Lucien Freud).

This entails many hours, stretching over many months—of sitting in exactly the same position, effectively doing nothing. Not only are you stuck with the situation. You can’t even be sure that the artist, let alone you, will be happy with the result. From this agony comes an essay on the process of a ‘masterpiece’ that is patient, tender, good-natured—and filled with telling anecdotes.

Elton John may be a feast more for the ears than the eyes, but his unique and elaborate costuming and showmanship, along with his collector’s approach to art and fashion, mean that a visual component is crucial to any complete appraisal of his cultural significance. 

I was thrilled to be able to include a few of Terry O’Neill’s classic photographs in my book On Elton John, but O’Neill’s work really deserves the treatment it is given here—a lavish, gorgeous, often mesmerizing presentation of every great O’Neill shot of John and the people who filled his world.

An ideal accompaniment to the biographies and albums.

Manhattan art dealer Sera James watched her world crumble at the altar two years ago, and her heart is still fragile. Her desire for distraction reignites a passion for a mysterious portrait she first saw as a young girl—a painting of a young violinist with piercing blue eyes. Along with wealthy heir William Hanover, Sera unravels the story behind the painting’s subject, an Austrian violinist Adele Von Bron who smuggles Jews out of Vienna and finds herself in Auschwitz.

Evocative, haunting, soul searching, this debut by Cambron is time-slip historical fiction at its best: heartbreaking truth of the horrors of Auschwitz, romance with a musical refrain, art and faith. Just the kind of story I try to write. A delight.

Women photographers have all too often been overlooked or forgotten. (This happened to the subject of my own book choice, Helen Post.) But Helen Levitt – who really flourished from the 1940s through the 1960s and is now undergoing something of a renaissance – has always had devotees. Steichen invited her to contribute to The Family of Man and one of her most notable admirers, James Agee, the novelist, poet, film critic, and documentarian, was pleased to write the insightful essay to A Way of Seeing. Levitt’s quirky pictures of street life – especially those featuring children, often at play – document quite ordinary customs at a particular moment. Despite never seeming intrusive, they get up close, reveal the photographer’s rapport with her subjects, and present them, so to speak, on the level. Ultimately, these images are so expressive that they become universal, transcending the period in which they… show more.