Books like Wolf's Mouth — picked by fans

This book appealed to me because of its strong central character, Helena, who’s carrying around a big secret. Let’s face it—we all have secrets. But most of our secrets are comparatively minor. Helena’s is anything but. Helena’s past is complicated, which makes the plot complicated, just the way I like plots, but the book is still easy enough to follow.

I was interested to see how Helena appreciated some aspects of her past life, even if most people would consider her present life much better. I kept wanting to know more about this imagined place in the U.P., which seemed so strange even though it’s not that far from St. Ignace or Sault Ste. Marie or even the Mackinaw Bridge. 

After I moved to the Upper Peninsula, I kept hearing about an event referred to as the Italian Hall Disaster in Calumet, Michigan, when over 70 people were killed, most of them children, in 1913.

This book features that event as part of its plot, but it really drew me in because I felt so sympathetic to its main character, Annie Clements. She cares about people, and she cares about justice, and I admired her from the start. I wanted her to succeed even as I sensed she probably would not. She’s one of the few characters I actually grieved for when I finished the book.

I love the poems in this book, which are all about shipwrecks on the Great Lakes. I was drawn in by the writing itself, which is specific and imagistic. The author does a really good job of imagining the lives of people who worked on these ships.

One of the things I remember most is the description of the various cargoes—peaches, Christmas trees, logs—not to mention the description of a boiler that explodes and crashes through the roof of a funeral home during a funeral. I never realized there were so many ships at the bottom of these lakes. Even reading about such tragedies, I couldn’t help but notice how beautiful Morgan’s writing is.

I live right down the street from the “real” Dandelion Cottage (though it has been moved from its original site)! I walk past it nearly every day when I’m out strolling with my pooch. So this book is locally famous.

It’s a children’s book, and I’m hoping one day to read it to grandchildren or great-nieces and nephews. I particularly enjoyed the interactions of the four girls who are the main characters and reading about their interests in the early 20th century. 

This book explicitly ties the explosion in immigration detention to goals of political gain and corporate profit, pairing careful historical and legal analysis with piercing personal stories of detention.

After laying out how U.S. foreign policy has triggered the migration patterns that now send lawmakers and the public into a nativist frenzy, legal scholar García Hernández breaks down how laws have been warped to make more people detainable.

He zeroes in on the role of private prison companies, and he explains how Latino immigrants have been turned into fodder for the detention system through lobbying and manipulation of the public narrative. The book finishes by laying out a framework for curbing this corrupt and abusive system.

Vargas’s memoir begins, “I do not know where I will be when you read this book.” An undocumented immigrant (and Pulitzer Prize-winning journalist) who was brought to the United States from the Philippines as a child, Vargas only learned that he was in the country illegally when he applied for a driver’s license at age 16. In 2011, after two decades in the shadows, Vargas publicly revealed his legal status. His anxious, tireless quest for a driver’s license, like his quest to belong in the only country he knows as home, raises urgent questions about the power of documents and borders to define people’s life chances. I’ve taught this beautifully written book several times and it never fails to move my students – and me.

Much of “the line,” as Border Patrol agents and migrants sometimes call the border, is far from big cities and curious journalists. And a lot of what happens there, happens under cover of darkness or behind the secured doors of Border Patrol stations.

As a former Border Patrol agent, Cantú saw what happened when no one else was looking. His memoir shares it with the rest of us.

Cornejo Villavicencio renders the lives of the undocumented across America with razor-sharp clarity, intertwining her own story throughout.

She shows us how the undocumented struggle to find work, healthcare, and safety while also maintaining their families, integrity, and sanity. She becomes a medium for immigrant stories that might otherwise remain illegible except as fodder for ideological battles.

Cornejo Villavicencio was one of the first undocumented immigrants to graduate from Harvard and was a PhD candidate at Yale at the time of her book’s publication; this marks her as an exceptional kind of speaker, and the book’s marketing and reviews rarely failed to mention these facts.

And yet Cornejo Villavicencio vehemently rejects the American-dream mythology that would make her life exemplary. Even so, that mythology orbits around her book, showing how difficult it is to disentangle false themes of transcendence from migrant literature.

But Cornejo Villavicencio cuts through the sentimental or… show more.

This memoir informed me of the psychological price of immigration and displacement on young children in ways that were searing and deep because of Wang’s mastery of the child’s perspective.

She lived in New York’s Chinatown with her parents two professionals who immigrated from China and experienced poverty, isolation, fear of deportation, working in a sweatshop. She was saved by her love of books and reading, and her mother’s determination to realize the life she left China to have. Wang creates innocence and trauma with a deft, poetic skill that makes this a classic. 

This is a book I have been recommending to teenagers and adults alike.

This is no ordinary romantic tale of girl meets boy; it is a very much contemporary take on the notion. Two very different protagonists, from two very different backgrounds are brought together in the immigrant ‘melting pot’ of New York City. In what could be seen as a modern-day Romeo and Juliet, the characters are much more self-aware than in Shakespeare’s original and thankfully this leads to a more enlightened outcome, for them, and the people they meet on their journey.

Using deceptively simple short chapters which chart the course of one day, it cleverly deals with so many of life's big issues (including migration) primarily through the two teenage narrators.