Here are 100 books that Signs Preceding the End of the World fans have personally recommended if you like
Signs Preceding the End of the World.
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My writing career has been in middle grade and YA, but as a reader Iâm always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, Iâm still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Japanese, this 182-page novel originally published in 1951 is perhaps a little long to be included as a short novel, and a little old to be considered contemporary . . . but itâs a personal favorite! Both a novel and a piece of journalism, Master describes the final match of a man widely considered to be his generationâs greatest go player. Interwoven into this narrative/character study are arresting details about the game and those who have played it over the centuries. It reads so quickly, youâll think it was only 100 pages.
Go is a game of strategy in which two players attempt to surround each other's black or white stones. Simple in its fundamentals, infinitely complex in its execution, it is an essential expression of the Japanese sensibility. And in his fictional chronicle of a match played between a revered and invincible Master and a younger, more progressive challenger, Yasunari Kawabata captured the moment in which the immutable traditions of imperial Japan met the onslaught of the twentieth century.
The competition between the Master of Go and his opponent, Otake, is waged over several months and layered in ceremony. But beneathâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
My writing career has been in middle grade and YA, but as a reader Iâm always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, Iâm still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Arabic and 101 pages in length, this wonderful 1958 short novel is the first longer work of this legendary Egyptian writer, activist, and feminist. If you like it, you are in for a wonderful exploration of the life and work of this astounding writer and thinker. Trained as a doctor in Cairo, El Saadawi is also a riveting reporter of her experiences in a world where doctors were almost always men.
Rebelling against the contraints of family and society, a young Egyptian woman decides to study medicine, becoming the only woman in a class of men. Her encounters with the other students mdash; as well as the male and female corpses in the autopsy room intensify her dissatisfaction with and search for identity. She realizes men are not gods as her mother had taught her, that science cannot explain everything, and that she cannot be satisfied by living a life purely of the mind.
After a brief and unhappy marriage, she throws herself into her work, becoming a successful physician, butâŠ
My writing career has been in middle grade and YA, but as a reader Iâm always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, Iâm still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from French, this beautiful 101-page narrative reads like a poetic meditation. Our character once lived a deeply rural life in North Africa, a cultural and linguistic outsider. Now, as a refugee plunged into a new world of identities, she has been informed that she is Muslim. But what does it mean, this word, across languages and cultures? Deep questions about the interlacing of culture, religion, and geopolitics are posed here with startling urgency in a style that evokes not only the machinations of the state, but the deeply interior world in which we define ourselves to ourselves.
"Muslim" A Novel is a genre-bending, poetic reflection on what it means to be Muslim from one of France's leading writers. In this novel, the second in a trilogy, Rahmani's narrator contemplates the loss of her native language and her imprisonment and exile for being Muslim, woven together in an exploration of the political and personal relationship of language within the fraught history of Islam. Drawing inspiration from the oral histories of her native Berber language, the Koran, and French children's tales, Rahmani combines fiction and lyric essay in to tell an important story, both powerful and visionary, of identity,âŠ
AcClaim is a dark, high-society romance about Beatrix Winslow-Hale, a successful romance author who believes desire can be negotiated and controlledâuntil enigmatic billionaire Dorian Wolker crosses the line between consensual surrender and violation. Publicly humiliated and emotionally shattered, Beatrix turns to Manon de Rochemaure, her fiercely loyal best friend andâŠ
My writing career has been in middle grade and YA, but as a reader Iâm always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, Iâm still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Spanish and a mere 70 pages in length, you may be hungry for more (as I was) when you've finished this bracingly brief story. Fortunately, you can pick up this author's The Twilight Zone (as I did) to read a longer exploration by this author of the events and themes introduced here. FernĂĄndez writes from the perspective of a young person living during the Pinochet regime in Chile, evoking the time with an extended metaphor about the â80s video game Space Invaders. The concerns of the young are strangely pushed and pulled by the terrible realities of that regime, which, like an invader from another world, descends upon their lives.
Longlisted for the National Book Award for Translated Literature
A dreamlike evocation of a generation that grew up in the shadow of a dictatorship in 1980s Chile
Space Invaders is the story of a group of childhood friends who, in adulthood, are preoccupied by uneasy memories and visions of their classmate Estrella GonzĂĄlez Jepsen. In their dreams, they catch glimpses of Estrellaâs braids, hear echoes of her voice, and read old letters that eventually, mysteriously, stopped arriving. They recall regimented school assemblies, nationalistic class performances, and a trip to the beach. Soon it becomes clear that Estrellaâs father was aâŠ
As a second-generation immigrant, I knew very little of my familyâs migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in commonâhow our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
The Devilâs Highway is the 2001 story of the tragedy that befell 26 men and boys from Veracruz who cross the Mexico/Arizona border led by human smugglers who get lost on a stretch of desert known as the Devil's Highway.
Urrea is known for his direct and clear reportage style of writing. As he depicts what happened to these men seeking a chance at the American Dream, Urrea does not lose sight of the broken system of immigration, the border patrol, the smugglers or the criminal enterprise of which they are part.
The actual walk and the deadly mistakes made by their âguideâ are not shared until Part Three of the book. Through the recollections of walkers and creative non-fiction he recreates dialogue that captures the motives and dreams of these ill-fated men.
A widely-praised piece of investigative reporting examining the journey of 26 men who in May 2001 attempted to cross the Mexican border into the desert of Southern Arizona through the region known as the Devil's Highway. So harsh and desolate that even the Border Patrol is afraid to travel through it, the Highway has claimed the lives of countless men and women - in May 2001 it claimed 14 more. History of high acclaim from the author of The Hummingbird's Daughter.
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, Iâm lucky to love what I doâand so I enjoy most of what I read. But these books are special. They drew me in and wouldnât let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
Much of âthe line,â as Border Patrol agents and migrants sometimes call the border, is far from big cities and curious journalists. And a lot of what happens there, happens under cover of darkness or behind the secured doors of Border Patrol stations.
As a former Border Patrol agent, CantĂș saw what happened when no one else was looking. His memoir shares it with the rest of us.
Shortlisted for the Orwell Prize for Political Writing 2019, an electrifying memoir from a Mexican-American US Border Patrol guard
'Stunningly good... The best thing I've read for ages' James Rebanks, author of The Shepherd's Life
Francisco Cantu was a US Border Patrol agent from 2008 to 2012.
In this extraordinary account, he describes his work in the desert along the Mexican border. He tracks humans through blistering days and frigid nights. He detains the exhausted and hauls in the dead. The line he is sworn to defend, however, begins to dissolve. Haunted by nightmares, Cantu abandons the Patrol for civilianâŠ
"A profound and often affecting story of resilience." âKirkus Reviews
The Silent Women, an extraordinary novel inspired by the real women of Oak Ridge, Tennesseeâthe Manhattan Projectâs âSecret City," where thousands kept the deadliest secret of World War IIâis a sweeping, absorbing, and deeply human story about chosenâŠ
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
This one takes us back to the founding of the Border Patrol to look at its Wild West origins. The first agents were plucked from frontier law enforcement and the Texas Rangers, whose earlier tasks included slave patrols and the violent removal of Native Americans. Lytle Hernandez shows how those racist and violent origins shaped the practices of the early Border Patrol.Â
This is the untold history of the United States Border Patrol from its beginnings in 1924 as a small peripheral outfit to its emergence as a large professional police force. To tell this story, Kelly Lytle Hernandez dug through a gold mine of lost and unseen records stored in garages, closets, an abandoned factory, and in U.S. and Mexican archives. Focusing on the daily challenges of policing the borderlands and bringing to light unexpected partners and forgotten dynamics, "Migra!" reveals how the U.S. Border Patrol translated the mandate for comprehensive migration control into a project of policing Mexicans in theâŠ
I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuffâmaking up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were notdestituteâmy sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race.
I was searching for some good fiction by a Latinx author regarding immigration at the southern border when I discovered this gem. The narrative begins in Texas with an undocumented familyâthe motherâs constant dread of authorities; the aching memory of the fatherâs deportation; sickness and abuse engendered by farm work. Some youthful mischief by the two sons accidentally, and in an instant, splinters the household and transforms the mise en scĂšneto Mexico and the nightmare that, as the author eloquently demonstrates, NAFTA and the American drug wars have wrought: routine brutality, lethal superstition, destitution, desperation. Peñaâs graceful prose packs into two hundred pages an epic journey of love and sacrifice, of terror and survival, of three people struggling under the most insurmountable circumstances to maintain their humanity.Â
As a second-generation immigrant, I knew very little of my familyâs migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in commonâhow our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
Enriqueâs Journey follows a 17-year-old boy from Honduras who migrates to the US in search of his mother who has been gone for 11 years. Although he is in touch with her via sporadic phone calls, his yearning to be with her is so deep that he undertakes a journey that is at once desperate, full of love and hope, and exceedingly dangerous.
The author, an award-winning journalist, documents Enriqueâs journey to survive his trek northward that he undertakes with absolutely no money from a small Honduran village through Mexico atop freight trains, and his efforts to survive not only the dangerous train ride but the violence of those who prey on young migrants.
Though he does find his mother in North Carolina, his reunion is not easy as his resentment at being left behind plagues their relationship.
An astonishing story that puts a human face on the ongoing debate about immigration reform in the United States, now updated with a new Epilogue and Afterword, photos of Enrique and his family, an author interview, and moreâthe definitive edition of a classic of contemporary America  Based on the Los Angeles Times newspaper series that won two Pulitzer Prizes, one for feature writing and another for feature photography, this page-turner about the power of family is a popular text in classrooms and a touchstone for communities across the country to engage in meaningful discussions about this essential American subject. âŠ
Broken Boots, Redeemed Soul: A Veteranâs War with Sin and Salvation
by
Brian Lofton,
Broken Boots, Redeemed Soul: A Veteranâs War with Sin and Salvation, is a raw and faith-centered memoir about life after military serviceâand the internal battles many never see. Brian Lofton shares his journey through addiction, shame, identity loss, and spiritual distance, revealing how the hardest struggles often begin afterâŠ
I first got seriously interested in immigration when I moved to L.A. in the late 1980s. I had been a sociologist of labor for over a decade already, and now found myself in a city whose working class was overwhelmingly foreign-born. I was amazed to discover that L.A.âs immigrant workers, even the undocumented, were actively organizing into unions and community-based organizations. Trying to understand how this came about, my fascination with the larger dynamics of migration grew, and immigrant labor became central to my research agenda.
This is easily the best account of the complex, racialized history of U.S. immigration law, politics, and policy. One of the arguments in it that impressed me most is that the category âillegal aliensââthe âimpossible subjectsâ of the titleâbarely existed in the pre-World War I years, when almost no European immigrants were turned away from the U.S. (Asians were another story). Ngai also brilliantly analyzes two landmark laws: the 1924 Johnson-Reed Act, which dramatically restricted immigration through nationality-based quotas limiting arrivals from Eastern and Southern Europe; and the 1965 Hart-Celler Act, which eliminated the quotas and opened the door to a massive new immigrant influx. This is a densely written book, not an easy read, but no other text has taught me more about this topic.
This book traces the origins of the "illegal alien" in American law and society, explaining why and how illegal migration became the central problem in U.S. immigration policy--a process that profoundly shaped ideas and practices about citizenship, race, and state authority in the twentieth century. Mae Ngai offers a close reading of the legal regime of restriction that commenced in the 1920s--its statutory architecture, judicial genealogies, administrative enforcement, differential treatment of European and non-European migrants, and long-term effects. She shows that immigration restriction, particularly national-origin and numerical quotas, remapped America both by creating new categories of racial difference and byâŠ
