Books like Wolf Tower, Claidi Journals, Book I — picked by fans

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

Who hasn’t dreamt of being able to converse with a wolf? We get our chance in this intriguing story of Fitz Farseer, my all-time favorite character.

There’s much to enjoy in this series—royal assassins, secret mentors, and family betrayal—but what I love most is the outlawed magic that creates a deep bond between Fitz and a fearless wolf named Nighteyes, allowing them to communicate.

Nighteyes, another favorite character, reminds me of my childhood golden retriever, only with sharper fangs and claws. He reveals exactly how much we’re missing out on when we can’t converse with animals like him—sharing their sharper perceptions, grasping the wolfishly obvious, or having our human foolishness pointed out in their bluntly canine way.

Kristen Britain’s Green Rider is an adventure that takes place in a carefully crafted medieval world.

What’s notable is the way Britain integrates medieval culture and tradition into the story. From the honor code of the Green Riders to the standard of loyalty and virtue, the novel is steeped in values commonly held in the medieval era. This adds authenticity to the story.

The series also introduces ‘fantasy flair’ in the Eletians, a group of people I could closely associate with the Elves in my own book.

Tales Before Tolkien is a collection of stories that give readers a glimpse of the modern fantasy genre’s historical roots. It is edited by Douglas A. Anderson, who provides helpful commentary on the stories and their historical context.

Many of the stories are set in the medieval period, and Anderson does an excellent job of contextualizing the stories within their historical background. He looks at how such stories reflect the values and beliefs of the medieval period, and how they often diverge from how we tend to perceive the medieval era today.

This book served as a personal reference for me when writing my own fantasy series as I pondered medieval setting.

Insecurity is huge in end-of-the-world stories. As humans, we have always sought shelter and security from the wilds of nature, animals, and the things we cannot see in the dark. We created fire and fences and walls and locked doors—to this day, in our modern era, we still need these things. At the end of the world, security is tantamount, but what if you need to go beyond your secured barriers? What if behind these walls, things aren’t actually as safe as you think they are? Finding out why a character would breach their safety is intriguing. After all, a story would be very different if the characters never ventured out of their homes, but if it’s safer inside, why would they go out?

I have to recommend this book first because it is one that has stayed with me through the years and inspired my own writing. It features one of my favorite reluctant heroines, Meliara Astiar, as she battles against a tyrant king in the land of Remalna. As the countess of a backwater province, Mel has little understanding of the complicated politics of the capital. When she declares a rebellion against the tyrant king, she soon finds herself embroiled in a fast-moving game of intrigue, magic, violence, betrayal, and romance. Ultimately, Mel will have to decide whether she’s willing to live beneath an evil king—or die trying to dethrone him.

The older, wiser, and less magical Tamborel must protect Caidy. Her family and village suffer from, and do all they can to stop her from growing into her powers. Through hard work and sacrifice, Tamborel lifts Caidy out of darkness and defeats depression.

The science of music and sound play on my emotions throughout the story.

People with ADHD and Autism are similarly misunderstood. They can be hindered by neuro-typical people to “limit the damage” they may “inflict” on “normal” society. Caidy stirred my sympathy for these people. Knowledge and seeking are the basis of science, not the having of right answers. Tamborel uses his love to seek the knowledge that will set Caidy free.

Seems to be out of print. Any good second-hand store will have it.

Take a sweeping YA adventure and magic and horses and a delicious book boyfriend all dropped on an outspoken, stubborn young woman thrown into a life she’s uniquely suited to and you have this delightful read from Robin McKinley. With a powerful heroine doing her best to understand her place, suspended between two distinct ways of life, The Blue Sword makes me want to run away from feeling out of place, awkward and never good enough and be just like Harry Crewe.

I read the second book in the Prydain Chronicles first, so it remains my favorite for introducing me to this magical version of medieval Wales and an Assistant Pig-Keeper. While I, like Taran, wanted to avoid the mundanities of life and skip straight to the magic swords, it was the grounding in the reality of chores that made me believe in the world. It also made me believe that if I had the good fortune to discover a portal to Prydain, that I could at least take up a career in the scullery, the forge, or possibly as a pig-keeper, while I waited to be discovered for the princess-in-disguise that I surely must be.

Superpowers are a classic allegory for coming of age, and Gifts uses them as such in an especially timeless and effective way. When the children of the Uplands reach adolescence, they develop powerful gifts that can be equal parts useful and dangerous. Most of them start off applying these gifts exactly according to their parents’ instructions. But ultimately, their gifts are their own, and part of accepting them is accepting the responsibility of choosing how to use them. It’s a wonderfully moody, atmospheric exploration of uses and abuses of power.