Here are 70 books that Wolf Tower, Claidi Journals, Book I fans have personally recommended if you like
Wolf Tower, Claidi Journals, Book I.
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I have always loved stories about King Arthur–what’s not to love–Arthurian stories are about the underdog triumphing, destiny, knights and quests, swords (and stones, or lakes), great heroes and villains, and magic. My university studies made me into a military historian (among other things–including an opera singer and a historian of film), and I loved revisiting my love of Arthur in various guises. I have sung him on stage, played him in roleplaying games and miniature wargames, and I have written articles and books about him in film and history. I hope my list of recommendations provokes you to think about King Arthur in new ways!
There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.
It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series.
Uther, the High King of Britain, has died, leaving the infant Mordred as his only heir. His uncle, the loyal and gifted warlord Arthur, now rules as caretaker for a country which has fallen into chaos - threats emerge from within the British kingdoms while vicious Saxon armies stand ready to invade. As he struggles to unite Britain and hold back the Saxon enemy, Arthur is embroiled in a doomed romance with beautiful Guinevere.
Who Gave Sleep and Who Has Taken It Away?
by
Carole McDonnell,
In the Malku universe, fae, merfolk, and humans live together in varying degrees of harmony. Over the millenia, through the use of fae magic, these humanoid groups have inter-married thus creating the faekind (humans with fae ancestry) and webbies (humans with merfolk ancestry.) The story takes place in the land…
Though most of the books and characters I recommended are full-on assassins, I wrote King Assassin as a one-time killer because this was always a story of redemption and grief, as a lot of these assassins face. I wrote the book after losing my best friend, and the journey the main character goes through in her search for redemption, only to find it in herself, was something I needed as I grieved my loss. I see it in all of the assassins I’ve read about, and I resonate so so much with the idea that a person is not made of only their mistakes, but of so much more than that.
This was my introduction to the fantastical worlds of Robin Hobb!
It’s such an immersive world, and it drew me in so fast without ever letting go. I read this book in a day, and the rest of the series was so so perfect!
The scarce dialogue was a bit intimidating, as I’m a big conversation girl, and there was so much world-building, but it was incredible, and the rest of her books would be nothing without Assassin’s Apprentice.
Voyager Classics - timeless masterworks of science fiction and fantasy.
A beautiful clothbound edition of Assassin's Apprentice, the first book in the critically acclaimed Farseer Trilogy.
In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma.
Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But…
Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.
Kristen Britain’s Green Rider is an adventure that takes place in a carefully crafted medieval world.
What’s notable is the way Britain integrates medieval culture and tradition into the story. From the honor code of the Green Riders to the standard of loyalty and virtue, the novel is steeped in values commonly held in the medieval era. This adds authenticity to the story.
The series also introduces ‘fantasy flair’ in the Eletians, a group of people I could closely associate with the Elves in my own book.
It's a race against time to save her country, but it could cost her life . . .
Karigan G'ladheon always seemed to be getting into a fight, and today was no exception.
But as she trudged through the forest, using her long walk home to contemplate her depressing future - and the expulsion it was bound to hold - a horse burst through the woodland and charged straight for her. The rider was slumped over his mount's neck with two arrows embedded in his back. Wherever his horse was taking him, he would be dead before they got there.
"Is this supposed to help? Christ, you've heard it a hundred times. You know the story as well as I do, and it's my story!" "Yeah, but right now it only has a middle. You can't remember how it begins, and no-one knows how it ends."
Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.
Tales Before Tolkien is a collection of stories that give readers a glimpse of the modern fantasy genre’s historical roots. It is edited by Douglas A. Anderson, who provides helpful commentary on the stories and their historical context.
Many of the stories are set in the medieval period, and Anderson does an excellent job of contextualizing the stories within their historical background. He looks at how such stories reflect the values and beliefs of the medieval period, and how they often diverge from how we tend to perceive the medieval era today.
This book served as a personal reference for me when writing my own fantasy series as I pondered medieval setting.
Terry Brooks. David Eddings. George R. R. Martin. Robin Hobb. The top names in modern fantasy all acknowledge J. R. R. Tolkien as their role model, the author whose work inspired them to create their own epics. But what writers influenced Tolkien himself? Here, internationally recognized Tolkien expert Douglas A. Anderson has gathered the fiction of authors who sparked Tolkien’s imagination in a collection destined to become a classic in its own right.
Andrew Lang’s romantic swashbuckler, “The Story of Sigurd,” features magic rings, an enchanted sword, and a brave hero loved by two beautiful women— and cursed by a…
I’m a multi-award-winning author of speculative and contemporary fiction, who loves to translate the beauty and horror of the world into intoxicating stories for readers of any age – adults, young adults, and children. I believe that stories are our best invention. Through stories we can connect with each other across time and space, and we can better understand both the world around us and the world within. I loved reading every book on this list. Young adult protagonists are among the most courageous of heroes, SFF adventures are among the best stories of all time, and we’ve all thought that it’ll ‘be better when I get there’. Enjoy the list!
As a child, I loved reading and re-reading Dorothy’s imaginative adventures in Oz, not only for the captivating escape they gave me, but because Dorothy herself was so courageous and resilient, despite being vulnerable in such a strange land.
She was an idol guiding me in how to handle unfamiliar situations, as well as giving me hope that one day I’d find an idyllic place where everything would be easier.
I’d like to think I’ve reached that place now and, since Dorothy undoubtedly played a part in that, it’s important for me that the characters I write find guidance, hope, and courage through their own strength of belief, no matter how dangerous their trials in the unfamiliar worlds around them.
Robert Sabuda has created a resplendent pop-up version of The Wonderful Wizard of Oz to celebrate the 100th anniversary of the original publication. This glorious edition is told in a shorter version of L. Frank Baum's original text, with artwork in the style of W. W. Denslow. With sparkling touches of colored foil and Emerald City eyeglasses, this classic tale is certain to find an honored place on the family bookshelf.
I've always loved stories. After years of observing the importance of stories, and their role in creating our reality, the determination to write my own clicked into place. Storytelling is very much at the heart of my first novel, Strange Gods. Strange Gods features a multiverse of powerful gods, but humans still stand out for their ability to tell self-defining stories. From the inciting incident where Carcass kidnaps Spooky to be his storyteller, to the decisions she makes along her journey, the stories Spooky tells others and herself determine her outcomes. I hope the books on this list inspire you to reflect on the power of any stories you tell, as they've inspired me.
I read The Hazel Wood while writing my own book, and the vibe immediately struck me as similar. It takes the protagonist, Alice, on a journey between our world and a world of dark, original fairytales, where stories are the very fabric of the universe. The more entangled the story becomes in the fairytale world, the more the book itself reads like one...it feels like a dream, with events unfolding unpredictably as we learn the rules of the new world and what the characters from it want.
One of The Observer's Best Children's Books of 2018!
Fans of Miss Peregrine's Home for Peculiar Children and The Children of Blood and Bone have been getting lost in The Hazel Wood...
"The Hazel Wood kept me up all night. I had every light burning and the covers pulled tight around me as I fell completely into the dark and beautiful world within its pages. Terrifying, magical, and surprisingly funny, it's one of the very best books I've read in years". -Jennifer Niven, author of All The Bright Places
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Seventeen-year-old Alice and her mother have spent most of…
As a life-long lover of fairy tales, I believe the reason these timeless stories resonate so deeply is because they speak to an unquenchable desire in the center of each of our souls: the hope for a grand romantic adventure that will change our lives from the inside out. As an author, I strive to create those kinds of soul-speaking stories, crafting characters my readers relate to as friends... and respect as heroes. When my readers adventure alongside these fictional friends, I hope they are encouraged to bravely face the real-life challenges of our modern world, while being emboldened toward acts of everyday and exceptional heroism.
If you’re a fan of reimagined classic fairy tales, you’ll love C. J. Redwine’s Robin Hood-esque take on Snow White (with dragons!)
Unlike the classic Princess Snow White of old, Princess Lorelai is no simpering miss. She’s a powerful magic-wielder with a cause. As Lorelai learns to control and develop her magic, friends (and dragon-shifters!) join the quest to rid her kingdom—and the young shifter king she loves—from its menace: her wicked aunt, who used magic to take over the land.
With some imagery loosely borrowed—and creatively adjusted!—from the classic Snow White story, this new tale features a fresh heroine who doesn’t expect anyone to rescue her kingdom for her. The Shadow Queen is a romantic and epically-reimagined fairy tale with beautiful themes of sacrificial love.
PERFECT FOR FANS OF VICTORIA AVEYARD AND SARAH J. MAAS Lorelai, crown princess and fugitive-at-large, has one mission: kill the wicked queen who took both the Ravenspire throne and the life of her father. She'll have to be stronger, faster and master more magical power than Irina, the most dangerous sorceress Ravenspire has ever seen. When the queen's huntsman - a dragon-shifting king - tracks down Lorelai, sparks fly between them. Can the king overcome his predator side - and can Irina's dark magic be defeated?
I’m a writer who loves to read and wants to write all the fantasy genres, or at least, wants to try. I’ve always been fascinated by monsters and the question, “What if?” Dystopian, Apocalyptic, Post-Apocalyptic, and Fantasy gives us the freedom to explore both these things. It’s amazing how these genres can bend our world and expectation when we explore these two things. What if the world ended but not in the way we expect? What if monsters were real? What if we are the real monsters? These questions are terrifying but so fascinating to consider and blending fantasy with apocalyptic has been a safe way to explore them.
Insecurity is huge in end-of-the-world stories. As humans, we have always sought shelter and security from the wilds of nature, animals, and the things we cannot see in the dark. We created fire and fences and walls and locked doors—to this day, in our modern era, we still need these things. At the end of the world, security is tantamount, but what if you need to go beyond your secured barriers? What if behind these walls, things aren’t actually as safe as you think they are? Finding out why a character would breach their safety is intriguing. After all, a story would be very different if the characters never ventured out of their homes, but if it’s safer inside, why would they go out?
In Mary's world there are simple truths. The Sisterhood always knows best. The Guardians will protect and serve. The Unconsecrated will never relent. And you must always mind the fence that surrounds the village; the fence that protects the village from the Forest of Hands and Teeth. But, slowly, Mary's truths are failing her. She's learning things she never wanted to know about the Sisterhood and its secrets, and the Guardians and their power, and about the Unconsecrated and their relentlessness. When the fence is breached and her world is thrown into chaos, she must choose between her village and…
I grew up reading and re-reading Tolkien’s The Hobbit and The Lord of the Ringstrilogy. But it always bothered me that there weren’t many girls or women in those books—and most of those that did appear were pretty, perfect, and—well—kind of boring. In college, I studied literature, myths, and fairytales and found that most of the female characters in those stories didn’t reflect women I wanted to be or know, either. So, I wrote my own high fantasy novel and continue to seek out great fantasy, sci-fi, and fairytale-inspired literature featuring strong female characters that are dragons on the inside—and sometimes on the outside, too.
This is a beautifully written YA fantasy that has the flavor of a traditional epic—like the Lord of the Rings—but also brings us intimately close to its characters, their individual cares, and their unique world. The story centers on Aerin, the king’s daughter, and her journey from being an outcast at her father’s court to becoming a hero in her own right—at the expense of a dragon, unfortunately.
The Hero and the Crown is often praised as an example of classic feminist fantasy. It was one of the first stories I encountered where the goal of the female main character wasn’t to be rescued or married. But in my opinion, it’s McKinley’s lyrical and compelling prose and fantastic world-building that truly makes this a not-to-be-missed read.
Although she is the daughter of Damar's king, Aerin has never been accepted as full royalty. Both in and out of the royal court, people whisper the story of her mother, the witchwoman, who was said to have enspelled the king into marrying her to get an heir to rule Damar-then died of despair when she found she had borne a daughter instead of a son. But none of them, not even Aerin herself, can predict her future-for she is to be the true hero who will wield the power of the Blue Sword...
Novels are my medium and my first love, but I’m a huge fan of comic books too. Even though visual arts have never been my strength, I adore how many different things are possible in superhero stories. Sci-fi and epic fantasy and all different kinds of horror coexist in these enormous fictional universes. You’ve got comedic, child-friendly mysteries and pitch-black serial killer thrillers and deep meditations on love and family all going on at once. Comic book tropes and general disregard for genre boundaries definitely inform my writing style, and I love when I discover other novelists who incorporate comic book inspiration in various ways.
Superpowers are a classic allegory for coming of age, and Giftsuses them as such in an especially timeless and effective way. When the children of the Uplands reach adolescence, they develop powerful gifts that can be equal parts useful and dangerous. Most of them start off applying these gifts exactly according to their parents’ instructions. But ultimately, their gifts are their own, and part of accepting them is accepting the responsibility of choosing how to use them. It’s a wonderfully moody, atmospheric exploration of uses and abuses of power.
'She's showing no signs of losing her brilliance. She is unparalleled in creating fantasy peopled by finely drawn and complex characters... GIFTS has the simplicity of fairy tale and the power of myth' GUARDIAN
'Le Guin is a writer of phenomenal power' OBSERVER
Orrec, the son of the Brantor of Caspromant, and Gry, daughter of the Brantors of Barre and Rodd, have grown up together, running half-wild across the Uplands. The people there are like their land: harsh and fierce and prideful; ever at war with each other.
Only the gifts keep the fragile peace. The Barre gift is calling…
