Books like Within These Walls of Sorrow — picked by fans

A lot of Inga Clendinnen’s work dealt with what happens when two very different cultures and ways of making sense of things come into contact. In the subtitle of her book Aztecs: An Interpretation, she boldly asserted her method for approaching history. It is not merely a recitation of facts, it is an elucidation of those facts by an expert steeped in the knowledge of a particular past. Having written about the Maya and the Aztecs, Reading the Holocaust was a departure, topically, geographically, historically. What I found so extraordinary about the book was precisely Clendinnen’s decision to look anthropologically at staggering events historians had often written about in “functional” terms (who did what, when, and where). In so doing, she tried to offer insight into something unthinkable (what the perpetrators thought they were doing) and something unimaginable (what the victims experienced).

An incredibly powerful book that sheds light on Jewish Resistance in the Netherlands, by two women. Both topics are rare and especially the combination of them. The style of narrative non-fiction is brilliantly chosen. The book is historically informative and accurate, but told with the arts and craft of a novelist. A New York Times bestseller. This is exactly what my platform ‘Sophie’s Women of War’ sheds light on. 

As one of the most distinguished writers of Jewish fiction, Cynthia Ozick is known for her work that is both linguistically spellbinding and profoundly thought-provoking.

After reading her two-part novella, The Shawl and Rosa, I believe that it stands out as one of her finest. It tells the story of two women whose survival during World War Two is painfully intertwined, to the point that they cannot separate their horrific experiences from the way they view each other. This penetrating psychological portrait of the devastating effects of victimhood is unparalleled in Jewish literature.  

This is required reading to understand the Russo-German War.

This two-volume masterpiece was written by Paul Schmidt, who was actually Hitler’s Press Secretary during the war. Schmidt used the nom de plume of “Paul Carrell”, and although one would, at first glance, imagine that this author might write a biased and pro-Nazi apologetic study, that could not be further from the truth.

Carrell/Schmidt actually wrote a very truthful account of the war, pulling no punches and even criticizing Hitler’s leadership and his ideology throughout the study.

Carrell/Schmidt also happens to be an eloquent storyteller. He is the type of author who can manage to place the reader in the middle of the story, as if he/she is witnessing the events live. Very few authors can do this.

A longtime friend introduced me to this novel after he found out that I had some interest in the subject. I’m so glad he did because, after the first reading, I’ve never forgotten it. This slim volume is a masterpiece of deft description and character development. A resort town, somewhere near Vienna, is peopled with colorful residents, tourists, and later the forced resettlement of Jews. “The light stood still. There was a frozen kind of attentiveness in the air. An alien orange shadow gnawed stealthily at the geranium leaves.” Such is Appelfeld’s sparse, beautiful prose. Disaster looms, tension builds, and people disappear...slowly, inexorably. The chilling ending is a tour de force of writing.

Where Gitta Sereny talks with people involved in Nazi atrocities, Ernst Klee presents documentary evidence of these crimes. No one has published better or more important compendia of documents on Nazi crimes than Klee. I discovered his books as an exchange student in Germany (1988-89) and quickly found them to be unique. Klee’s spare method is to portray the Nazis’ descent into evil through the medium of their own texts and photographs. Regrettably, few of his books have been translated into English. The one I’m recommending here is a fine introduction to his style of historical writing.  

Klee’s evidence shows the awful arc drawn by Nazi crimes, from German incitement of pogroms against Jews in the east and Einsatzgruppen shootings of Jewish men, women, and children to the development of stationary gassing installations in death camps. Klee has a point of view, but he doesn’t want to convince you with… show more.

From the minute Glenn Kurtz found a decaying tape of his parents’ trip to Poland in 1938, I was hooked. I’ve imagined being able to glimpse the world my grandparents inhabited in “the Old Country.” And here it was for Kurtz: some of the only film footage of a Jewish world erased by the Holocaust in the last months before it was gone forever.

I was fascinated to follow along with Kurtz as he becomes a detective working to discover who is in the recorded three minutes, where they are, and what they are doing. But that’s just the beginning; as he discovers the past, he makes connections in the present and changes lives in the process.

Elsa Thon recounts her war experiences in a cinematic tale with the eye of an artist. A teenager in Poland who had apprenticed in photo retouching, she was recruited by the Jewish underground. She left her family behind in the Warsaw Ghetto, ending up in Krakow with false papers. This was difficult for her, a deeply honest person. She writes, “I lied all the time.” She takes the reader with her on her dangerous journey, the degradation of a labour camp, and a forced march. Elsa was also a student in my seniors writing class and I found her to be generous and good-humoured, despite her painful past. She lost her whole family in the Holocaust but she writes that it was her “destiny” to survive. 

This classic is about the need to speak up when someone sees something wrong. The story mirrors what many seemingly good people did not do during the WWII Holocaust. This story is told about different groups of animals, which is easier for young readers to understand. When the Terrible Things come to take away one group, the others feel relief. But one by one the Terrible Things take away another group. During this time no one speaks against what’s happening. They are just happy their time hasn’t come. By the time the Terrible Things come for the last group, there is no group left to protest and save them. The author wrote this book to “encourage young children to stand up for what they think is right, without waiting for others to join them.” That’s exactly what children in my books do and what I want to encourage in readers.

Steinman reaches out across a cultural divide to seek out Poles who are pursuing the truth about the past, however painful, and recovering the history of their lost Jewish neighbors. She brings to life the ultimately healing process of Polish-Jewish reconciliation. Her journey changed her, and it will change you.