90 Books Like Wistril Compleat

Every now and then, I discover a book that has imagined a world and/or a character that takes me by surprise, and I can’t stop reading about them. Again, it’s all about character! In this book, I met a human cyborg enslaved by a computer program and built as a security unit rented out to corporate groups exploring planets for profit.

This sentient cyborg frees itself from enslavement, hilariously staves off the boredom of security work by watching its favorite media series, and as it watches characters in these shows, begins to learn about human behavior. I enjoyed the awkward, touching way it developed friendships and emotional connections. The character, which calls itself Murderbot, presents as if it’s on the spectrum.

Its first-person narration is snarky, occasionally hilarious, and endearing as it slowly learns what it means to have friendships. And oh, it finds all this wildly inconvenient, hates eye… show more.

Lindsay Buroker weaves great characters into her books and novellas. This is the best of space opera with an important “rescue” at the heart of the mystery. No worthy man, guard dog, or even android will be left behind.

The series develops into a romantic series set in outer space. This book stands on its own, with a lovely main character who has enough brains and talent to solve a mystery and enough heart to save those worth saving. It's a fun read and a great introduction to Buroker’s work.

Ilona Andrews has written several novellas, most of which go with one of her series or perhaps even the start of a series. This one was hilarious; it was the greatest dating disaster ever.

The story doesn’t fit into any of Ilona Andrew’s series, but it contains their trademark humor and shenanigans. My favorite Ilona Andrews book is probably On the Edge, and my favorite series is the Innkeeper series. But for a quick afternoon read when I needed a smile, this was the perfect cake with tea.

A wonderful mix of humor, mystery, and a delightful tendency to land tropes upside down (Vampires drink tomato juice, for example).

This volume has three stories, and it serves as a nice introduction to K.M. Shea’s whimsical style. Fits easily into the cozy paranormal genre. I’ve enjoyed many other K.M. Shea books, but this was one of my first reads of hers. I love the zany, unexpected character traits and the unique tangents of the main plots.

Now here’s a fun flip on so-called “cosy” crime. Remember the twist of Columbo, the way the show started with us viewers seeing the murderer commit the crime and then allowing us to watch Columbo slowly assembled his case against them? This book by Helene Tursten and translated to English by Marlaine Delargy offers a similar vibe. Our protagonist Maud has more than one notch on her proverbial belt, and we get to hear about each killing, along with the justification for them all. All the grit you’d expect from Scandinavian crime, but with the delightful slant of this outwardly fragile old lady being the center of it all. From Sweden to South Africa, Maud makes her mark! Plus there are cookie recipes, with a distinctly Scandi-noir flavor.

Growing up with the German Tatort (Crime Scene) and also with Columbo and Kojak, I always wanted to revisit these entertaining crime dramas from today’s perspective. How do they fare amidst the continuing proliferation of single white men as lead detectives on network and streaming platforms (Sugar, Lincoln Lawyer, etc.) and when compared to the more diverse representation in Dark Winds, Luther, and True Detective?

Hastie’s book provided rich fodder for my lingering curiosity in covering behind-the-scenes aspects, exploring what made Columbo resonate with network viewers trained on Dragnet, and why Peter Falk’s character became such an archetypical detective figure for global television. 

Jane and the Unpleasantness at Scargrave Manor is the first of Stephanie Barron’s 14 Jane Austen mysteries, based on Austen’s “discovered” diaries about her adventures as a sleuth.  The series’ witty tone is true to Austen’s, and portrayals of Austen’s family are based in fact. In this opening volume, Jane is visiting a friend “of more fashion than means” newly married a middle aged earl—who dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb. 

Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.

There are many jobs in theatre, from the performers on stage, to all of the people like the writers, directors, and designers who make their magic behind the scenes. This book makes the excellent case that there is a place for anyone in the theatre, taking kids by the hand walking them through how it requires a team effort to make a production happen.

This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.