Books like Elantris — picked by fans

I have never read a novel so close to prophecy.

Published in 1995, Parable starts in July 2024 amidst the election of an autocrat who, by the sequel Parable of the Talents, literally pledges to “make America great again.” I started my platform in 2015 in the same context.

This novel pulled me into its harrowing tale of how to survive civilizational collapse: the dismantling of systems, norms, and climate change that we are all currently going through.

The lesson is ultimately about embracing change, caring for and trusting each other in community, and coming up with our own ways of being together. So many of our ancestors have survived periods of collapse by the same principles. These ancestral lessons still guide me, and I believe are critical to surviving AI dystopia.

This was one of the first books that showed me fantasy could be bold and heretical.

The world was so rich—daemons, armored bears, oppressive religions—and Lyra felt like a character who’d been waiting to burst off the page for centuries. It’s a coming-of-age tale wrapped in cosmic questions and rebellion, and it sparked something in me that’s never gone out.

In a list about zombie apocalypse references, this is definitely a quirky entry. But it is important for all writers to read outside of their genre, or they run the risk of becoming generic. 

Far more important than the story’s backdrop is the story’s focus. People predominantly care and read about people.

Whether that means writing about people resisting zombies, as is the case with most zombie stories, or writing about zombies doing their best to become human—as seen in Elantris and The Girl With All The Gifts—writers need to know how to tell stories about people.

I don’t write books about zombies, I write books about families. And there is probably no more famous family right now than the Bridgertons (though if I had one more recommendation, it would definitely be Swiss Family Robinson).

By reading books about strong families, I’m better able to translate my own… show more.

I have re-bought this book multiple times because I keep giving it away as a gift.

I am OBSESSED with the dynamic between the main male character and the main female character. The tricksy nature of the fae, combined with the forbidden nature of humans in the fae realm, lends such a delicious tapestry to the complicated social dynamics between Jude and Cardan, and indeed the rest of the Fairie Court.

I particularly loved the transition of Jude throughout this book – she hardens as Cardan softens, and in a dangerous world, it’s just the perfect combination.

Adore, adore, adore.

What I loved about the battles and fight scenes in this series was seeing how magic, ordinary weapons, and dragons combined together on the battlefield and created really interesting dynamics and strategy.

Think about what it would be like to face soldiers who’ve been enchanted to feel no pain or to move superhumanly fast. Or think about having to fight armored soldiers while magicians are trying to break into your mind with mental magic. Imagine two dragons dueling in the skies, while their riders fight each other with magic and swords.

That’s the feel of this series, and it’s awesome. I also loved that Paolini dives into the tactical details of a swordfight or skirmish, making it feel visceral, real, and like you’re right there with the characters. 

I enjoyed The Eye of the World because Robert Jordan makes his world feel vast before the greater story fully reveals itself.

It may not be the most entertaining book in the series, but as the plank-holder novel, it patiently establishes the cultures, magic, history, and conflicts that shape everything to come. I especially value Rand’s beginning. He is not a polished hero, but a frightened, naïve twenty-year-old whose later confidence, arrogance, and acceptance of his destiny feel earned across several books.

I love experiencing that growth through Jordan’s storytelling. For me, the novels and audiobooks remain the truest way to enter this world. I recommend skipping the streaming show because I believe the adaptation fails at every level to capture what Jordan built.

I love this book’s original take on the “spore” or “fungal” zombie outbreak. It feels like the author took The Last Of Us (which I also adore) and flipped the story on its head. Melanie is this unique character, at once the snarky, hilarious child of the piece and its terrifying monster.

She’s the threat, battlefield, and hope—and I find that combination so compelling. While it’s a grim, often bleak tale set in a decimated UK, this thread of unexpected hope and unusual connections kept me hooked. This story might not give me the future I wanted at the start of the story, but it offers a different vision with its own version of hope for humanity, and because of that, it has a special place on my shelf.

This is a beautifully written YA fantasy that has the flavor of a traditional epic—like the Lord of the Rings—but also brings us intimately close to its characters, their individual cares, and their unique world. The story centers on Aerin, the king’s daughter, and her journey from being an outcast at her father’s court to becoming a hero in her own right—at the expense of a dragon, unfortunately. 

The Hero and the Crown is often praised as an example of classic feminist fantasy. It was one of the first stories I encountered where the goal of the female main character wasn’t to be rescued or married. But in my opinion, it’s McKinley’s lyrical and compelling prose and fantastic world-building that truly makes this a not-to-be-missed read.

The World Over is the first book in a series, so it sets up the expectations for what is coming.

Winter, on the other hand, is the last in a series, and it did a lot to show me how to bring together an ensemble cast in a way that builds to a satisfying ending without making previous installments feel unnecessary or redundant.
While zombies don’t appear in Winter, the history of the experimentation done to create the evil queen’s lupine army gets a lot of screen time without crossing the line into over-telling.

For anyone interested in the more technical aspects of a zombie apocalypse, Winter is a great novel for learning to weave background exposition with foreground action.

My favorite manga series of all time, and I love the elemental magic system and feudal Japan-inspired worldbuilding. But the best aspect is the characters and their dynamics.

Naruto has made me laugh and cry so much. No matter how old I get, I can’t grow out of it—from the silly jokes to the inspirational monologues to the ‘let’s yell about our ideologies in the middle of a fight’ scenes. Manga is a very different medium from western literature, especially with how ideas and character development are communicated, but it’s worth a read for anyone who can accept those stylistic differences.

I enjoy how Naruto tackles themes of violence, hatred, the cause of conflict, and its vicious cycle… all in a manner that is palatable and touching for young readers but still resonates with adults.