Books like Winnie and Nelson — picked by fans

I have been writing about imprisonment and other penal matters for several decades. Besides teaching, research, and publications, my career has involved the inspection of prisons in the US, UK, and Europe for several governments and for litigation across a range of issues. These are dark places, without a doubt, but seeing the lives that are lived within the walls by staff and prisoners alike has always captured and stimulated my interest and reinforced my belief in the enormous durability and adaptability of the human spirit. I have tried to communicate this in my writing and speaking.

As someone more drawn to writing and literature during my college years, I was fascinated to discover that science has a history. I had once thought of science as objective—distinct from liberal arts and social science disciplines in that it consisted of facts that could be proved. I came to understand that it’s just another field of human endeavor filled with flaws like any other. Sometimes, scientists cheat, lie, favor certain facts over others, or knowingly publish false results. It can become a cultural and political battleground—and to refer to something as “pseudoscience” is like calling a work of art you don’t like “pseudo-art” or a piece of music you don’t enjoy “pseudo-music.”

When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.

I have been fascinated by the Gulag since reading the works of Aleksandr Solzhenitsyn in high school and then living for several months in Magadan, Russia, one of the “capitals” of the Gulag. The Gulag combined utopian dreams and stark violence; it was shrouded in many layers of secrecy; and it served, ultimately, as a microcosm of the Soviet Union. It is one of the great tragedies of the twentieth century, and its legacies are alive and well in Vladimir Putin’s Russia today. It can be an emotionally draining topic at times, but it also illustrates, through thousands of individual stories, humankind’s capacity for resiliency, goodness, love, and hope. 

I am a Scottish writer who enjoys travelling and meeting people of different cultures and beliefs. I have always been a fan of adventure stories, particularly those with a strange or supernatural bent. My travels to The Ivory Coast and North Africa, hearing accounts of various witch stories, and encountering strange events and practices firsthand inspired me to write The Witch’s List Trilogy: the first two books published and the third in progress. 

As a writer and journalist in Iran, I knew many activists and journalists who spent time in solitary confinement. I noticed that this part of their prison experience was the hardest one for them to put to words, even those keen on sharing their experiences have a much easier time talking about the interrogation room but remain strangely reticent about the solitary cell. When I set out to write a novel about a bus driver who ends up in jail, I decided to dedicate several chapters of the book to his time in solitary confinement. That research sent me down the rabbit hole of interviewing former prisoners and reading widely about the solitary experience.

I am a French writer of Spanish origin. My two grandfathers shared history with Spain’s darkest hours. My maternal grandfather was born in Barcelona and he was a teenager at the time of the war; just like Salvayre’s parents, he had to flee Spain as the bombs were hitting his city. My paternal grandfather, who was in his twenties at the time of the civil war, decided to fight for the “International Brigades” to defend Spain’s freedom. It is to honour their memory and one of the millions of men and women who suffered from those almost four decades of dictatorship that I wrote Blood Song, a historical thriller, the third installment in the Roy and Castell series.

My name is Rebecca Sanford, and my debut novel is based on the historical events of Argentina's last military dictatorship and the work of the grandmothers of the Plaza de Mayo. As a graduate student in the international affairs program at The New School, I conducted field research for my master's thesis with the Identity Archive of the Grandmothers at the University of Buenos Aires. This experience inspired a fictional story that ultimately became The Disappeared. 

I am a presidential historian with a particular focus on their deaths, public mourning, and the places we commemorate them. My interest in what I like to think of as “the final chapter of each president’s amazing story” grew out of frustration with traditional biographies that end abruptly when the president dies, and I believe my books pick up where others leave off. More than a moribund topic, I find the presidential deaths and public reaction to be both fascinating and critical to understanding their humanity and place in history at the time of their passing and how each of their legacies evolved over time.

When I had to choose another elective subject at school, my grandmother advised me: "Take Russian. We will have to deal with the Russians – for better or for worse.” So I chose Russian as my third foreign language and my grandmother was right – first it came good: perestroika and glasnost, then it came bad: Putinism. So I studied Russian and history, did my doctorate and habilitation in Russian-Soviet history, and today I am a professor of contemporary history and culture of Eastern Europe and head of the Research Centre for East European Studies at the University of Bremen.