Books like Wild Animals I Have Known

I loved this book for its adventure and humor, but mostly for its authenticity (aside from some artistic license).

In the 1940s, Canadian and provincial governments were looking to scapegoat wolves for caribou declines. Mowat, a young biologist (like I was when I read it), was sent to prove the assumption, documenting an excuse to kill wolves. Instead, he confirmed indigenous knowledge while running afoul of the scientific orthodoxies and political aims of his government employers.

The authenticity that struck me in this book, apart from Mowat’s stick in the eye of the Establishment, came from Mowat’s research method: living for extended periods with his subjects. The idea of immersing yourself in your subject, whether as a biologist or a wildlife artist, made an indelible impression on me.

Ben Goldfarb’s fabulous 2018 book provided me with a huge morale boost and encouragement for volunteer work I had recently undertaken on wildlife issues at our Statehouse.

I grew up next to Preston Pond (and live there again), which had beavers living in it for almost all my life. Yet, despite that and having a degree in biology, I didn’t know a great deal about beavers until a trapper (the first since probably the 18th Century) killed the family in 2016.

I didn’t even think that trapping was a thing in Vermont. That pointless killing is what got me involved in state and local wildlife management. Eager not only solidified and expanded what I was learning, but it proved that a wider audience was learning about this keystone species that creates the most biodiverse habitats in the northern forests.

This book brilliantly and entertainingly crystallized my thoughts about the role of animals in ecosystems and the shortcomings of how they are too often perceived by policy makers.

These ideas had been fermenting while I worked on wildlife issues in the Vermont Statehouse. The hunting lobby took the legitimate issue of overpopulating deer and applied it to all wildlife, arguing for greater license to kill everything, while advocacy groups tried to make the case that “wildlife watching” was broader based and generated more money than hunting license fees.

I didn't disagree with that last argument, but to my mind, both arguments trivialized wildlife, missing the essential role they played in building and maintaining ecosystems. But I couldn’t express it as authoritatively, clearly, or humorously as Joe Roman does in his wonderful book. The humor is hinted at in the title. The essence of his argument is in the subtitle, “…… show more.

I loved that this is no typical how-to book.

Rather, it is an adventure story with all of the wilderness canoeing tips and lessons you need woven into it, along with a good dose of humor (including the Black Fly Song). 

The book is a firsthand account of Davidson's and Rugge's descent of the Moise River in Quebec, using the challenges of the journey to explain and demonstrate how to safely plan and execute such an adventure.

This book is probably my favorite among natural history reading I’ve come across. A chance encounter at the library, I ended up buying a copy for myself as well as gifting it to several friends. Barnes weaves together short vignettes about science, observation, and personal encounters with nature organized from the tiniest life forms to some of the largest. Biologist JBS Haldane once said, “The universe is not only stranger than we imagine; it is stranger than we can imagine.” This book proves it with memorable anecdotes and a wonderful sense of kinship and compassion for life both like us and completely unlike us.

This is a wonderful tale about an armadillo, who loves to hide and spy on other animals and tell tall tales (lies) about what he hears. Cute fable of sorts on why the armadillo has such small ears. The book claims he started with very tall ears and every time he eavesdropped in other’s conversations, his ears got smaller. As a preschool teacher and grandmother, I encourage the children to “tell” us adults what is happening to get someone OUT of trouble, rather than to “tattle” on someone to get them IN trouble, which is not helpful. Through lyrical text and vivid illustrations, children learn that it is important to respect the privacy of others and avoid telling lies that hurt feelings.

All the books I’m drawn to have striking and beautiful illustrations and this one is no exception. I love the joyful and varied way that friendship is expressed in this board book. I purchased the book when my daughter was still in preschool (she’s in high school now), and the message of finding camaraderie in as many places as possible still resonates deeply.

After writing 14 children’s books about art appreciation, I decided to try my hand at children’s poetry. When I read this collection of haiku by Jack Prelutsky, it was a revelation. Each poem is a first-person description of an animal, full of rich, unexpected language. By writing in first-person, Prelutsky broke one of haiku’s cardinal rules. But it worked—and inspired me to write my own collection in the first person as well. Here’s one of my favorites poems in his book:

Raucously we caw.
Your straw men do not fool us.
We burgle your corn.

My daughter, a children’s librarian, says this storytime favorite is sure to delight the toddler crowd.

It’s packed with interactive fun, with invites to hi-five various animals. “Hi-five a lion. Hear him GROWL. YOO-HOO-HOO! Hi-five an owl.” Each one’s paw or wing is sized just right for toddlers to do just that on this sturdy board book (A Never Bored Book!). They can hi-five both antlers on a moose and, at the end, “Hi-five an octopus, I say. But only if you have all day!”

The final spread encourages the toddler to high-five the reader.

When it comes to animal photography, National Geographic set the standard for excellence – and when one pairs 200 of their best photographs with poetry from some of the country's finest poets, you end up with a beautiful, coffee table book that deserves to be in every house.

From classic poets like Robert Frost, Emily Dickinson, and Rudyard Kipling to contemporary writers including Naomi Shihab Nye, Jack Prelutsky, and Jane Yolen (and even a few from anthologist and former U.S. Children’s Poet Laureate J. Patrick Lewis) this is a book you will want to take time to peruse read, and ponder.