100 Books Like Wifey

What a world-rocking, mind-blowing journey reading Skinny Legs and All was! I read it in my twenties, and it truly was life-changing. It is imaginative and thought-provoking. It expanded my perspective on life and what might be happening right in front of my eyes that I’m missing with my limited imagination.

It’s wickedly funny and irreverent and yet addresses difficult issues that are relevant today, such as the conflict between Israel and Palestine. The storytelling is so unique, I’ve never read another book like it. It’s a book that leaves me envying someone else’s first read of it.

It also served as a source of inspiration for me as an author many years later. There was a scene in the movie Finding Forrester, where a young writer (Rob Brown) is facing writer’s block. His instructor (Sean Connery) suggests he start typing the content of a book he loves word for… show more.

I love the fact that this book intertwines humor and satire around subjects of religion, weapons of mass destruction, and human indifference and indolence. I love that it, sadly, also has parallels to the world we currently live in.

Good satire never grows irrelevant, and Cat’s Cradle is as relevant (and funny) today as it was when it was written.

I loved the book because it went in a direction, humorously describing the teen-age years of Jesus Christ, that no book had gone before.

Not only is the storyline clever and the dialogue sharp and humorous, but it also forces you to think critically about the origin stories that are handed down through centuries and millennia.

Any book by the magnificent Carrie Fisher could be on my list. I love them all. This novel covers the difficult territories of drug abuse, failed marriages, and manic depression yet Fisher’s trademark biting wit and razor-sharp observational skills give us lines like this: Doris Mann was a famous fifties movie icon whose three failed marriages had left her publicly humiliated, bankrupted, and bankrupted again. "Anyway, think of it this way; we've had every kind of man in this family. We've had horse thieves and alcoholics and one-man bands and singers—but this is our first homosexual!" She punctuated her congratulatory speech with raised eyebrows and trademark grin and outflung arms.

This book explores the themes of loss, grief, and fidelity to one’s marriage, even once that relationship is unraveling. The prose is precise, and the narrator’s inner life is seemingly transparent. At the same time, it’s a mystery: why did the narrator’s husband disappear while doing research for a book on mourning rituals in southern Greece? And why does she hide the secret of their marital separation—and her new life with a new man—from her mother-in-law, who insists she track down her son, Christopher?

The narrator seeks out her soon-to-be ex at her mother-in-law's command, only to discover a tragic event. The ties to a failing love and a distant family are strengthened and the reader’s expectations upended. I loved how Kitamura took existential issues and boiled them down into a deceptively quiet story.

Leo Tolstoy’s follow-up project to the massive War and Peace explores the meaning of human existence and the interplay of socio-political events and individual free will through the medium of infatuation, marriage, and love.

It’s also a real page-turner. When she finished it, Elisabeth Elliot called it the greatest book she had ever read, writing that Anna Karenina’s character had held a mirror up to her soul and showed her what her own heart was capable of. 

I pulled this book off the shelf for the first time as a young mother who had far more choices and liberties than the story’s main character. Chopin was a writer ahead of her time, and she actually paid a heavy professional price when this story was published.

The world just wasn’t ready to consider a female character whose inner dialogue and view of her place in the world were so raw and honest. It wasn’t until many years later that she was rediscovered and the feminist themes were more palatable, that a broader audience had the chance to appreciate Chopin’s gorgeous prose and nuanced language.

She also had the ability to capture subtle changes in each character’s awareness masterfully. This is an even bigger treat if you listen to it as an audiobook. 

I love this book because Edna Pontellier is perhaps the original flawed yet sympathetic heroine—a character ahead of her time and a symbol of the growing stirrings of feminism.

I underlined many passages in my dog-eared copy from college (my professor was the editor), including the line, “Mrs. Pontellier was not a mother-woman,” a contrast with the other mothers summering on Grand Isle who doted on their children. She’s not what a woman and mother was supposed to be in 1899—she’s in love with a man other than her husband; she eschews the trappings of motherhood; and ultimately she escapes in the most heartbreaking way.

This book was so explosive at the time, that it was pulled from shelves and didn’t enjoy success and a rightful place in the literary cannon until it was reissued in 1966. There’s a reason it’s had a treasured place on my bookshelf for nearly… show more.

Our protagonist, Adèle, is a sex addict in a sexless marriage, longing to escape the quotidian boredom of motherhood. Her desires are clear. “She wants to be devoured, sucked, swallowed whole.” She also wants to not want this. The interesting question the novel poses indirectly: What do we want of this character? Slimani (of The Perfect Nanny fame) writes so deliciously about Adèle’s desires the answer is clear—we long to watch Adèle falter, we want to hear every terrible thought in her head.

Watching bad people self-destruct is hard work, but author Cain makes sure that the bad people get what they deserve. A drifter takes a job at a roadside diner that is run by an old man and his beautiful and unhappy wife; the two youngsters begin a dangerous affair and then plot to kill the husband so that the girl inherits the property. But matters do not turn out as they planned. The novel has been adapted for film at least seven times, with the favorite being the 1946 movie starring Lana Turner.