Books like The Postman Always Rings Twice — picked by fans

I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not. 

One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.

Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.

I studied history in college and, after a few misspent years in broadcasting, worked in marketing and public relations for several companies. In my free time I wrote articles and books on historical events and people. A dozen years ago, on a trip to San Francisco and Alcatraz, I conceived of an idea for a novel. True to my background, it was based on a real historical event – the 1962 escape of three men in a raft from the prison. It wasn't until my mid-sixties when I felt ready to step out of my non-fiction comfort zone and write my first novel. Can't wait to start the next one.

Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.

A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.

I have a close girlfriend who was once involved with a man she wanted to marry. The trouble was, the guy was always hanging out with this other woman who he’d known since childhood. Just friends, he said. Nothing going on. Ha! The shenanigans they got up to were unbelievable, and extremely upsetting to my girlfriend, who eventually broke up with the cad. Her unlucky experience got me interested in the psychology of the love triangle, and why some people remain mired in these dead-end relationships. My reading jam is anything twisty and suspenseful, and what’s more fraught than a three-way competition for someone’s affections.

I’m always inspired by nature. I’m sure that’s because my parents always took us to beautiful places on our summer vacations. I enjoyed snorkeling in Florida, hiking in the Rockies, exploring at Yellowstone National Park, to name a few places. I’ve never forgotten how in awe I was at seeing such beauty, and when I started writing romantic suspense novels, it seemed natural to look for a setting that not only inspired me to write but would lend to the suspense and tension aspect of my novels as well as provide an exciting adventure. Even now, when we travel and explore, it’s always setting that inspires me with new story ideas.

I’ve only ever lived in small Midwestern towns. I grew up there, raised my kids there, recovered from a divorce there, remarried there. I’ve had the same best friends for 40 years. I’ve paid and bartered for my classmates’ trade services. I’ve argued with them in churches and cafes, rooted for and against their kids at high school basketball and football games all over the state. We’ve celebrated and buried each other’s loved ones. I’ve run hundreds of miles of Wisconsin trail, soaked in her waters, marveled at her sunsets. It’s as home to me as my own body, and I’ll never tire of reading about it. 

I love studying the ins/outs of humanity and our interactions, but especially, EI (emotional intelligence). A lot of emphasis is put on being “smart” and analytical (think IQ), but EI is largely ignored. Relationships thrive (and die) on EI! In the novels I write, I explore the emotional side of relationships and how, if we pay attention to this other side of intelligence, beautiful interactions happen. Typically, I don’t find riveting EI in books—and so when I do, I gobble the book up once, then twice, and possibly a third time, then tell everyone I know to GO READ THAT BOOK!

A youthful summer with my grandparents transformed me into a voracious reader, but I don’t recall what turned me into becoming a lifelong writer and editor. My first two teenaged short stories concerned a rock and a stoplight. My writing got better, and I’ve never stopped reading. As a grad student teaching literature, I longed to see my name on a book cover. Today, it’s on 20 books. My career was in publishing; I wrote and edited nonfiction for decades until 2007, when I turned to writing novels. My most recent is a collection of my early poetry. I also enjoy helping writers become published on The Fictional Café.