Books like Life of a Klansman — picked by fans

This is a brilliant, harrowing book that should be must-reading for anyone who might still be swayed by the worn-out moonlight-and-magnolias mythology of the “Old South.”

Drawing heavily on a wealth of remarkable first-person testimony, Williams chronicles the systematic brutalization of usually helpless Black women by white men. In particular, she makes all too clear that rape and other forms of sexual abuse were not just incidental but central to the terrorism of the Ku Klux Klan in its campaign to assert power over freed people.

Although women couldn’t vote, the abuse of wives, daughters, sisters, and mothers was a way to intimidate the Black men who could. Williams also shows how that abuse continued long after Reconstruction to become part of the repressive fabric of the Jim Crow era that followed.

I found some of the accounts in Williams’s book difficult to read, but I don’t think the full… show more.

Nearly fifty years ago, Eric Foner jumpstarted popular interest in the post-Civil War era with his magisterial Reconstruction.

Egerton’s engagingly-written work is the best recent history of the period, and a fitting heir to Foner’s accomplishment. I’m impressed by how much new scholarship Egerton incorporates, particularly on the activism of African Americans, and I like how clearly he shows how forward-looking legislation on education, election law, and civil rights advanced by the architects of Reconstruction set the stage for enlightened policies that would only come to full fruition in the 20th century. Reconstruction was ultimately choked by conservative reaction and the oppression of the Jim Crow era.

Egerton sees the Reconstruction era, as I do, as a great lost opportunity to overcome the legacy of slavery and strengthen democracy.

In this superbly written account, Lane, a senior editor at The Washington Post, has drilled down into one of the most pivotal events that marked the waning days of Reconstruction: the massacre of perhaps as many as one hundred freedmen by an overwhelming force of heavily armed whites in rural Louisiana.

What took place at Colfax was a de facto coup. The mostly unarmed dead were citizens attempting to protect their democratically elected local Black town government; their killers were vengeful whites, many of whom were battle-tried Confederate veterans. Apart from the pounding account of the battle and massacre, I found Lane’s dissection of its political aftermath fascinating.

Colfax became the fulcrum on which the legal subversion of Reconstruction turned. As Lane amply shows, attempts to prosecute the killers failed when in a series of cases the U.S. Supreme Court ruled that only states, not the federal government, could prosecute… show more.

The term “Scalawag” was pretty close to a curse word in the Reconstruction era South, meant to smear native whites who became Republicans and allied themselves politically with freedmen.

Baggett explodes the tenacious myth that the “scalawags” were no more than a gang of disreputable, self-serving louts who “shamed” the South by working with Blacks. Drawing on a wide range of sources, he shows that far from being sleazy opportunists they were often remarkably brave men the roots of whose political activism lay in clandestine Unionist resistance to the wartime Confederacy.

After the war, most of them embraced the Republican party from patriotic conviction and support for its expansion of democracy, as well as—if less frequently—the cause of extending civil rights to Blacks. Along with Black activists, they were frequent targets of the Ku Klux Klan; many died for their beliefs.

I found this an extraordinarily enlightening book… show more.

Written by accomplished historian Carolyn Morrow Long, A New Orleans Voudou Priestess tells the true story of Voodoo queen Marie Laveau based on extensive archival research.

In telling her readers about this Creole woman of color who was deeply embedded in the culture of New Orleans in the 1800s, we learn the real story of a woman who was often glorified and denigrated by the press and by local authors who wrote many fantastical tales about her life misleading many about her character and her religion. 

I love Gregory Christie’s artwork. His naïf style illustrations may seem crude and simple at first glance, but I think they are incredibly rhythmic and powerful.

His images pair seamlessly with the book's lyrical text, which depicts the awful hardships that enslaved people in New Orleans endured and the joy they felt on Sundays when they were free to play music, dance, and spend time together in Congo Square.

In a similar vein to False Witness, Litwin not only exposes the shortcomings of the Garrison investigation into the JFK murder but in the process uncovers the fraud and false information that are cited to support some of the currently popular conspiracy theories about the assassination. It is filled with new information from Litwin’s own extensive research.

The first in the Doucet series and a real nail-biter. A killer has been set free and the couple must team up to catch him. The trail leads them through the bayous of Louisiana and the author does a great job at escalating the tension between them and the environment. 

Imagine a political maverick rejecting the leader and crusade he’d long supported, along with “the Lost Cause,” a credo subscribed to by millions (and generations) of unreconstructed white Southerners. James Longstreet, one of Robert E. Lee’s top generals, I learned, was not one of them.

That surprised me, as he was fully devoted to preserving slavery and supporting secession during the war but became a staunch Unionist afterward, even working with Black officials in his newly adopted home state of Louisiana. If you’ve ever wondered why there are no memorial statues on courthouse lawns to this rebel general, read this book to learn why.

I found this biography of “The Confederate General Who Defied the South” to be well-written, revelatory, and absorbing. It challenges long-held views of the Confederate cause. 

I often wonder about the generations of people who lived in my house before me, but for better or worse, that context is lost to history. Conversely, Sarah M. Broom is privy to 60 years of intimate history of her childhood home in New Orleans East.

Making a home is an act of love; sustaining one hinges on determination, work, and community. It also helps to be treated like you matter by those in power. Broom’s tribute to her tenacious mother and family, who kept their home through times of security and lack thereof, only to lose it to Hurricane Katrina, is stunning. The house still exerts a tumultuous pull on Broom and her family. The crossing threads of love and heartbreak are sewn through this vivid, haunting memoir.