Here are 41 books that Why Your Five-Year-Old Could Not Have Done That fans have personally recommended if you like
Why Your Five-Year-Old Could Not Have Done That.
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A part of me is reluctant to recommend books on art. The same part of me is reluctant to write books on art. After all, a work of art should speak for itself. Then I remembered that for most contemporary art shows, a catalog is produced, and that catalog typically features an explanatory essay by some sympathetic scholar or critic. If the art of today requires verbal elaboration, how much more will the art of the past—especially the remote past—require such commentary? These recommendations are a selection of some favorite texts about how art comes into being—and is part of our being.
Not much in common between Gombrich and Berger, ideologically—so I would presume. Yet Berger’s social history of Western art, woven into the rise of capitalism, advertising, and mass media, is similarly direct in style.
It irritates me; it’s supposed to irritate. Given its radical energy, the book seems surprisingly undated. First published in 1972, it also still seems adventurous in design—the art book as a work of art.
"Seeing comes before words. The child looks and recognizes before it can speak.""But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."John Berger's "Ways of Seeing" is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Crypto’s rollercoaster journey has given rise to some of the most thrilling real-life tales of the last two decades. These tales teem with personal drama and reveal much larger truths: about our fractured global moment, about the ripple effects of well-intentioned technological systems, and about the massive divide between how we want society to function and how it actually does.
As much as some people wish it dead, crypto is not going away any time soon. Many of its followers have adopted a religious-like belief that it will transform humanity and bring unlimited wealth to its followers; others simply believe it to be a good investment. Their collective trust in these strange digital currencies means that crypto will continue to shape the world in unpredictable ways.
This book is not about crypto at all, but it does ask and answer complex questions about the very nature of value, which are central to understanding why crypto is now worth as much as it is. The economist Don Thompson takes on this question through the lens of the art world, examining why some pieces of canvas garner so much more attention and fame than others.
Through his reporting, Thompson reveals a self-serving, crime-adjacent industry that has convinced itself of its value to the world, but it is too often a glinting hall of mirrors. Sound familiar?
Why would a smart New York investment banker pay $12 million for the decaying, stuffed carcass of a shark? By what alchemy does Jackson Pollock's drip painting No. 5, 1948 sell for $140 million?
Intriguing and entertaining, The $12 Million Stuffed Shark is a Freakonomics approach to the economics and psychology of the contemporary art world. Why were record prices achieved at auction for works by 131 contemporary artists in 2006 alone, with astonishing new heights reached in 2007? Don Thompson explores the money, lust, and self-aggrandizement of the art world in an attempt to determine what makes a particular…
From the moment I could pick up a pencil, I’ve loved to draw. Since then, my art career has developed alongside my writing, and I’m now a professional illustrator. Despite this background, I still feel alienated from the “art world”. Contemporary art seems like a scam. Its pieces leave me cold, there’s rarely any skill to be appreciated, and their “meaning” is often obscure or trivial – at the end of the day, a pickled sheep is a pickled sheep, right? Pale Kings is a satire of all this, where a group of chancers set out to scam the scammers at their own game. But would anyone really buy a hole?
Where Thompson concentrates on the economic aspects of the art market, Thornton takes a sociological perspective.
She is like an anthropologist exploring a strange culture, and in the best participative tradition, takes pains to understand it non-judgementally, on its own terms.
The seven days refer to seven distinct events that make up the ecosystem of the contemporary art world: the auction house where pieces are sold, the university where artists learn their craft, the fair where collectors find new talent, the prize that spotlights tomorrow’s stars, the magazine that critiques and identifies the latest trends, the studio where the artist works, and the exhibition where the triumphant art is displayed and celebrated.
If Thompson’s book is about the finance of art, this is about people.
Sarah Thornton's vivid ethnography-an international hit, now available in twenty translations-reveals the inner workings of the sophisticated subcultures that make up the contemporary art world. In a series of day-in-the-life narratives set in New York, Los Angeles, London, Basel, Venice, and Tokyo, Seven Days in the Art World explores the dynamics of creativity, taste, status, money, and the search for meaning in life.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
From the moment I could pick up a pencil, I’ve loved to draw. Since then, my art career has developed alongside my writing, and I’m now a professional illustrator. Despite this background, I still feel alienated from the “art world”. Contemporary art seems like a scam. Its pieces leave me cold, there’s rarely any skill to be appreciated, and their “meaning” is often obscure or trivial – at the end of the day, a pickled sheep is a pickled sheep, right? Pale Kings is a satire of all this, where a group of chancers set out to scam the scammers at their own game. But would anyone really buy a hole?
The shortest book on the list – I wish it were longer! – is the hardest hitting.
Julian Spalding, art critic, and former gallery and museum curator, is well qualified to critique contemporary art trends. But the “con” of the title also stands for “conceptual” (requiring only ideas and little skill or craft), and the “con” or scam that he believes much conceptual art to be.
Spalding has no problem with “modern” or progressive art that challenges the status quo – Picasso, Magritte, or David Hockney – but only the intellectual bankruptcy that the conceptual movement has ushered in.
His forthright take is controversial, but its feisty, informed, and well-argued critique suggests that the little boy pointing out the emperor’s lack of clothes may just have a point.
A concise dissection of the myths that created Con Art - above all the myth that art has to shock to be new. The multi-million dollar reputations of Duchamp, Warhol, Beuys. Hirst and Koons and many others are exploded. Their art is worthless as art because it isn't art.
I am a professor of International Studies and a former museum curator. This combination provides me with a unique perspective not only on the inner workings of the art world, but the way that those practices map on to broader social, political, and economic transformations that occur as a result of globalization. This leads me, for example, to an assessment of how free-trade zones affect the art market. In past research, I have focused on colonialism and French art in the nineteenth century, so I am attuned to power imbalances between the center and the periphery and I am fascinated to see how these are shifting in the present.
This book provides a primer on the global art market from scholars around the world.
The issues addressed include economic integration of multiple circuits/regional markets, the rise of markets in Asia, online marketplaces, and the importance of galleries and collectives to propel artists to success. The biggest advantage to this work is that it is the first book to consider global art markets from divergent perspectives.
While there remains a real center to the art world analyzed in this volume, you can start to see how new regions and countries are charging forward, transforming the domain of contemporary art in the twenty-first century by making it far more diverse and global.
Since the late 1990s, contemporary art markets have emerged rapidly outside of Europe and the United States. China is r s1the world's second largest art market. In counties as diverse as Brazil, Turkey and India, modern and contemporary art has been recognized as a source of status, or a potential investment tool among the new middle classes. At art auctions in the US, London and Hong Kong, new buyers from emerging economies have driven up prices to record levels. The result of these changes has been an increase in complexity, interconnectedness, stratification and differentiation of contemporary art markets. Our understanding…
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This book is contemporary art. The graphics are on a different artistic level than most comics or graphic novels. It made me realize that the contemporary art scene can live and flourish in storytelling, which by the end of the day led me on my path to becoming a comic artist. The story about W the Whore has a weird poetic feel. It is not about a prostitute, but about a woman and that is the symbolism and metaphors Feuchtenberger introduces in her surreal landscape.
The experiences of womanhood are heightened and transformed in these eerie, fairy tale–like comics by a gifted artist-writer duo.
Soon after the fall of the Berlin Wall, the West German–born Katrin de Vries read a magazine featuring the drawings of the East German–born Anke Feuchtenberger. De Vries wrote to ask Feuchtenberger if she might want to collaborate, and together they’ve produced some of the most striking German comics of the last thirty years, most notably W the Whore.
Collected here in English for the first time, W the Whore, W the Whore Makes Her Tracks, and W the Whore Throws…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.
The late Dr. Maya Angelou, or "Auntie Maya" as we called her in our household, is one of the most brilliant and iconic authors in American history.
One of her lesser-known publications is her 1993 picture book, Life Doesn't Frighten Me, illustrated by the legendary artist Jean Michel Basquiat. This book is a work of art for all ages! Dr. Angelou's bold and beautiful poetry paired with Basquiat's genius is a love letter to the human spirit.
Shadows on the wallNoises down the hallLife doesn't frighten me at all Maya Angelou's brave, defiant poem celebrates the courage within each of us, young and old. From the scary thought of panthers in the park to the unsettling scene of a new classroom, fearsome images are summoned and dispelled by the power of faith in ourselves.Angelou's strong words are matched by the daring vision of artist Jean-Michel Basquiat, whose childlike style reveals the powerful emotions and fanciful imaginings of childhood. Together, Angelou's words and Basquiat's paintings create a place where every child, indeed every person, may experience his or…
After living in Europe for nearly 10 years, I’ve spent more time in planes, trains, and cars than I could ever count. I was able to travel more in that time than I ever dreamed possible, making trips ranging from Gibraltar to Romania to the Isle of Skye. Most of my time was spent all around Ireland where I took tour groups around to help them get beyond Blarney and experience the real Ireland.
We all know Prince Edward Island from the Anne of Green Gables series, but nothing has made me want to step on the shores more than Liz Johnson’s contemporary romance, The Red Door Inn. When Marie flees a troubled past, she lands in PEI and finds herself helping renovate a historic bed and breakfast. Set right on the water, this story enchants the heart and scratches the travel itch in equal parts. With crackling romantic tension, sweeping views, and brisk sea air, this book has everything you need to drift away for a little vacation right from your couch.
Marie Carrington is running from a host of bad memories. Broke and desperate, she's hoping to find safety and sanctuary on Prince Edward Island, where she reluctantly agrees to help decorate a renovated bed-and-breakfast before it opens for prime tourist season.
Seth Sloane didn't move three thousand miles to work on his uncle's B&B so he could babysit a woman with a taste for expensive antiques and a bewildering habit of jumping every time he brushes past her. He came to help restore the old Victorian--and to forget about the fiancee who broke his heart. The only thing Marie and…
What makes me passionate about this topic is my love of art, encouraged by my parents and developed when I was completing an undergraduate degree in architecture. I’m also addicted to mysteries, preferably ones with history thrown into the mix. Born in Australia, I lived for some years in the UK before moving to Canberra. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
Every novel Peter Carey writes is a rollicking adventure and this one is no exception. I love his way with words that is always original, and his idiosyncratic characters.
Theft tells the story of Michael "Butcher" Boone, an Australian artist whose career is in the doldrums. The novel alternates between the viewpoint of Butcher and that of his "damaged" brother Hugh. And yes, there is theft in the novel,…and scams and forgeries too. This is my favourite of all Carey’s novels.
Michael "Butcher" Boone is an ex-“really famous" painter, now reduced to living in a remote country house and acting as caretaker for his younger brother, Hugh. Alone together they've forged a delicate equilibrium, a balance instantly destroyed when a mysterious young woman named Marlene walks out of a rainstorm and into their lives. Beautiful, smart, and ambitious, she's also the daughter-in-law of the late great painter Jacques Liebovitz. Soon Marlene sets in motion a chain of events that could be the making--or the ruin--of them all.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As a reader, I’m drawn to characters and subjects I can relate to. Strong women who go their own way, ones who march to their own drummer. There is a raw honesty to their stories with subjects of creativity, grief, and loss. And as a writer of both fiction and personal essay, I write about these same issues as well, subjects I seem to turn to again and again. When I write, I try to tap into the emotions that might be buried but I’m always looking to move my readers whether it’s with tears or laughter, and the women in the books I chose do that for me.
The Loft Generation is unlike any other memoir or autobiography I’ve read. It’s written in short pieces, not exactly essays or chapters but remembrances of painter and writer, Edith Schloss’s, amazing life. Her memories are so vivid. Each person, place, and piece of artwork leaps off the page. It makes one wonder how she recalled all the amazing details that bring this to life. She seemed to collect fascinating people from Willem and Elaine deKooning to John Cage to Fairfield Porter. She met and befriended everyone from the abstract expressionist period in New York and then during her time in Italy where she later settled. A fascinating tale of an unusual woman, artist and writer living in a colorful, changing time.
A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss, who, from the early years, was a member of the group that shifted the center of the art world from Paris to New York
The Loft Generation: From the de Koonings to Twombly is a firsthand account by an artist at the center of a landmark era in American art. Edith Schloss writes about the artists, poets, and musicians who were part of the postwar art movements in America and about her life as an artist…