Books like White Wolf — picked by fans

I was always on the lookout for new fantasy books when I was younger, and found this in the library one day. So glad I did!

I know it’s a familiar theme to have a young person coming of age and being super powerful, but it’s a good theme, and done brilliantly in Magician.

I appreciate it when authors don’t waffle too much, keep things to the point, and let their characters breathe in an interesting world. Krondor is certainly an interesting world, and I ended up loving quite a few of the books in this series. 

I listened to the audiobook edition of this story and was completely blown away.

The narration is superb, with the reader performing songs and really making the story come alive, but the prose was just wonderful. Seriously, I would hear lines and think, “Oh my God, I wish I could write like that!”

I haven’t read much fantasy that was written in the past 20 years, but I can see why this is regarded as a modern classic. I loved it and wish he would finally complete the trilogy! 

This was my introduction to fantasy, and wow, what a story!

Of course, I eventually realised what everyone else had already known, that Sword of Shannara is basically a simplified retelling of The Lord of the Rings, but, as a first fantasy novel for a teenager to read, well, it made a huge impression on me. The second in the series, The Elfstones of Shannara, built on the strong foundation and moved away from LOTR as the author let their own imagination run free.

I liked the characters, particularly the giant druid, Allanon (yes, I have a thing for giant druids as readers of my own novels will know!), and the titular magical weapon, the Elfstones. Exciting stuff that really made my young mind full of possibilities, and having listened to it again more recently as an audiobook, I found it was still a really fun book.

The Dragonlance series is rightly regarded as a classic of fantasy fiction, but I feel the main trilogy doesn’t hold up quite as well these days as the Legends trilogy that begins with Time of the Twins.

This book has slightly more grown-up writing than other books in the series, and I think the two main characters, Raistlin, the sickly mage, and his physically powerful brother, Caramon, are two of the best ever created.

The plot over the trilogy is really exciting and draws the reader in, with some unexpectedly emotional events and lots of character development. I wanted to be Caramon when I was a youngster, and, actually, I still do!

Mark Evans was the bassist for AC/DC and played on such classics as ‘Dirty Deeds Done Dirt Cheap’ and ‘Long Way to the Top’. He was a resident of the ‘Prahran Hilton’ — a public housing estate in Melbourne — when he joined the band, and within a year he was in London mixing it up with Ozzy Osbourne (‘the plumber of darkness’), Marc Bolan, the Sex Pistols and the rest of them. This is a real boy’s own, working-class, rock and roll adventure.

There’s a genre of music books, in which I plead guilty to form, that is almost scrapbook-like, that mixes and matches elements to make, at best, a seamless blend of words and images, the sort of book that is a work of art in its own right like you used to find buried down the back of the aisles at counter-culture bookstores. Wild About You is the concept writ large, perhaps not least because editors Iain McIntyre and Ian D. Marks went through a couple of other similar-styled books before getting it quite so right with this one. As a portrait of the post-Beatles beat boom in Australasia in the 60s, it is definitive, written with vibrancy and beautiful and evocative for its illustrations and design. I’m still waiting for this dynamic duo to move onto the 70s!

The distinctive selling-point of this work is summed up by its sub-title: a focus on law, politics and religion as causal factors, not just for humdrum witchcraft accusations but for major, sustained witch-hunts. Brian Levack has made a huge contribution to our understanding of witch-hunting, and here brings his specialist expertise to bear on Scotland, which experienced the most intense, and devastating panics anywhere in the British Isles (and worse even than most places in continental Europe).

Historians have long learned not to see witch-hunts as hysterical spasms of pre-Enlightenment ‘superstition’. Demonology was a serious subject in the sixteenth and seventeeen centuries, and was logically coherent within the mentalities of the time. Witchcraft, then, wasn’t some insane sideshow to the dominant legal, political and religious issues of the day, but central to those issues.

Embedding witchcraft in these mainstream contexts is essential to understanding what it once meant, not just… show more.

Ah, were you ever going to shout the famous question, “Why’d you do it!?”, at a character, it would have to be at Morvern.

Another book that grabbed the filmic imagination, this time of Lynne Ramsay, Morvern has the quietest moment of madness on this list. She finds her boyfriend, whom she never names but gives him a Godlike uppercase H whenever He is mentioned, dead by his own hand on the floor of their flat and coolly accepts the fact.

Then, as a sort of civic duty and not to cause a fuss, she chops him up and buries the pieces of him in a suitably empty Scottish landscape. As you do. The draft novel she steals from him seems obviously hers, as all her actions seem obviously Morvern.

That Night in Paris is the second book in Sandy Barker’s Holiday Romance Series, which is packed with beautifully described holiday destinations and the will-they-won’t-they moments we romance readers love. In That Night in Paris, Cat books an impromptu European coach trip in desperation after she has a few too many wines and sleeps with her flatmate. And what a decision that turns out to be when she bumps into her long-lost teenage crush in Paris.     

Cat’s on my dinner guest list because she’s feisty, fun, and oozes sass, while at the same time having a more vulnerable side that would get the deeper conversations going by dessert. Sometimes strong women who are confident and outspoken (in a good way) can be criticised and labelled negatively, but women like Cat should be applauded for being real. 

I’ve spent some time in the north of Scotland and became intrigued by the remains of Pictish forts on hilltops and by the sea. This book doesn’t provide many answers—written records before 900 AD are few and the archaeology is confused—Konstam’s conclusion is "the main benefit of any visit to one of these sites is to be able to stand on the same hilltop or promontory, and to imagine what it might have looked like in the days of the Picts." Which explains why legends and stories have grown up about castles—imagining has been key to making sense of such imposing features in the landscape, when often their real history has been forgotten over time.

Konstam’s book is one of a series, and if your curiosity is about a different sort of castle it’s worth checking it out.